The Faraway Nearby

Like Simon Schama, Solnit is a cultural historian in the desert-mystic mode, trailing ideas like swarms of butterflies * Harper's * Her writerly digressions obey shapely geometry, not random derive. [The book is] artfully composed to a unifying scheme, which arises from Solnit's commitment to the storytelling craft and its necessary devices... Finely-wrought, intense and eloquent -- Marina Warner * Guardian * [A] passionately imperfect, extremely moving, original and humane book... Beautiful -- Joanna Kavenna * Literary Review * Solnit is an explorer of the most exquisite kind, and a writer of the public road... We follow [her] mind, and what a mind it is, as vast and intriguing as a system of caverns and passageways opening into yet more caverns and passageways... Courageous -- Kurt Caswell * Los Angeles Review of Book * Gripping... Solnit deserves to be widely read -- Sara Wheeler * Observer * This is one of more beautifully written books we've read this year, filled with insight and gut-wrenching phrases. It is simple to read, yet generates complex reactions in the reader. If you enjoy stories and storytelling, this book will expand your understanding of them, and yourself * Huffington Post * An exhilarating form of literary cartography... wonderful -- Jon Day * Financial Times * Solnit is asking us to pause, to consider the stories we tell ourselves about our lives, and to rethink the unstated assumptions of our own interior epics... a book-length primer in the uses of empathy... Rich [and] poignant -- Saul Austerlitz * The National * The book is a lovely one that may bring many readers catharsis or consolation... One loves Solnit for her intelligence and her uprightness... Compelling and unique * Slate * Solnit has a winning prose style... Imaginative sentences are dropped here and there -- Theresa Munoz * Herald * This [book is] about stories - how we use them, the way we tell them. [It] moves between memories from her mother, to more classic fairy tales... you'll want to pen your own by the end -- Lena de Casparis * Company * Complicated, powerful, acutely, even painfully, personal... Solnit is profoundly antagonistic to formulaic production -- Olivia Laing * New Statesman * An astute cultural critic -- Saul Austerlitz * National * Here is Solnit at her most stimulating: pointed (even outraged), grounded in history, observing from the outside -- S. J. Culver * Slate * Solnit fashions an elegant study in empathy through these meandering reflections -- Gabe Habash * Publishers Weekly * The best chapter is on Iceland... her descriptions are wonderful -- Frances Wilson * Telegraph * If you want a very different, lyrical take on how our lives are surrounded and defined by the stories we tell, Solnit's latest book is one of the finest of this or any year -- Andrew Losowsky * Huffington Post * Solnit's words are exquisite; each chapter weaves a fabric of personal experience, literary or historical anecdote and intimate conversation -- Kate Padilla * Spencer Daily Reporter * [It is] at once memoir, literary criticism, and inspirational touchstone, a meandering yet purposeful exploration of how we spin and follow stories, and of how they can lead us on a journey toward self-definition and empathy -- Heller McAlpin * Barnes and Noble Review * Solnit explores love and loss, warmth and coldness, the making of art and the remaking of the self - her distinctive, dense and at times stunning, storytelling hacks a path through the creative landscape -- Alexandra Murphy * We Love This Book * [It is] a work of art with many layers, and readers will be rewarded each time they revisit this wonderful book -- Katie Archer * Yorkshire Post * Solnit is the champion of a style of writing that loops, circles, changes direction... In an era when much of western culture seem unwilling even to acknowledge the political challenges facing us, looming environmental crisis above all, Solnit is a role model -- Susanna Rustin * Guardian * [Solnit] present

Rebecca Solnit is author of, among other books, Call Them By Their True Names, The Mother of All Questions, Men Explain Things to Me, Wanderlust, A Field Guide to Getting Lost, the NBCC award-winning River of Shadows and A Paradise Built in Hell. A contributing editor to Harper's, she writes regularly for the London Review of Books and the Los Angeles Times. She lives in San Francisco.