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26 produkter
26 produkter
Häftad, Engelska, 2020
714 kr
Skickas inom 10-15 vardagar
Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period.In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Häftad, Engelska, 2022
668 kr
Skickas inom 3-6 vardagar
Inbunden, Engelska, 2022
1 477 kr
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Häftad, Engelska, 2021
362 kr
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Inbunden, Engelska, 2022
455 kr
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Häftad, Engelska, 2022
348 kr
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Inbunden, Engelska, 2022
372 kr
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Häftad, Engelska, 2022
235 kr
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Inbunden, Engelska, 2022
345 kr
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Häftad, Engelska, 2022
180 kr
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Inbunden, Engelska, 2023
386 kr
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Häftad, Engelska, 2023
276 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2013
1 155 kr
Skickas inom 7-10 vardagar
The text is designed for undergraduate Mechanical Engineering courses in Kinematics and Dynamics of Machinery. It is a tool for professors who wish to develop the ability of students to formulate and solve problems involving linkages, cams, gears, robotic manipulators and other mechanisms. There is an emphasis on understanding and utilizing the implications of computed results. Students are expected to explore questions like "What do the results mean?" and "How can you improve the design?"
Inbunden, Engelska, 2015
562 kr
Skickas inom 3-6 vardagar
335 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
3 469 kr
Skickas inom 10-15 vardagar
Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period.In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Inbunden, Engelska, 2008
295 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
329 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
313 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2020
285 kr
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Häftad, Engelska, 2017
523 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 1978
555 kr
Skickas inom 10-15 vardagar
Historical explanations need to keep step with the march of research if they are not to degenerate into empty cliches. It has long been a commonplace of 17th century history that the Anglo-Dutch Wars were the product of 'commercial rivalry'. This essay, first published twenty years ago, attempted to analyse and redefine this overworked traditional concept so as to explain more precisely how it led to naval wars between the Dutch and the English. Two idees fixes of contemporary English thought seemed especially significant; one was the persistent consciousness of English inferiority and backwardness in economic affairs when compared with the Dutch; the other, compounding this, was the equally persistent conviction that strategically, England seemed well placed to wreck the Dutch maritime economy and bring the Republic to her knees in a naval war. These obsessive beliefs combined naturally with the specific influences and motives of powerful political and commercial lobbies to stoke the fires of aggression. Failing over several decades to make any visible progress by more or less peaceful policies, they turned, first, to economic warfare by means of propaganda and pseudo-legal claims to maritime sovereignty; finally (in 1652) to all-out eco nomic and naval warfare.
Häftad, Engelska, 1980
555 kr
Skickas inom 10-15 vardagar
My first thanks must go to the Electors to Ford's Lectureship in English History in the University of Oxford, who honoured me with the invitation to discharge that formidable responsibility in 1969, generously interpreting the statute so as to allow me to deal with a subject which contained nearly as much Netherlands as it did English history. To Hugh Trevor-Roper, Regius Professor of Modern History in the University of Oxford, and his fellow Electors, I am grateful for much encouragement, guidance and hospitality. The colleagues and pupils upon whom I have from time to time inflicted discussion of problems arising from my subject are far too numerous to be thanked individually. Two must nevertheless be singled out. Vivian Fisher of Jesus College, Cambridge, very kindly read the completed manuscript, and I have benefited by a number of characteristically penetrating comments and suggestions which he made. Geoffrey Parker, Fellow of Christ's College, generously allowed me to make use of his unique knowledge of the Spanish, French and Italian archives to check and supplement my own information. I am deeply grateful to both. Finally, it will be evident that quite apart from my own researches these lectures owe a heavy debt to many scholars, Dutch, Belgian, American and British especially, who have worked in this or related fields of inquiry. I am not less indebted to those from whose interpretations I have ventured to differ than to those with whom I have found myself in agreement.
Häftad, Engelska, 2025
170 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2005
1 384 kr
Tillfälligt slut
The text is designed for undergraduate Mechanical Engineering courses in Kinematics and Dynamics of Machinery. It is a tool for professors who wish to develop the ability of students to formulate and solve problems involving linkages, cams, gears, robotic manipulators and other mechanisms. There is an emphasis on understanding and utilizing the implications of computed results. Students are expected to explore questions like "What do the results mean?" and "How can you improve the design?"