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Köp båda 2 för 858 kr"Jazz Worlds/World Jazz is valuable for the critical lens that the assembled ethnomusicologists bring to bear on local music practices, which targets issues of race/ethnicity, nationalism, gender/sexuality, identity politics, mediation, globalization/indigenization, historiography, canonization, socioeconomics, and the like. . . . The accompanying compact disc of musical examples, referred to in the text, further illustrates and clarifies the discourse"--Charles Hiroshi Garrett, editor in chief of The Grove Dictionary of American Music, Second Edition "Notes" "Jazz Worlds/World Jazz is a fine introduction to different ways of looking at and learning to play jazz. And it certainly provides an alternate narrative to the cliched story of the music migrating up the river from New Orleans to points north and then suddenly and miraculously easily disseminating all over the world."--Charles Hiroshi Garrett, editor in chief of The Grove Dictionary of American Music, Second Edition "Music Works"
Philip V. Bohlman is the Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago. He is the author or editor of many books, including Jewish Musical Modernism and Music and the Racial Imagination, and coeditor of the Chicago Studies in Ethnomusicology series, all published by the University of Chicago Press. Goffredo Plastino is a reader in ethnomusicology in the school of arts and cultures at Newcastle University. He is the editor of Mediterranean Mosaic and coeditor of Made in Italy and Neapolitan Postcards.