Sarah Kane in Context (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
240
Utgivningsdatum
2011-09-01
Förlag
Manchester University Press
Medarbetare
Saunders, Graham
Illustratör/Fotograf
black & white Illustrations
Illustrationer
Illustrations, black & white
Dimensioner
216 x 140 x 14 mm
Vikt
300 g
Antal komponenter
1
Komponenter
22:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on White w/Gloss Lam
ISBN
9780719086458

Sarah Kane in Context

Essays

av Laurens De Vos, Graham Saunders
Häftad,  Engelska, 2011-09-01
291
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From the controversy in 1995 that heralded Blasted, to her death in February 1999, Sarah Kane built a reputation as an established playwright of international stature. This is the first volume of collected essays by some of the leading scholars in their field, providing a comprehensive approach to the body of work she produced in this brief period. Essays included cover the political, literary and theatrical identities that have exerted influence on Kanes work, as well as discussing and assessing her innovative theatrical experiments and the performative issues that arise from within the plays. Sarah Kane in context examines one of the most controversial and influential dramatists who emerged during the In-Yer Face generation of British dramatists in the 1990s and provides an essential guide to Kane for students and scholars alike. -- .
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Laurens De Vos, Graham Saunders

Övrig information

Lauren de Vos is a Lecturer in Comparative Literature at Ghent University. Graham Saunders is a Lecturer in Theatre Studies at the University of Reading. -- .

Innehållsförteckning

Contents Introduction (Laurens De Vos and Graham Saunders) Part I: Surrounding Voices 1. Reviewing the fabric of Blasted (Elaine Aston) 2. Sarah Kane before Blasted: the monologues (Dan Rebellato) 3. Looks like theres a war on: Sarah Kanes Blasted, political theatre and the Muslim Other (Aleks Sierz) 4. Staging Power: the politics of sex and death in Senecas Phaedra and Kanes Phaedras Love (Zina Giannopoulou) 5. The Beckettian world of Sarah Kane (Graham Saunders) 6. Cruelty, violence and rituals in Sarah Kanes plays (Stefani Brusberg-Kiermeier) 7. Sarah Kane, experiential theatre and the revenant avant-garde (Clare Wallace) Part II: Subjectivity, Responsibility and Representation 8. The voice of Kane (Ehren Fordyce) 9. I love you now: time and desire in the plays of Sarah Kane (Robert I. Lublin) 10. Sarah Kane and Antonin Artaud: cruelty towards the subjectile (Laurens De Vos) 11. Posthumanist identities in Sarah Kane (Julie Waddington) 12. Neither here nor there: theatrical space in Kanes work (Annette Pankratz) 13.Victim. Perpetrator. Bystander: critical distance in Sarah Kanes Theatre of Cruelty (Hillary Chute) 14. Sarah Kanes Phaedra's Love: staging the implacable (Peter A. Campbell) 15. Under the surface of things. Sarah Kanes Skin and the medium of theatre (Mateusz Borowski) 16. We are anathema Sarah Kanes plays as postdramatic theatre v. the Dreary and repugnant tale of sense (Eckart Voigts-Virchow) Epilogue The mark of Kane (Edward Bond) References List of Contributors Index -- .

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