What is a Woman?

What is a woman? And what does it mean to be a feminist today? In her first full-scale engagement with feminist theory since her internationally renowned Sexual/Textual Politics (1985), Toril Moi challenges the dominant trends in contemporary feminist and cultural thought, arguing for a feminism of freedom inspired by Simone de Beauvoir's The Second Sex. A sustained refusal to lay down theoretical or political requirements for femininity, What is a Woman?
is a deeply original contribution to feminist theory.

(Oxford)

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"[Moi is] one of the most astute and lucid critics writing today. What she calls her attempt to work [her] way out from under post-structuralism, and to see what happens when one goes elsewhere'--a move undertaken in good faith as a feminist and with uncommon critical common sense--points a way forward, both for literary critics and other feminists....[This book] could serve as a lucid introduction to recent theoretical debates, and also as a farewell to them....[Moi proceeds] through careful close readings, sensitive to both historical context and textual nuance....She offers the views of even those she disagrees with with refreshing clarity."--Women's Review of Books<br> "Moi's long-awaited re-entry into the lists of mainstream feminist debate will not be perceived as a reopening of hostilities. Moi shows herself extraordinarily attentive to the work of American feminists....The psychoanalysis of Freud, Lacan and Kristeva has been joined by the sociology of Bordieu, the existentialism of Sartre and Beauvoir and, increasingly, by the ordinary language philosophy of Wittgenstein, Austin and Cavell....A bold rehabilitation of the theoretical importance of Beauvoir's feminism....[Issues] an explicit challenge to American feminist orthodoxy. But it is a challenge issued only at the end of a sustained and immensely careful labor of thought."--Modern Language Notes<br> "Important....The sheer scope and range of this 500-page book demonstrate the maturity of Moi's thoughts about gender, subjectivity, politics, love, and freedom....Taken together, Moi's essays [are] provocative, insightful, and refreshingly original....In particular, Moi's insights into the importance of Beauvoir'sunderstanding of the body as a situation are invaluable for feminist theoretical work on the relationship between culture and biology, and the renewed focus on lived experience is both welcome and necessary for a feminist theory that take seriously its political goals."--SubStance<br> "What [Moi] wants is a radical spring-clean of feminist thinking. Let's go back and start again, we have nothing to lose but our mind-forged manacles....[Her] energy is positive and provocative."--The London Review of Books<br> "Thinking and writing carefully and critically about what women are demand the kind of imaginative intelligence that Beauvoir and Moi bring to the task. Moi's book is an example of feminist writing at its finest; and, like Beauvoir's, it invites and deserves a wide readership of women and men."--Item<br>

(Oxford)

Part I: A feminism of freedom - Simone de Beauvoir; what is a woman? sex, gender, and the body in feminist theory; I am a woman - the personal and the philosophical. Part II: Appropriating theory - Bourdieu and Freud; appropriating Bourdieu - feminist Theory and Pierre Bourdieu's sociology of culture; the challenge of the particular case - Bourdieu's sociology of culture and literary criticism; the missing mother - Renee Girard's oedipal rivalries; representation of patriarchy - sexuality and epistemology in Freud's Dora; patriarchal thought and the drive for knowledge; is anatomy destiny? Freud and biological determinism. Part III: Desire and knowledge - reading texts of love; desire in language - Andreas Capellanus and the controversy of courtly love; she died because she came too late - knowledge, doubles and death in Thomas's Tristan; intentions and effects - rhetoric and identification in Simone de Beauvoir's The Woman Destroyed.

(Oxford)