Barbara Green – författare

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God.Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God.Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.

At the outbreak of the Second World War, Britain’s manpower crisis forced them to turn to a previously untapped resource: women. For years it was thought women would be incapable of serving in uniform, but the ATS was to prove everyone wrong. Formed in 1938, the Women’s Auxiliary Territorial Service was a remarkable legion of women; this is their story. They took over many roles, releasing servicemen for front-line duties. ATS members worked alongside anti-aircraft gunners as ‘gunner-girls’, maintained vehicles, drove supply trucks, operated as telephonists in France, re-fused live ammunition, provided logistical support in army supply depots and employed specialist skills from Bletchley to General Eisenhower’s headquarters in Reims. They were even among the last military personnel to be evacuated from Dunkirk. They grasped their new-found opportunities for education, higher wages, skilled employment and a different future from the domestic role of their mothers. They earned the respect and admiration of their male counterparts and carved out a new future for women in Britain. They showed great skill and courage, with famous members including the young Princess Elizabeth (now about to celebrate her Diamond Jubilee as Britain’s Queen) and Mary Churchill, Sir Winston’s daughter. Girls in Khaki reveals their extraordinary achievements, romances, heartbreaks and determination through their own words and never-before published photographs.

Because he plays such a prominent role in the New Testament and the tradition of the church, the apostle Peter has been the focus of much scholarship over the centuries. One wonders whether there can be anything more to say about Peter. Indeed, there is. In Four Times Peter Richard Cassidy takes a narrative critical look at Peter in the story of each gospel individually (rather than studying Peter via a side-by-side analysis of the gospels). Cassidy looks first to the character of Jesus in each of the gospels and then to the group of apostles as a whole before turning to Peter.In the end, Four Times Peter allows an intriguing portrait of this apostle to emerge. Readers discover a portrait of Peter that would have been familiar to the earliest Christian communities. And it is this ancient portrait that gives modern readers a refreshing new sense of Peter.Richard J. Cassidy, STL, PhD, is Professor of Sacred Scripture at Sacred Heart Major Seminary, Detroit, Michigan.This book is part of the series Interfaces.

This text discusses how the characterization of Saul shows that kingship failed, why it did, and how the institution would need to be ended. It marries the following elements: a given text (1 Samuel), a focal character (King Saul), a spacious and creative theorist (Mikhail Bakhtin) and a historical context (the collapse of monarchic Israel and the moment for return. The dilemma for the exile community is to return with royal leadership or without it). The text poses the question of whether a character can be a cipher for a corporate experience - does Saul represent the whole monarchic experience? The thesis of the work is that Israel's first king is authored in such a way that the narrative of 1 Samuel may be read as a riddle propounding the complex story of Israel/Judah's experience with kings as an instruction for those pondering leadership choices in the sixth century. The work is an extended reflection on what went wrong with kings and why new leadership must be attempted.The extended riddle of Saul works to show how the life of the king is fundamentally destructive, not because he is malicious, but because of many factors of weakness and inadequacy that should be familiar to readers.

Provides new perspectives on women's print media in interwar BritainThis collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women. The volume demonstrates that women produced magazines and periodicals ranging in forms and appeal from highbrow to popular, private circulation to mass-market, and radical to reactionary. It shows that the 1920s and 1930s gave rise to a plurality of new challenges and opportunities for women as consumers, workers and citizens, as well as wives and mothers. Featuring interdisciplinary research by recognised specialists in the fields of literary and periodical studies as well as women's and cultural history, this volume recovers overlooked or marginalised media and archival sources, as well as reassessing well-known commercial titles. Designed as a 'go-to' resource both for readers new to the field and for specialists seeking the latest developments in this area of research, it opens up new directions and methodologies for modern periodical studies and cultural history.Organised by sections devoted to the arts, modern style, domestic and service magazines, and feminist and organizationally-based media, this volume foregrounds connections between different genres of women's periodical publishing and makes a major contribution to revisionist scholarship on the interwar period. The detailed appendix provides a valuable resource to facilitate new research on interwar women's magazines. Key Features Presents new essays on women's print media in interwar Britain, revealing the diversity of genres addressed to women readers, from domestic magazines, pulps and women's pages to highbrow reviews and feminist periodicalsFeatures innovative, interdisciplinary research by recognized specialists in the fields of literary and periodical studies, and women's and cultural historyContributes to the recent expansion of scholarship on the interwar period by recovering overlooked or marginalized media and archival sources, as well as reassessing well-known commercial titlesDesigned as a 'go to' resource both for readers new to the field and for specialists seeking the latest developments in this area of research opening up new directions and methodologies for modern periodicals studies and cultural history

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this new generation of French philosophers is laying fresh claim to the human. Across a number of new strains of philosophy, they are rethinking humanity’s relationships: to ‘nature’ and ‘culture’, to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. Christopher Watkin draws out both the promises and perils of these new philosophies. And he shows just how high the stakes are for our technologically advanced but socially atomised and ecologically vulnerable society.

Charles Green tells here the dramatic story of the initial excavation of Sutton Hoo, one of the richest archaeological finds of all time. In the Sutton Hoo burial grounds scientists unearthed a ship containing the treasures of a king who was most likely the last of the pagan rulers of East Anglia.Green guides us through the scientific significance of the Sutton Hoo discovery: the beautiful jewelry indicates the high level of Anglo-Saxon artistic culture, the royal insignia offers clues to the organization of the East Anglican kingdom and its relations with neighboring regimes, while the burial ships themselves inspire new hypotheses regarding Anglo-Saxon immigration routes. Any reader will be irresistibly drawn to learn more of this archaeological dig which has uncovered such intriguing relics of our medieval ancestors.This edition takes into account discoveries that have been made since the publication of the original edition. Barbara Green, an archaeologist in East Anglia and Charles Green’s daughter, has revised and updated the original text of her father’s book.

This volume uncovers the ideas concerning everyday life circulating in the burgeoning feminist periodical culture of Britain in the early twentieth century.