History Of Modern Design

Surveying applied arts and industrial design from the 18th century to the present day, this book explores the dynamic relationship between design and manufacturing, and the technological, social and commercial context in which this relationship developed. The effects of a vastly enlarged audience for the products of modern design and the complex dynamic of mass consumption are also discussed. Part of this dynamic reveals that products serve as signs for desires that have little to do with need or function. The book also explores the impact of a wealth of new man-made industrial materials and tools on the course of modern design - from steel to titanium, plywood to plastic, cotton to nylon, wire to transistors, and microprocessors to nanotubes. The research, development and applications of these technologies are shown as depending upon far-reaching lines of communication stretching across geographical and linguistic boundaries. Extensively revised and expanded for this second edition, "History of Modern Design" is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study. Review of the first edition: '..Raizman's book awakens you to examples of design that surround us everywhere, all the time. By the end, the "History of Modern Design" manages the rare trick of being an authoritative textbook that fuels the imagination..' - "Blueprint".

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David Raizman's History of Modern Design has assumed landmark status within design studies. Synthesizing design, technology, art history and social history, Raizman builds a cogent argument for studying design as both a production-based discipline and an intellectually-driven profession.A" - Elizabeth Guffey, Professor of Art History, School of Humanities, Purchase College, State University of New York, and Editor, Design and Culture "With a reworking of the book's narrative structure and inclusion of ways in which the concept and power of design have mutated in the seven years since its first publication, this book remains an essential addition to the bookshelves of designers, design students and those for whom design-thinking is important." - Jamie Brassett, MA Course Director and Subject Leader, Central St Martin's Functioning as a superb overview of the ways in which design issues affected the modern world (from the 18th century until now) Raizman has successfully created - the foremost text for those well versed in design history while also presenting the general public with a comprehensive, informed, extremely well illustrated volume that will stand the test of time.A" - Gabriel P. Weisberg, Professor of Art History, Design and Graphic Art History, University of Minnesota This book offers a fascinating and authoritative cross-disciplinary description of the past 250 years of design history. The text moves effortlessly between typography, graphic design, fashion, furniture design, architecture, and many other disciplines. It is exemplary because of its balanced prioritisation of historical events and factors and its rich contextualisation. It is an excellent textbook for teachers and students in universities, academies and design schools and a fine introduction for readers with an interest in design, with whom it has already, deservedly, found an audience.A" - Ida Engholm, Associate Professor, Danish Centre for Design Research, The Royal Academy of Fine Arts, School of Architecture, Copenhagen Incorporating architecture, graphic design, product design, typography, studio craft, furniture design and fashion design, seamlessly contextualized through both the "fine arts" canon and popular culture of their respective era, Raizman's History of Modern Design is an invaluable resource for not only understanding design history, but its relevance to cultural history. The host of new illustrations and up-to-the-minute writing on contemporary issues in design only improve upon Raizman's winning approach.A" - Maria Elena Buszek, Assistant Professor of Art History School of Liberal Arts, Kansas City Art Institute

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David Raizman is Professor in the Art and Art History Department in the Westphal College of Media Arts & Design at Drexel University in Philadelphia. He co-edited, with Professor Carma Gorman, Objects, Audiences, and Literatures: Alternative Narratives in the History of Design (2007), and has been a research fellow at the Wolfsonian-Florida International University museum in Miami Beach, Florida.

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PART I: Demand, Supply, and Design (1700-1800) PART II: Expansion and Taste (1801-1865) PART III: Arts, Crafts, and Machines - Industrialization: Hopes and Fears (1866-1914) PART IV: After World War I: Art, Industry, and Utopias PART V: Humanism and Luxury: International Modernism and Mass Culture after World War II (1945-1960) PART VI: Progress, Protest, and Pluralism 1961-2010

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