Cary Wolfe – författare

A sustained engagement between contemporary art and philosophy relating to our place in, and responsibility to, the nonhuman worldHow do contemporary art and theory contemplate the problem of the “bio” of biopolitics and bioart? How do they understand the question of “life” that binds human and nonhuman worlds in their shared travail? In Art and Posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down.Wolfe explores a wide range of contemporary artworks-from Sue Coe’s illustrations of animals in factory farms and Eduardo Kac’s bioart to the famous performance pieces of Joseph Bueys and the video installations of Eija-Liisa Ahtila, among others-examining how posthumanist theory can illuminate, and be illuminated by, artists’ engagement with the more-than-human world. Looking at biological and social systems, the question of the animal, and biopolitics, Art and Posthumanism explores how contemporary art rivets our attention on the empirically thick, emotionally charged questions of “life” and the “living” amid ecological catastrophe.One of the foremost theorists of posthumanism, Wolfe pushes that philosophy out of the realm of the purely theoretical to show how a posthumanist engagement with particular works and their conceptual underpinnings help to develop more potent ethical and political commitments.

The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case.Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.

The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case.Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.

Now that supposedly distinguishing marks of humanity, from reasoning to tool use, have been found in other species, how can we justify discriminating against nonhuman animals solely on the basis of their species? And how must cultural studies and critical practices change to do justice to "others" who are not human? In "Animal Rites", Cary Wolfe examines contemporary notions of humanism, ethics and animals by reconstructing a little known but crucial underground tradition of theorizing the animal from Wittgenstein, Cavell and Lyotard to Levinas, Derrida, Zizek, Maturana and Varela. Through detailed readings of how discourses of race, sexuality, colonialism and animality interact in 20th-century American culture - Hemingway's fiction, the film "The Silence of the Lambs", Michael Crichton's novel "Congo" - Wolfe explores what it would mean, in theory and critical practice, to take seriously "the question of the animal". A pathbreaking contribution to discussions of posthumanism, "Animal Rites" should interest readers in a wide range of fields, from science and literature to philsosophy and ethics, from animal rights and ecology to literary theory and criticism.

Animal studies and biopolitics are two of the most dynamic areas of interdisciplinary scholarship, but until now, they have had little to say to each other. Bringing these two emergent areas of thought into direct conversation in "Before the Law", Cary Wolfe fosters a new discussion about the status of nonhuman animals and the shared plight of humans and animals under biopolitics. Wolfe argues that the human-animal distinction must be supplemented with the central distinction of biopolitics: the difference between those animals that are members of a community and those that are deemed killable but not murderable. From this understanding, we can begin to make sense of the fact that this distinction prevails within both the human and animal domains and address such difficult issues as why we afford some animals unprecedented levels of care and recognition while subjecting others to unparalleled forms of brutality and exploitation.Engaging with many major figures in biopolitical thought - from Heidegger, Arendt, and Foucault to Agamben, Roberto Esposito, and Derrida - Wolfe explores how biopolitics can help us understand both the ethical and political dimensions of the current questions surrounding the rights of animals.

Animal studies and biopolitics are two of the most dynamic areas of interdisciplinary scholarship, but until now, they have had little to say to each other. Bringing these two emergent areas of thought into direct conversation in "Before the Law", Cary Wolfe fosters a new discussion about the status of nonhuman animals and the shared plight of humans and animals under biopolitics. Wolfe argues that the human-animal distinction must be supplemented with the central distinction of biopolitics: the difference between those animals that are members of a community and those that are deemed killable but not murderable. From this understanding, we can begin to make sense of the fact that this distinction prevails within both the human and animal domains and address such difficult issues as why we afford some animals unprecedented levels of care and recognition while subjecting others to unparalleled forms of brutality and exploitation.Engaging with many major figures in biopolitical thought - from Heidegger, Arendt, and Foucault to Agamben, Roberto Esposito, and Derrida - Wolfe explores how biopolitics can help us understand both the ethical and political dimensions of the current questions surrounding the rights of animals.

