Visar resultat för..."Satanic Verses"

Question: What is the opposite of faith? Not disbelief. Too final, certain, closed. Itself a kind of belief. Doubt.Discover Salman Rushdie’s critically acclaimed magical realist study of good and evil.'A masterpiece' Sunday TimesJust before dawn one winter's morning, a plane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices.Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation?'A great novelist, a master of perpetual storytelling' V.S. Pritchett

#1 NEW YORK TIMES BESTSELLER • “[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths.”—NewsdayWinner of the Whitbread PrizeOne of the most controversial and acclaimed novels ever written, The Satanic Verses is Salman Rushdie’s best-known and most galvanizing book. Set in a modern world filled with both mayhem and miracles, the story begins with a bang: the terrorist bombing of a London-bound jet in midflight. Two Indian actors of opposing sensibilities fall to earth, transformed into living symbols of what is angelic and evil. This is just the initial act in a magnificent odyssey that seamlessly merges the actual with the imagined. A book whose importance is eclipsed only by its quality, The Satanic Verses is a key work of our times.Praise for The Satanic Verses“Rushdie is a storyteller of prodigious powers, able to conjure up whole geographies, causalities, climates, creatures, customs, out of thin air.”—The New York Times Book Review“Exhilarating, populous, loquacious, sometimes hilarious, extraordinary . . . a roller-coaster ride over a vast landscape of the imagination.”—The Guardian (London)“A novel of metamorphoses, hauntings, memories, hallucinations, revelations, advertising jingles, and jokes. Rushdie has the power of description, and we succumb.”—The Times (London)

Salman Rushdie’s critically acclaimed magical realist novel explores good and evil, power and responsibility, exile and homecoming.'A masterpiece' Sunday TimesJust before dawn one winter's morning, a plane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices.Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation?'A great novelist, a master of perpetual storytelling' V.S. Pritchett‘A novel of metamorphosis, hauntings, memories, hallucinations, revelations, advertising jingles and jokes’ The Times

When a jumbo jet blows apart above the English Channel, Gabreel and Saladin are two who survive and are washed up on an English beach. However, it soon becomes clear that curious changes have come over them and that they have been chosen as protagonists in the eternal struggle between God and the Devil. Salman Rushdie is the author of "Midnight's Children", winner of the 1981 Booker Prize, and "Shame".

The worldwide controversy surrounding its first publication in 1988 and concurrent death threat against its author, Salman Rushdie, paradoxically led to a narrow understanding of The Satanic Verses, which focused on whether it is insulting to Islam and whether it should be banned. And despite piecemeal attention to its epistemic intricacies by students of postcolonial literature in the aftermath, The Satanic Verses’ essential opacity has never been sufficiently met. The Unknown Satanic Verses Controversy on Race and Religion now responds to this gap through painstakingly detailed attention to the totality of Rushdie’s text. Indeed it uniquely approaches The Satanic Verses’ attempt to mythicize race and migration, on the one hand, and secularize religion and Islam, on the other, from a perspective informed by the perennial debate on religion and politics, esoteric or coded writing in the history of political thought, especially in times of persecution, and Islamic criticism in contemporary world literature. Üner Daglier’s findings accord with another layer of interpretation that emphasizes Rushdie’s across-the-board critique of racial prejudice, penchant for cultural eclecticism, and bitterly skeptical treatment of the foundations of Submission and proposal for feminist Islamic reform, as the antidote for entrenched misogyny, in a world where philosophy is for the rare and religion for the many. They further convey Rushdie’s constant preoccupation with the nature of miracles and postmodern case for intersubjectivity as a criterion for openness to their validity.

The worldwide controversy surrounding its first publication in 1988 and concurrent death threat against its author, Salman Rushdie, paradoxically led to a narrow understanding of The Satanic Verses, which focused on whether it is insulting to Islam and whether it should be banned. And despite piecemeal attention to its epistemic intricacies by students of postcolonial literature in the aftermath, The Satanic Verses’ essential opacity has never been sufficiently met. The Unknown Satanic Verses Controversy on Race and Religion now responds to this gap through painstakingly detailed attention to the totality of Rushdie’s text. Indeed it uniquely approaches The Satanic Verses’ attempt to mythicize race and migration, on the one hand, and secularize religion and Islam, on the other, from a perspective informed by the perennial debate on religion and politics, esoteric or coded writing in the history of political thought, especially in times of persecution, and Islamic criticism in contemporary world literature. Üner Daglier’s findings accord with another layer of interpretation that emphasizes Rushdie’s across-the-board critique of racial prejudice, penchant for cultural eclecticism, and bitterly skeptical treatment of the foundations of Submission and proposal for feminist Islamic reform, as the antidote for entrenched misogyny, in a world where philosophy is for the rare and religion for the many. They further convey Rushdie’s constant preoccupation with the nature of miracles and postmodern case for intersubjectivity as a criterion for openness to their validity.

