- Häftad (Paperback)
- Antal sidor
- Duke University Press
- 39 photographs
- 234 x 158 x 19 mm
- Antal komponenter
- 426 g
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A View from the Bottom
Asian American Masculinity and Sexual Representation
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Recensioner i media
"A View from the Bottom is a critical and insightful read for anyone interested in media studies, particularly for people interested in the performance and representation of sexual and racial minorities." -- Min Joo Lee * Liminalities * "This monograph is a generative work for scholars who center comparative racialization and queer diaspora, as well as gender, sexuality, and media representation more broadly. Nguyen deftly engages numerous conversations in queer studies, film studies, Asian American studies, and queer of color critique." -- Jonathan Branfman * Sexualities * "Nguyen's insights allow us to view the bottom as an opportunity for creativity, a position of receptiveness that affords agency and pleasure, and an occasion to build a queer utopic space that offers unbounded social relations with others." -- Christopher B. Patterson * MELUS * "A View from the Bottom... provokes a political recalibration that aligns bottomhood, femininity, and race in tender union.... Nguyen bravely models a praxis of vulnerability that we rarely encounter in academic writing, especially around the fraught and fragile imbrications of race, desire, and power" -- Uri McMillan * GLQ * "The book is written with nuance and theoretical sophistication, in a clear and lively style that is at once personable and playful.... A View from the Bottom is certainly well positioned to provoke new conversations-even realignments of boundary-between gay studies and trans studies." -- Helen Hok-Sze Leung * TSQ * "Communication researchers who are interested in critical racial studies, cultural studies, and queer theory should find [A View from the Bottom] relevant and inspiring." -- Lik Sam Chan * International Journal of Communication * "Using tools not of the master's house, Nguyen offers a pioneering study of Asian American gender and sexuality with reverberating tools that transform our theory and praxis." -- Margaret Rhee * Amerasia Journal * "Little or none of the scholarship around the sexual position of the bottom has accurately articulated it as a sexual practice with the capacity to rewrite both shame and vulnerability... [Nguyen] sets himself a part from today's contemporary queer canon of scholars." -- John Erickson * Lambda Literary Review * "Artist-scholar Nguyen Tan Hoang's dexterous unpacking of a Hollywood classic, the oeuvre of a gay Asian American porn star, an international art house film, videos by gay Asian artists and the self-representation of online sex sites challenged me to radically rethink the terms and stakes for reconsidering the representation of Asian American masculinity. A profoundly insightful and provocative book." -- Richard Fung "Artist-scholar Nguyen Tan Hoang's dexterous unpacking of a Hollywood classic, the oeuvre of a gay Asian American porn star, an international art house film, videos by gay Asian artists and the self-representation of online sex sites challenged me to radically rethink the terms and stakes for reconsidering the representation of Asian American masculinity. A profoundly insightful and provocative book." -- Richard Fung "Nguyen Tan Hoang's exciting book is a compelling account of the aesthetic, political, and queer possibilities of racialized forms of 'bottomhood.' As someone who has been writing about masochism and passivity in relation to queer feminisms for a while, I realize that this is the book I have needed in sorting through the complex forms of personhood, pleasure, and power that bottomhood braids into the meanings of race, nation, and sexuality." -- Jack Halberstam, author of * The Queer Art of Failure *
Bloggat om A View from the Bottom
Nguyen Tan Hoang is Assistant Professor of English and Film Studies at Bryn Mawr College. He is also a videomaker whose works include K.I.P, Forever Bottom!, PIRATED! and look_im_azn. His videos have been screened at the Museum of Modern Art, The Getty Center, and the Centre Pompidou.