Philosophy and Animal Life offers a new way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself. Cora Diamond begins with "The Difficulty of Reality and the Difficulty of Philosophy," in which she accuses analytical philosophy of evading, or deflecting, the responsibility of human beings toward nonhuman animals. Diamond then explores the animal question as it is bound up with the more general problem of philosophical skepticism. Focusing specifically on J. M. Coetzee's The Lives of Animals, she considers the failure of language to capture the vulnerability of humans and animals. Stanley Cavell responds to Diamond's argument with his own close reading of Coetzee's work, connecting the human-animal relation to further themes of morality and philosophy. John McDowell follows with a critique of both Diamond and Cavell, and Ian Hacking explains why Cora Diamond's essay is so deeply perturbing and, paradoxically for a philosopher, he favors poetry over philosophy as a way of overcoming some of her difficulties.Cary Wolfe's introduction situates these arguments within the broader context of contemporary continental philosophy and theory, particularly Jacques Derrida's work on deconstruction and the question of the animal. Philosophy and Animal Life is a crucial collection for those interested in animal rights, ethics, and the development of philosophical inquiry. It also offers a unique exploration of the role of ethics in Coetzee's fiction.

This book is based upon the collaborative efforts of the Ontogenetics Process Group (OPG) – an interdisciplinary, multi-institutional, multi-national research group that began meeting in 2017 to explore new and innovative ways of thinking the problem of complexity in living, physical, and social systems outside the algorithmic models that have dominated paradigms of complexity to date.For all the descriptive and predictive power that the complexity sciences offer (the ability to compute feedback systems, recursive networks, emergent dynamics, etc.), they also presume that the living world in all of its modalities (biological, semiotic, economic, affective, social) can be reduced to finite schema of description that delimits in advance all possible outcomes. What is proposed in this volume are conceptual architectures for the living that are not only irreducible to physico-mathematical frames of reference, but that are also as vital as the phenomena they wish to express. In short: life is more complex than complexity. What emerges from this engagement is not the ascendance of a new transcendental principle (or, what amounts to the same thing, a foundational bedrock) derived from the physico-mathematical sciences, but just the opposite: a domain in which the ontological and the epistemological domains enter a zone of strange (and unavoidable) entanglement. The chapters in this book were originally published as a special issue of Angelaki.

This book is based upon the collaborative efforts of the Ontogenetics Process Group (OPG) – an interdisciplinary, multi-institutional, multi-national research group that began meeting in 2017 to explore new and innovative ways of thinking the problem of complexity in living, physical, and social systems outside the algorithmic models that have dominated paradigms of complexity to date.For all the descriptive and predictive power that the complexity sciences offer (the ability to compute feedback systems, recursive networks, emergent dynamics, etc.), they also presume that the living world in all of its modalities (biological, semiotic, economic, affective, social) can be reduced to finite schema of description that delimits in advance all possible outcomes. What is proposed in this volume are conceptual architectures for the living that are not only irreducible to physico-mathematical frames of reference, but that are also as vital as the phenomena they wish to express. In short: life is more complex than complexity. What emerges from this engagement is not the ascendance of a new transcendental principle (or, what amounts to the same thing, a foundational bedrock) derived from the physico-mathematical sciences, but just the opposite: a domain in which the ontological and the epistemological domains enter a zone of strange (and unavoidable) entanglement. The chapters in this book were originally published as a special issue of Angelaki.

In The Limits of American Literary Ideology in Pound and Emerson, Cary Wolfe analyses the dynamics and consequences of radical individualism and the sort of cultural critique it generates in Ralph Waldo Emerson and Ezra Pound. The main purpose of the book is to demonstrate that any form of individualism that is modelled on the logic and structure of private property will always reproduce the very contradictions and alienations that it set out to criticise and to remedy. Part of what makes this study unique and important is that it uses the ideology of individualism, still so powerful and seductive in contemporary America, to build a bridge between the two major figures from literary periods - Modernism and American Romanticism - which are often seen in stark opposition. In doing so, this study extends the critical paradigms and techniques of one of the most exciting new fields of cultural criticism (the so-called 'New Americanist' criticism) to cover a period (Modernism) and a type of writing (poetry) that it has largely ignored.

