Daniel Clowes – författare

This is Monica, one ordinary woman’s extraordinary journey through the history of comics – from the creator of Ghost World***AN OBSERVER BOOK OF THE YEAR 2023***'Pitch-perfect... Could not put it down' OBSERVER'In Monica, Clowes reaches a new artistic peak' VANITY FAIRA dazzling, spectacular tapestry of interconnected narratives that together tell a life story, Monica is the new graphic novel from one of the most iconic storytellers of all time. This eponymous protagonist is a rag-to-riches character who, after being abandoned by her freewheelin' parents in childhood, succeeds in clawing her way to the top - only to lose it all in a stroke of bad luck. She lives out the rest of her days in search of her parents, encountering a cast of eccentric characters who help to piece together her story.This graphic novel extravaganza is an unforgettable ode to the many genres that have defined the comics form - from war, romance and horror to crime and the supernatural. Mysterious, uncategorisable and quintessentially Clowesian, here is a multi-layered masterpiece born of a lifetime of inspiration. Monica marks the creative apex of Daniel Clowes' distinguished career, one of the defining voices of the graphic novel boom over the past quarter-century.

Patience is an indescribable psychedelic science-fiction love story, veering with uncanny precision from violent destruction to deeply personal tenderness in a way that is both quintessentially ‘Clowesian’, and utterly unique in the author’s body of work. This 180-page, full-colour story affords Clowes the opportunity to draw some of the most exuberant and breathtaking pages of his life, and to tell his most suspenseful, surprising and affecting story yet.The story opens in 2012, when Jack Barlow returns home to find Patience, his pregnant girlfriend, murdered. We meet him next in 2029, still haunted by the murder. He hears of a guy who thinks he’s invented a device that enables time travel. On the next page Jack is in 2006, watching Patience on her dates with boys. Is one of them the killer?

Ghost World is the story of Enid and Rebecca, teenage friends facing the unwelcome prospect of adulthood, and the uncertain future of their complicated relationship. Clowes conjures a balanced semblance, both tender and objective, of their fragile existence, capturing the mundane thrills and hourly tragedies of a waning adolescence, as he follows a tenuous narrative thread through the fragmented lives of these two fully realised young women.

Discover the adventures of David Boring in this electrifying new graphic novel from the author of Ghost WorldDavid Boring is a nineteen-year-old security guard with a tortured inner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is, and what seems truest in Boring's life is that, given the right set of circumstances (in this case a sensational cascade of vengeance, humiliation and murder), the primal nature of mankind will come inexorably to the fore.'Imagine a tilted comic-book homage to Hitchcock's Vertigo, but with religious cults, fetishistic scrapbooks and scenes of underwater coupling' - Guardian

Daniel Clowes (b. 1961) emerged from the ""alternative comics"" boom of the 1980s as one of the most significant cartoonists and most distinctive voices in the development of the graphic novel. His serialized Eightball comics, collected in such books as David Boring, Ice Haven, and Like a Velvet Glove Cast in Iron, helped to set the standards of sophistication and complexity for the medium. The screenplay for Ghost World, which Clowes co-adapted (with Terry Zwigoff) from his graphic novel of the same name, was nominated for an Academy Award. Since his early, edgy Lloyd Llewellyn and Eightball comics, Clowes has developed along with the medium, from a satirical and sometimes vituperative surrealist to an unmatched observer of psychological and social subtleties. In this collection of interviews reaching from 1988 to 2009, the cartoonist discusses his earliest experiences reading superhero comics, his time at the Pratt Institute, his groundbreaking comics career, and his screenplays for Ghost World and Art School Confidential. Several of these pieces are drawn from rare small-press or self-published zines, including Clowes's first published interview. He talks at length about the creative process, from the earliest traces of a story, to his technical approaches to layout, drawing, inking, lettering, and coloring. The volume concludes with a 2009 interview conducted specifically for this book.

Daniel Clowes (b. 1961) emerged from the ""alternative comics"" boom of the 1980s as one of the most significant cartoonists and most distinctive voices in the development of the graphic novel. His serialized Eightball comics, collected in such books as David Boring, Ice Haven, and Like a Velvet Glove Cast in Iron, helped to set the standards of sophistication and complexity for the medium. The screenplay for Ghost World, which Clowes co-adapted (with Terry Zwigoff) from his graphic novel of the same name, was nominated for an Academy Award. Since his early, edgy Lloyd Llewellyn and Eightball comics, Clowes has developed along with the medium, from a satirical and sometimes vituperative surrealist to an unmatched observer of psychological and social subtleties. In this collection of interviews reaching from 1988 to 2009, the cartoonist discusses his earliest experiences reading superhero comics, his time at the Pratt Institute, his groundbreaking comics career, and his screenplays for Ghost World and Art School Confidential. Several of these pieces are drawn from rare small-press or self-published zines, including Clowes's first published interview. He talks at length about the creative process, from the earliest traces of a story, to his technical approaches to layout, drawing, inking, lettering, and coloring. The volume concludes with a 2009 interview conducted specifically for this book.

The Death Ray is the story of teen outcast Andy, an orphaned nobody with only one friend, the obnoxious-but-loyal Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can and as he learns the extent of his new powers, he discovers a terrible and seductive gadget - a hideous compliment to his seething rage - that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre - origin, costume, ray-gun, sidekick, fight scene - reconfiguring them in a story that is anything but morally simplistic. With subtle comedy, deft mastery and an obvious affection for the bold Pop Art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche.