Visar resultat för..."nemi "

Plötsligt står en naken kvinna mitt på vägen. Det är höst och mitt i natten. Göran förbarmar sig över henne och erbjuder natthärbärge. Flickan är minst sagt underlig, men får stanna hos honom en tid. Samtidigt inträffar en serie bestialiska mord i staden. Sanningen som sakta uppdagas ligger bortom all fantasi.

Puts forward a new, provocative history of queer cinema in Brazil.Through an analysis of contemporary Brazilian cinematic production,Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema.In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of João Silvério Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquettes (2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices.Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema.

Puts forward a new, provocative history of queer cinema in Brazil.Through an analysis of contemporary Brazilian cinematic production,Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema.In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of João Silvério Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquettes (2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices.Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema.

The Other Fridas: The Lives and Works of Latin American Women Artists explores the lives of prominent and lesser known artists from a dozen different countries, and seeks to understand their artistic contributions and their complex lives. Frida Kahlo is one of the most recognizable women artists of the Western world and an icon of feminism. Yet, Latin America has produced many other women artists who, like Kahlo, challenged conventions of their day, transgressed gender stereotypes, and significantly contributed to cultural and artistic realms. Most have been overshadowed by their male counterparts; and while some have been recognized in their home countries, the vast majority have remained in obscurity at home and abroad. This collection brings together sixteen essays, and features such artists as Chilean composer Violeta Parra, Cuban painter Belkis Ayón, nineteenth-century Portuguese-Brazilian actress Maria Velluti, Puerto Rican painter and sculptor Luisa Géigel Brunet, and many more. This book celebrates the lives and creativity of these underrecognized artists, and the contributions that they have made towards Latin American art.

Meet Nemi Montoya, the vegetarian, cynical/romantic, hilariously honest twenty-something goth, in this brand new collection from artist Lise Myhre! Hang out in the pub with Nemi and her friends, including her flatmate, the blue-haired Cyan; hear her opinions on romance and dating; watch her watch TV in her untidy flat; learn how she feels about birch trees, spiders and blondes; and generally experience the highs and lows of being Nemi in the modern world! A superstar in her native Norway thanks to the immense success of Nemi - also reprinted in the 1.12 million-circulation UK Metro newspaper - you too can enter Lise Myhre's witty, wonderful world!

Nemi Montoya, the vegetarian, cynical/romantic, hilariously honest twenty-something goth, returns in this brand new collection from artist Lise Myhre! In this hilarious and beautifully illustrated third volume, Nemi and her blue-haired best friend Cyan tackle the big questions in life: What's it all for? How can one find love and contentment? Why are men all so useless? And, most crucially of all...what time does the bar close? A superstar in her native Norway thanks to the immense success of "Nemi" - also reprinted in the 1.35 million-circulation UK Metro newspaper - you too can enter Lise Myhre's witty, wonderful world!