In The Limits of American Literary Ideology in Pound and Emerson, Cary Wolfe analyses the dynamics and consequences of radical individualism and the sort of cultural critique it generates in Ralph Waldo Emerson and Ezra Pound. The main purpose of the book is to demonstrate that any form of individualism that is modelled on the logic and structure of private property will always reproduce the very contradictions and alienations that it set out to criticise and to remedy. Part of what makes this study unique and important is that it uses the ideology of individualism, still so powerful and seductive in contemporary America, to build a bridge between the two major figures from literary periods - Modernism and American Romanticism - which are often seen in stark opposition. In doing so, this study extends the critical paradigms and techniques of one of the most exciting new fields of cultural criticism (the so-called 'New Americanist' criticism) to cover a period (Modernism) and a type of writing (poetry) that it has largely ignored.

Argues for a pragmatist orientation for postmodern theory.Taking up the problem that has stalled contemporary theory-its treatment of the object of knowledge, the “outside,” as nothing but what a particular discourse makes of it-this book suggests a solution: a reinvigorated, posthumanist form of pragmatism. Author Cary Wolfe investigates three of the most significant strains of postmodern theory (pragmatism, systems theory, and poststructuralism) and shows how each confronts the specter of an “outside” not wholly constituted by discourses, language games, and interpretive communities. He then assesses these confrontations in light of an essentially pragmatic view of theory, one that constantly asks what practical and material difference it makes, and to whom, how these issues are negotiated. Wolfe concludes by comparing the pragmatist view of the relation of theory to politics with important work in contemporary post-Marxism. In arguing for a pragmatist orientation for postmodern theory, Wolfe deploys continental critical theory to avoid the nativism and “American exceptionalism” that has traditionally accompanied pragmatist philosophy. Unique in its collation of major theorists rarely considered together, Critical Environments incorporates detailed discussions of the work of Richard Rorty, Walter Benn Michaels, Stanley Cavell, Humberto Maturana, Francisco Varela, Niklas Luhmann, Michel Foucault, Gilles Deleuze, Fredric Jameson, and others, and ranges across fields from feminist philosophy of science to the theory of ideology. Wolfe draws on recent work in systems theory to articulate a properly postmodern pragmatism. In doing so, he offers American readers a detailed introduction to systems theory, which he situates and critiques in the broader context of philosophical pragmatism, the theory of democratic social antagonism, and materialist theories of ideology, knowledge, and power. An answer to the widespread charge of relativism leveled against postmodern theory, his work will enhance and inspire new kinds of critical thought.

What does it mean to think beyond humanism? Is it possible to craft a mode of philosophy, ethics, and interpretation that rejects the classic humanist divisions of self and other, mind and body, society and nature, human and animal, organic and technological? Can a new kind of humanities-posthumanities-respond to the redefinition of humanity's place in the world by both the technological and the biological or "green" continuum in which the "human" is but one life form among many?Exploring how both critical thought along with cultural practice have reacted to this radical repositioning, Cary Wolfe-one of the founding figures in the field of animal studies and posthumanist theory-ranges across bioethics, cognitive science, animal ethics, gender, and disability to develop a theoretical and philosophical approach responsive to our changing understanding of ourselves and our world. Then, in performing posthumanist readings of such diverse works as Temple Grandin's writings, Wallace Stevens's poetry, Lars von Trier's Dancer in the Dark, the architecture of Diller+Scofidio, and David Byrne and Brian Eno's My Life in the Bush of Ghosts, he shows how this philosophical sensibility can transform art and culture. For Wolfe, a vibrant, rigorous posthumanism is vital for addressing questions of ethics and justice, language and trans-species communication, social systems and their inclusions and exclusions, and the intellectual aspirations of interdisciplinarity. In What Is Posthumanism? he carefully distinguishes posthumanism from transhumanism (the biotechnological enhancement of human beings) and narrow definitions of the posthuman as the hoped-for transcendence of materiality. In doing so, Wolfe reveals that it is humanism, not the human in all its embodied and prosthetic complexity, that is left behind in posthumanist thought.