The Booker Prize-winning Midnight's Children (1981) marked a decisive commercial and critical upturn in Salman Rushdie's career as a novelist.

The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie's unforgettable epic.Omar Khayyam Shakil had three mothers who shared everything. They shared the symptoms of pregnancy; they shared the son that they all claim to have borne on the same night. Raised at their six breasts, Omar's mothers teach him to live a life without shame. And it is training that proves very useful when he leaves his mothers' fortress and makes the fateful mistake of falling in love. For he finds himself an unwitting player in an ongoing duel between the families of two men - one a celebrated wager of war, the other a debauched lover of pleasure - living in a world caught between honour and humiliation, where a moment of shame could prove fatal.'Shame is every bit as good as Midnight's Children. It is a pitch-black comedy of public life and historical imperatives' The Times

An extraordinary and vivid introduction to the country of Nicaragua and its politics from the Booker-winning author of Midnight’s Children.In this brilliantly focused and haunting portrait of the people, the politics, the land, and the poetry of Nicaragua, Salman Rushdie brings to the forefront the palpable human facts of a country in the midst of revolution.Rushdie went to Nicaragua in 1986. What he discovered was overwhelming: a land of difficult, often beautiful contradictions, of strange heroes and warrior-poets. Rushdie came to know an enormous range of people, from the foreign minister, a priest, to the midwife who kept a pet cow in her living room.His perceptions always heightened by his sensitivity and his unique flair for language, in The Jaguar Smile, Rushdie brings us the true Nicaragua, where nothing is simple, everything is contested, and life-or-death struggles are an everyday occurrence.‘Stirring and original’ New York Times‘A masterpiece of sympathetic yet critical reporting’ Edward Said

Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.

Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's 'Inside the Whale', providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carré, Raymond Carver, Philip Roth and Thomas Pynchon among others.Profound, passionate and insightful, Imaginary Homelands is a masterful collection from one of the greatest writers working today.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.Over the course of six years, Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, suffering and the nature of advice itself; these profound and lyrical letters have since become hugely influential for writers and artists of all kinds. This volume also contains the 'Letter from a Young Worker', a striking polemic against Christianity written too in letter form.

This is the second of a new two-volume edition of the works of Descartes in Penguin Classics. This volume is designed for students who approach Descartes from the point of view of his philosophy of science. Includes DISCOURSE ON METHOD, the most accessible and well-known of his discussions of scientific method; the first seven chapters of the earlier, unpublished work, THE WORLD; as well as a selection of Descartes' correspondence and his replies to his critics.

"A hard-hitting polemic against religious fundamentalism" - Foreword by Richard Dawkins' Thousands of people have written to tell me that I am wrong not to believe in God. The most hostile of these communications have come from Christians. This is ironic, as Christians generally imagine that no faith imparts the virtues of love and forgiveness more effectively than their own. The truth is that many who claim to be transformed by Christ's love are deeply, even murderously, intolerant of criticism. While we may want to ascribe this to human nature, it is clear that such hatred draws considerable support from the Bible. How do I know this? The most disturbed of my correspondents always cite chapter and verse.'So begins Letter to a Christian Nation, Sam Harris's hard-hitting rebuttal of religious fundamentalism and blind belief . With deceptively simple arguments, he demolishes the myths on which Christianity was built, challenges believers to open their eyes to the contradictions of their faith and warns us of the dangers of America's ever increasing unification of Church and State.Sam Harris is the author of the New York Times bestseller The End of Faith: Religion, Terror, and the Future of Reason and winner of the 2005 PEN/Martha Albrand Award for First Non-fiction. He is a graduate in philosophy from Stanford University and is now completing a doctorate in neuroscience. He lives in New York.

'Arguably the most important intellectual alive' New York Times An indispensable collection of Noam Chomsky’s talks on the past, present and future of the politics of powerNoam Chomsky is universally accepted as one of the world’s leading intellectuals of the modern era. Now, for the first time, Peter R. Mitchell and John Schoeffel have assembled the best of Chomsky's talks on the politics of power. With an eye to political activism and the media’s role in popular struggle, as well as US foreign and domestic policy, Chomsky reinterprets the events of the past three decades, from foreign policy during the Vietnam War to the decline of welfare under the Clinton administration. Highlighting America’s myriad of social inequalities and political issues while offering timely advice for much needed change, Understanding Power is definitive Chomsky. ‘Chomsky ranks with Marx, Shakespeare and the Bible as one of the ten most quoted sources in the humanities’ Guardian‘Powerful and timely...his analysis is fair, meticulously researched and fascinating’ Observer

