Max Liebermann and International Modernism (häftad)
Fler böcker inom
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
266
Utgivningsdatum
2011-05-01
Upplaga
Firsttion ed.
Förlag
Berghahn Books
Medarbetare
Liebermann, Max
Illustrationer
113 ills
Dimensioner
277 x 213 x 20 mm
Vikt
885 g
Antal komponenter
1
Komponenter
483:Premium Color 8.5 x 11 in or 280 x 216 mm Perfect Bound on White w/Matte Lam
ISBN
9781845456627

Max Liebermann and International Modernism

An Artist's Career from Empire to Third Reich

av Marion Deshmukh, Franoise Forster-Hahn, Barbara Gaehtgens
Häftad,  Engelska, 2011-05-01
1178
Köp
Spara som favorit
  • Skickas från oss inom 3-6 vardagar.
  • Fri frakt över 249 kr för privatkunder i Sverige.
Although Max Liebermann (18471935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.
Visa hela texten

Passar bra ihop

  1. Max Liebermann and International Modernism
  2. +
  3. Not The End Of The World

De som köpt den här boken har ofta också köpt Not The End Of The World av Hannah Ritchie (häftad).

Köp båda 2 för 1366 kr

Kundrecensioner

Har du läst boken? Sätt ditt betyg »

Fler böcker av författarna

Recensioner i media

Published in Association with the German Historical Institute, Washington, D.C. and the Centre Allemand d'histoire de l'art/Deutsches Forum fr Kunstgeschichte, Paris

Övrig information

Marion Deshmukh (1945-2019) was the Robert T. Hawkes Professor of History at George Mason University where she served as Department Chair from 1984 to 1995 and from 2006 to 2007. Her publications include works and exhibition catalog essays on Max Liebermann, on German academies and art unions, on Berlins National Gallery of Art since 1945 and on East German painters since 1990. She curated a Max Liebermann graphics show at the Goethe-Institut, Washington, D.C., (Max Liebermann, Works on Paper, 2006) and an exhibit, co-curated with the Wende Museum, also at the Goethe Institut, (Iconoclash! Political Imagery from the Berlin Wall to German Unification, 200910).

Innehållsförteckning

List of Illustrations Acknowledgements Introduction PART I: LIEBERMANNS INTERNATIONAL CONNECTIONS AND TRAINING Chapter 1. Internationalism for the Nation: Max Liebermann as a Cultural Politician Peter Paret Chapter 2. Weimar Beginnings: Liebermann and Munkacsy Hendrik Ziegler Chapter 3. Liebermanns Holland Holly Richardson PART II: THE FRENCH CONNECTION Chapter 4. German Impressionism? Thomas Gaehtgens Chapter 5. Liebermann and Millet Andrea Meyer Chapter 6. Liebermann and his French Critics: Art and Politics from the 1870s to the 1930s Mathilde Arnoux Chapter 7. Max Liebermanns Art Collection: A Reconstruction from Letters and Documents Annegret Janda Chapter 8. History and Modernity: Liebermanns Late Garden Paintings Barbara Gaehtgens PART III: GERMAN CULTURAL CRITICISM Chapter 9. Criticism, Conflict and Controversy Matthias Eberle Chapter 10. How Modern is Modern? Max Liebermann and the Discourses of Modernism in 1906 Franoise Forster-Hahn Chapter 11. Whos Afraid of Delilah? Liebermann Portraying Women Margreet Nouwen Chapter 12. Kreigszeit and the Discourse of War Imagery Timothy Benson PART IV: INTERNATIONAL POLITICS AND INTERNATIONAL MODERNISM Chapter 13. Max Liebermanns Role in Russia Marina Dmietreva-Einhorn Chapter 14. Paintings and Drawings by Max Liebermann: A British Intervention against European Fascism Susan M. King Chapter 15. The Art of the Deal, Collecting Max Liebermann in America Christopher With Chapter 16. Sonderwege Historical and Art Historical: The Case of Max Liebermann Marion Deshmukh Chronological Timeline Notes on Contributors Bibliography Index

Du kanske gillar