Slade House

Ingenious . . . a deliciously creepy story to be read for plot and for pleasure, with your heart racing, and your eyes involuntarily skipping forwards to find out what happens * Sunday Times * Packed with heady ideas and pulsing with dark energy . . . both dazzlingly inventive and compulsively readable * Financial Times * An elegant fright-fest of the highest order . . . Mitchell masterfully, humorously, combines the classic components of a scary story - old house, dark alley, missing persons - with a realism, when describing the lives of the victims, that is pacy, funny and true * The Times * A clever and deep-frozenly chilling Gothic horror story . . . genuinely good, genuinely scary * Daily Mail * Mitchell seamlessly brings together his clashing parallel realities through wordplay so dazzling it seems to defy its own gravitational rules * Metro * Chilling and dazzling . . . but the real skill of the book is in its emotional impact. Mitchell makes you care about each of the narrators * Scotland on Sunday * Irresistible * Mail on Sunday * Mitchell's most pleasurable book to date, which also features some of his finest writing . . . a quiet, delightful triumph * Literary Review * Plants died, milk curdled, and my children went slightly feral as I succumbed to the creepy magic of David Mitchell's Slade House. It's a wildly inventive, chilling, and - for all its other-worldiness - wonderfully human haunted house story. I plan to return to its clutches quite often -- Gillian Flynn, author of <i>Gone Girl</i> A fiendish delight . . . Mitchell is something of a magician * Washington Post * One of the most enjoyably, deliriously frightening novels I've read in ages . . . gleeful, skin-crawling brilliance * Observer * His work manages to beguile, impress and delight in equal parts . . . highly effective, creepy and witty * Irish Times * It's a gripping premise which becomes increasingly suspenseful as the stories move closer to the present day . . . Be warned, this is not a book to read before bedtime * Independent on Sunday * Manically ingenious . . . Vending-machine horror tropes, believable characters, wild farce, existential jeopardy, meta-fictional jokes: into the cauldron they go. Mitchell is at home in this kitchen * Guardian * A marvellously horrific, sharp and concise masterpiece . . . The novel's brevity should not lead the reader to underestimate just how much punch Mitchell's prose packs. His fiction is intoxicating * Lady * I gulped down this novel in a single evening. Intricately connected to David Mitchell's previous books, this compact fantasy burns with classic Mitchellian energy. Painstakingly imagined and crackling with narrative velocity, it's a Dracula for the new millennium, a Hansel and Gretel for grownups, a reminder of how much fun fiction can be -- Anthony Doerr, author of <i>All the Light We Cannot See</i> Crackling with menace, yet a delightful sly wit * Sunday Mirror * A deliciously creepy, page-turning mystery . . . Mitchell's gift for characterisation shines through, making everyone vivid * SFX * Mitchell flits among the realest of voices - a shy teenage girl, a washed-up cop - in the most supernatural of settings: a brilliant, career-long high-wire act. If you haven't read him yet, Slade House is your 238-page, pocket-size gateway drug * Time * Brilliantly done, spooky, tense and beautifully written, full of the writerly flourishes that Mitchell is rightly famous for * Daily Express * A ripping yarn . . . Like Shirley Jackson's Hill House or the Overlook Hotel from Stephen King's The Shining, [Slade House] is a thin sliver of hell designed to entrap the unwary . . . As the Mitchellverse grows ever more expansive and connected, this short but powerful novel hints at still more marvels to come * San Francisco Chronicle * The joy in Slade House is in the discovery. It's in seeing different people make the same mi

David Mitchell is the author of the novels Ghostwritten, number9dream, Cloud Atlas, Black Swan Green, The Thousand Autumns of Jacob de Zoet, The Bone Clocks, Slade House and Utopia Avenue. He has been shortlisted twice for the Booker Prize, won the World Fantasy Award, and the John Llewellyn Rhys, Geoffrey Faber Memorial and South Bank Show Literature Prizes, among others. In 2018, he won the Sunday Times Award for Literary Excellence, given in recognition of a writer's entire body of work. His screenwriting credits include the TV shows Pachinko and Sense8, and the movie Matrix: Resurrections. In addition, David Mitchell together with KA Yoshida has translated from Japanese two autism memoirs by Naoki Higashida: The Reason I Jump and Fall Down Seven Times, Get Up Eight. He lives in Ireland.