The Roman Triumph (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
448
Utgivningsdatum
2009-05-01
Utmärkelser
Nominated for PROSE Awards 2007; Nominated for Mark Lynton History Prize 2008
Förlag
The Belknap Press
Illustratör/Fotograf
42 halftones
Illustrationer
42 halftones
Dimensioner
229 x 155 x 33 mm
Vikt
636 g
Antal komponenter
1
ISBN
9780674032187

The Roman Triumph

Häftad,  Engelska, 2009-05-01
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It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty hed captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesars chariot? Or when Pompeys elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the generals show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and victory in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman cultureand for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes history.
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Conjectures and conclusions grow from and around the triumphus like kudzu. It takes the mighty vorpal sword of Mary Beard to clear a path through this jabberwocky jungle, snicker-snack. She stands in the great tradition of myth-puncturing Latin classicists--scholars like Richard Bentley, Basil Gildersleeve. A. E. Housman. or Ronald Syme--when she points out that almost all the established views on the triumph are dubious or plain wrong...Her prose, for all its learning, is jaunty. Her book is, in short, a triumph. -- Garry Wills * New York Review of Books * [This] book succeeds as a case study in ancient history, but also as an implicit invitation to reconsider representations of victory and loss in our own culture. Beard ranges among literary, historiographical, artistic, architectural, numismatic, epigraphical, and archaeological sources with impressive ease and fluency, showing that the preoccupation with triumph haunts all these different fields of Roman cultural life--from Ovid's cheeky claim that triumphal processions can be good for picking up girls, and his presentation of himself as the victim of Cupid's triumphal chariot, to the many triumphal arches that the triumphalist Romans erected, which Beard reads as attempts to construct a permanent memorial from an essentially fleeting parade...Beard brilliantly shows that most of this story about the typical Roman triumph is a scholarly or literary fabrication, supported by very slender evidence, or by none at all; or it is a reconstruction based on evidence from authors in widely different time periods, each of whom has his own axe to grind...The demolition work is the most obvious accomplishment of her book. -- Emily Wilson * New Republic * This is no ordinary history. It is not a reconstruction but a deconstruction, a virtuoso display of how to interrogate one's sources. Not only that, it is written with sly subtlety, delightful humor and an agreeable absence of jargon. -- Christian Tyler * Financial Times * A book that manages to be simultaneously both brilliantly subtle and splendidly swaggering. Throughout it, [Beard] subjects our sources for the Roman triumph to merciless dissection, exposing with a pathologist's scalpel how beneath all its outward sheen there lurked profound insecurities and ambivalences...[It] can be enjoyed by readers far beyond the purlieus of classics departments...A book that is, in every sense of that complex word, a triumph. -- Tom Holland * Sunday Times * This rich and provocative book offers such a full account of what it means to call ancient Rome "a triumphal culture." -- William Fitzgerald * Times Literary Supplement * From the first (uncertain) moment when Romans came to think of triumph as a bundle of victory rites that could be repeatedly improved upon, generals fought and lobbied for their moment in the limelight. Enemies, rivals and spectators could not resist being drawn into the show. Beard's Roman Triumph will exercise a similar fascination on its readers. -- Greg Woolf * The Guardian * In The Roman Triumph, many cherished assumptions are robustly interrogated or put to the sword...Beard takes us on a dizzying trip back and forth across triumphs and centuries (Pompey, Romulus, Nero, Augustus). Only after she has unpicked accounts of Pompey's triumph, and reflected on captives, spoils, rules and ritual, does she pause briefly to end at origins...Simultaneously a re-evaluation of the triumph, of Roman culture more broadly, and of the problems of scholarship on ancient societies, this is an ambitious project. -- Maria Wyke * The Independent * Thorough, minutely detailed and closely argued...[Beard's] account certainly brings us closer to the complex and fascinating reality than any Rome according to MGM or Paramount. -- Christopher Hart * Independent on Sunday * This book gives a bracing lesson in the use and abuse of evidence, as Beard teases apart the various bits and pieces that have

Övrig information

Mary Beard has a Chair of Classics at Cambridge and is a Fellow of Newnham College. She is classics editor of The Times Literary Supplement and author of the blog A Dons Life. She is also a winner of the 2008 Wolfson History Prize.