Music at the Edge of Circulation
De som köpt den här boken har ofta också köpt Who's Afraid of Gender? av Judith Butler (inbunden).
Köp båda 2 för 642 krWhile Japanoise gives a fantastically detailed account of Noises history and evolution, it is also interesting to see it framed as a true representative of what has come to be known as Cool Japan. As the government promotes sugary sweet pop acts that cause toothaches abroad, the grassroots noise scene (OK, it might be causing earaches) is making real progress in keeping Japan cool. -- Shaun McKenna * Japan Times * The major strength of Novaks book lies in its ability to describe the goings on at various gigs in both Japan and the United States in such a way that the reader is able to sense something of what it must have been like to be there, just enough, perhaps, to wish that s/he had actually been there. For a reader such as this reviewer, indeed, there is much envy-inducing material here. In this respect, Novaks book is very much in the David Toop school of writing, and as such there are many passages that provide the reader with truly engaging, fascinating and beautifully written accounts of some musical events the like of which will never be heard again. -- Greg Hainge * Asian Studies Review * Novak succeeds in highlighting the cultural implications of Noise in ways that productively broaden scholarly inquiries about music and culture. This book is an invaluable, groundbreaking contribution for ethnomusicology that is applicable to scholars across disciplines with interests in transnationalism, technology, and globalization. -- Nana Kaneko * Ethnomusicology Review * This is a thought-provoking book that is well written and researched, and it made me reflect on not just Noise as experimental music that pushes the boundaries of aesthetics and physical listening but also on listening to a variety of sounds in daily life, on our relationship to technology and our ability to shape sound through it, and on the collaborative connections and blurred identities that exist among artists, distributors, and consumers. -- Carolyn S. Stevens * American Ethnologist * "Novaks mesmerizing writing style achieves the impressive (almost magical, it seemed to me) feat of depicting the art without confining it to narrative. Indeed, the manner in which Novaks beautifully fragmented depictions of heterogeneous ethnographic 'scenes' tie together in a cohesive sort of chaos seemed intended to evoke Noise itself. -- Scott W. Aalgaard * Journal of Asian Studies * "Japanoise, on one hand, delineates Noises historical resonance with musique concrte, post-war jazz, experimental rock and Dada happenings, to name just a few orienting styles. On the other, it encourages and provides a template for approaching challenging music with sensitivity to its form as well as its cultural logic. The book thus astutely addresses not only scholars but students at a variety of levels." -- Benjamin Tausig * Ethnomusicology Forum *
David Novak is Assistant Professor of Music at the University of California, Santa Barbara.
Acknowledgments vii Introduction 1 1. Scenes of Liveness and Deadness 28 2. Sonic Maps of the Japanese Underground 64 3. Listening to Noise in Kansai 92 4. Genre Noise 117 5. Feedback, Subjectivity, and Performance 139 6. Japanoise and Technoculture 169 7. The Future of Cassette Culture 198 Epilogue: A Strange History 227 Notes 235 References 259 Index 279