Andre Brink – författare

Ben du Toit is an ordinary, decent, harmless man, unremarkable in every way - until his sense of justice is outraged by the death of a man he has known. His friend died at the hands of the police. In the beginning it appears a straightforward matter, an unfortunate error that can be explained and put right. But as Ben investigates further he finds that his curiosity becomes labelled rebellion - and for a rebel there is no way back.

"The novel, Brink argues, is not about representation but the self-conscious play of language. From its inception, he suggests, the genre has been about the act of writing and self-reflection. This thesis is not new but is part of the currency of postmodern literary theory. Brink, himself a noted South African novelist, the author of some 12 books, including A Dry White Season (1984), and a university professor, brings the insight of an insider. He surveys 15 celebrated novels, historically arranged from Don Quixote and La Princesse de Cleves to A.S. Byatt's Possession and Italo Calvino's If on a Winter Night a Traveller examining each in terms of its play with writing and language. His discussions are marked by clarity, insight, and comprehension. A valuable book." --Thomas L. Cooksey, Library Journal "What a treat to explore the novel as a genre through the lucid eyes of Andre Brink, himself one of the world's foremost novelists! I particularly enjoyed the way in which the most traditional novels were revealed as contemporary and entirely relevant." --Ariel Dorfman The postmodernist novel has become famous for the extremes of its narcissistic involvement with language.In this challenging and wide-ranging new study, Andre Brink argues that this self-consciousness has been a defining characteristic of the novel since its inception. Taking as his starting point "the propensity for story" embedded in all language, he demonstrates that the old familiar novels may be the more startlingly modern, while postmodernist texts remain more firmly rooted in convention. From the beginnings of the genre with Don Quixote, through "classic" novels of the eighteenth and nineteenth centuries and modern and postmodern texts of the twentieth, Brink performs a sweeping analysis of 500 years of the novel, including Moll Flanders, Emma, Madame Bovary, The Trial, One Hundred Years of Solitude, and Possession. As an internationally recognized novelist, he brings a unique critical eye and enthusiasm to his exploration of the genre, offering the reader a refreshing and rewarding introduction to the novel and narrative theory.

Helping to research her lover's film on the great plague, Andrea returns to Provence. However, her journey becomes more a trip of personal discovery than one of pure academic research as she begins to enjoy more and more of the idyllic lifestyle. Travelling with Mandla, a fellow South African and Black activist, helps Andrea put into perspective the more hedonistic elements of her new life. However, through the intensity of his own convictions Mandla forces his friend to re-assess her own beliefs, casting a shadow on the relationship. As the story unfolds in a landscape evoked with a breathtaking mastery, Andrea and Mandla confront the uneasy relationships which develop between themselves and their lovers. Their difficulties form an allegory for those faced by two disparate continents, as they undertake the process of reconciling Europe's past and Africa's present.