A FAMILY STORY AND THE TALE OF A NATION.Ai Weiwei - one of the world's most famous artists and activists - weaves a century-long epic tale of China through the story of his own life and that of his father, Ai Qing, the nation's most celebrated poet. 'Engrossing...a remarkable story' Sunday TimesHere, through the sweeping lens of his own and his father's life, Ai Weiwei tells an epic tale of China over the last 100 years, from the Cultural Revolution to the modern-day Chinese Communist Party.Here is the story of a childhood spent in desolate exile after his father, Ai Qing, once China's most celebrated poet, fell foul of the authorities. Here is his move to America as a young man and his return to China, his rise from unknown to art-world superstar and international rights activist. Here is his extraordinary account of how his work has been shaped by living under a totalitarian regime.It's the story of a father and a son, of exceptional creativity and passionate belief, and of how two indomitable spirits enabled the world to understand their country.'A story of inherited resilience and self-determination' Observer'A majestic and exquisitely serious masterpiece about his China... One of the great voices of our time' Andrew Solomon'Intimate, unflinching...an instant classic' Evan Osnos, author of Age of Ambition

'The first great rock 'n' roll novel in the English language' The TimesOn Valentine's Day, 1989, Vina Apsara, a famous and much-loved singer, disappears in a devastating earthquake.Her lover, the singer Ormus Cama, cannot accept that he has lost her, and so begins his eternal quest to find her and bring her back. His journey takes him across the globe and through cities pulsating with the power of rock 'n' roll, to Bombay, London and New York.But around the star-crossed lover and his quest, the uncertain world itself is beginning to tremble and break. Cracks and tears are appearing in the very fabric of reality, and exposing the abyss beyond. And Ormus has to confront just how far he is willing to go for love.

Blending history, mythology and a timeless love story, this is a satirical, magical masterpiece.In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own comic book creation. Abandoned at the mayor's office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.Unbeknownst to them, they are all descended from the whimsical, capricious, wanton creatures known as the jinn. Centuries ago, Dunia, a princess of the jinn, fell in love with a mortal man of reason. Together they produced an astonishing number of children, unaware of their fantastical powers, who spread across generations in the human world.'A riotous, exuberant and sometimes maddening celebration of the power of storytelling' Sunday Times

THE AWARD-WINNING, MILLION-COPY BESTSELLERDiscover the heartbreakingly beautiful novel about the intertwined destinies of two friends brought together by childhood tragedy.'Surprising, intimate and deeply moving’ John Boyne, bestselling author of The Heart’s Invisible Furies‘Mesmerising’ Good HousekeepingA prime number is inherently a solitary thing: it can only be divided by itself, or by one; it never truly fits with another.Alice and Mattia also move on their own axes, alone with their personal tragedies. As a child Alice's overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia she recognises a kindred spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found.These two irreversible episodes mark Alice and Mattia's lives for ever, and as they grow into adulthood their destinies seem irrevocably intertwined.But then a chance sighting of a woman who could be Mattia's sister forces a lifetime of secret emotion to the surface.A meditation on loneliness and love, The Solitude of Prime Numbers asks, can we ever truly be whole when we're in love with another?Praise for The Solitude of Prime Numbers:‘Clear, heartbreakingly precise prose, the youngest ever winner of the prestigious Premio Strega (the Italian Man Booker)... a stunning achievement’ Daily Mail‘Very accomplished... melancholic, but strangely beautiful’ Guardian‘This astute, aching contemplation of solitude has a power to make us all feel a little less alone. A love story told with astonishing perceptiveness and remarkable subtlety’ Stefan Merrill Block, author of The Story of Forgetting‘Incredibly poetic and powerful exploring complex relationships, friendship and trauma’ 5-star reader review‘Will break your heart’ 5-star reader review‘[My] new favourite’ 5-star reader review

'Rushdie's most engaging book since Midnight's Children' ObserverShalimar the Clown was once a figure full of love and laughter. His skill as a tightrope walker was legendary in his native home of Kashmir. But fate has played him cruelly, torn him away from his beloved home and brought him to Los Angeles, where he works as a chauffeur. One morning he gets up, goes to work, and kills his employer, America's former counter-terrorist chief Maximilian Ophuls, in view of the victim's illegitimate daughter, India. The killing has its roots halfway across the globe, back in Kashmir, a ruined paradise not so much lost as shattered. And gradually it emerges that beyond this unholy trinity of Max, India and Shalimar, lurks a fourth, shadowy figure, one who binds them all together.'This is Rushdie at his most flamboyant best' Financial Times