Ralph Waldo Emerson is one of the most significant figures in nineteenth-century American literature and culture-indeed, this collection argues, in the history of philosophy. The Other Emerson is a thorough reassessment of the philosophical underpinnings, theoretical innovations, and ethical and political implications of the prose writings of one of America's most enduring thinkers.Considering Emerson first and foremost as a daring and original thinker, The Other Emerson focuses on three Emersonian subjects-subjectivity, the political, and the nature of philosophy-and range in topic from Emerson's relationships to slavery and mourning to his place in the development of Romanticism as reread by contemporary systems theory. It is Emerson's appreciation of truth's instability that link him to the European philosophical tradition.Contributors: Eduardo Cadava, Princeton U; Sharon Cameron, Johns Hopkins U; Russell B. Goodman, U of New Mexico; Paul Grimstad, Yale U; Eric Keenaghan, U at Albany, SUNY; Gregg Lambert, Syracuse U; Sandra Laugier, UniversitÉ de Picardie Jules Verne; Donald Pease, Dartmouth College.

A sustained engagement between contemporary art and philosophy relating to our place in, and responsibility to, the nonhuman worldHow do contemporary art and theory contemplate the problem of the “bio” of biopolitics and bioart? How do they understand the question of “life” that binds human and nonhuman worlds in their shared travail? In Art and Posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down.Wolfe explores a wide range of contemporary artworks-from Sue Coe’s illustrations of animals in factory farms and Eduardo Kac’s bioart to the famous performance pieces of Joseph Bueys and the video installations of Eija-Liisa Ahtila, among others-examining how posthumanist theory can illuminate, and be illuminated by, artists’ engagement with the more-than-human world. Looking at biological and social systems, the question of the animal, and biopolitics, Art and Posthumanism explores how contemporary art rivets our attention on the empirically thick, emotionally charged questions of “life” and the “living” amid ecological catastrophe.One of the foremost theorists of posthumanism, Wolfe pushes that philosophy out of the realm of the purely theoretical to show how a posthumanist engagement with particular works and their conceptual underpinnings help to develop more potent ethical and political commitments.

Rethinking life, justice, and the biosphere through the sharp edges of jagged ontologyIn this groundbreaking book, Cary Wolfe dismantles some of the most entrenched assumptions in contemporary interdisciplinary thought, foremost among them the idea that "flat" ontologies are adequate to the challenge of a robust, posthumanist pluralism. Against the fantasy of nature as an interconnected, egalitarian web, Wolfe proposes a "jagged ontology" in which species and systems intersect not through seamless cooperation but through friction, contestation, and uneven exchange. Wolfe pushes back equally, however, against the reductive tendencies of neo-Darwinian competitive individualism, insisting that what separates us from the world is also what binds us to it – a paradox at the core of all living systems, where autopoietic closure unexpectedly creates environmental openness.Through a combination of systems theory, deconstruction, theoretical biology, and biopolitical philosophy, Wolfe develops a radically posthumanist framework for addressing the ethical, social, and political stakes of life in the biosphere. Extending his approach across disciplines and practices—from ecological theory and continental philosophy to law, public policy, and contemporary art—he lays bare the contradictions embedded in even the most progressive attempts to account for the imbrication of the human and the more-than-human. Through a detailed and long-overdue examination of the popular notion of sympoiesis and a skeptical reading of the anthropomorphism of the "new forestry," Wolfe reveals how well-intentioned theories can undermine the very posthumanist pluralism that they claim to champion.More than a critique, Jagged Ontologies opens onto new philosophical terrain for understanding multispecies justice, environmental responsibility, and the structural dynamics of individuation and creativity in the biosphere. Here, Wolfe offers a crucial rethinking of what it means to live and think ethically in a shared yet jagged world.Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Now that supposedly distinguishing marks of humanity, from reasoning to tool use, have been found in other species, how can we justify discriminating against nonhuman animals solely on the basis of their species? And how must cultural studies and critical practices change to do justice to "others" who are not human? In "Animal Rites", Cary Wolfe examines contemporary notions of humanism, ethics and animals by reconstructing a little known but crucial underground tradition of theorizing the animal from Wittgenstein, Cavell and Lyotard to Levinas, Derrida, Zizek, Maturana and Varela. Through detailed readings of how discourses of race, sexuality, colonialism and animality interact in 20th-century American culture - Hemingway's fiction, the film "The Silence of the Lambs", Michael Crichton's novel "Congo" - Wolfe explores what it would mean, in theory and critical practice, to take seriously "the question of the animal". A pathbreaking contribution to discussions of posthumanism, "Animal Rites" should interest readers in a wide range of fields, from science and literature to philsosophy and ethics, from animal rights and ecology to literary theory and criticism.