Edward W. Said – författare

The seminal work that has redefined our understanding of colonialism and empire, with a preface by the author'Stimulating, elegant and pugnacious' Observer'Magisterial' Terry EagletonIn this highly-acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering orientalism as a powerful European ideological creation - a way for writers, philosophers and colonial administrators to deal with the 'otherness' of eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West's romantic and exotic picture of the Orient. Drawing on his own experiences as an Arab Palestinian living in the West, Said examines how these ideas can be a reflection of European imperialism and racism. 'Beautifully patterned and passionately argued'New Statesman'Very exciting ... his case is not merely persuasive, but conclusive' John Leonard, New York Times

A major work by one of the great public intellectuals of the twentieth century, The Question of Palestine was the first book to narrate the modern Palestinian experience in English. Edward Said’s project to ‘bring Palestine into history’ was unquestionably a success – there is no longer a question of whether Palestine had a history before colonization – and yet Palestinian self-determination is as distant as ever. With the rigorous scholarship he brought to his influential Orientalism and shaped by his own life in exile in New York, Said’s account of the traumatic national encounter of the Palestinian people with Zionism is still as pertinent and incisive today as it was on first publication in 1979.

From the Iranian hostage crisis through the Gulf War and the World Trade Centre bombing, the West has been haunted by a spectre called 'Islam'. As portrayed by the news media - and by a chorus of government, academic and corporate experts - 'Islam' is synonymous with terrorism and religious hysteria. At the same time, Islamic countries use Islam to justify unrepresentative and often oppressive regimes. In this landmark work, for which he has written a new introduction, one of our foremost public thinkers examines the origins and repercussions of the media's monolithic images of Islam. Combining political commentary with literary criticism, Edward Said reveals the hidden assumptions and distortions of fact that underlie even the most 'objective' coverage of the Islamic world.

‘Readers accustomed to the precision and elegance of Edward Said's analytical prowess will not be disappointed . . . Those discovering Said for the first time will be profoundly impressed’ Toni MorrisonFollowing his profoundly influential study Orientalism, Edward W. Said turned his attention to the Western world, tracing the connections between imperialism and European art, literature and music. From Jane Austen to Salman Rushdie, from Yeats to media coverage of the Gulf War, Culture and Imperialism initiates a dialogue between culture and the political and economic fabric of its time. Vast in its scope and stunning in its erudition, this collection of essays remains as urgent today as it was on first publication.WITH AN INTRODUCTION BY THE AUTHOR

More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation.This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.

Since the 1948 war which drove them from their heartland, the Palestinian people have consistently been denied the most basic democratic rights. Blaming the Victims shows how the historical fate of the Palestinians has been justified by spurious academic attempts to dismiss their claim to a home within the boundaries of historical Palestine and even to deny their very existence.Beginning with a thorough exposé of the fraudulent assertions of Joan Peters concerning the indigenous inhabitants of Palestine prior to 1948, the book then turns to similar instances in Middle East research where the truth about the Palestinians has been systematically suppressed: from the bogus-though still widely believed-explanations of why so many Palestinians fled their homes in 1948, to today's distorted propaganda about PLO terrorism. The volume also includes sharp critiques of the wide consensus in the USA which supports Israel and its territorial ambitions while maintaining total silence about the competing reality of the Palestinians.

In this book of interviews, Edward W. Said discusses the centrality of popular resistance to his understanding of culture, history, and social change. He reveals his thoughts on the war on terrorism, the war in Afghanistan, and the Israeli-Palestinian conflict, and lays out a compelling vision for a secular, democratic future in the Middle East - and globally.

From Oslo to Iraq and the Roadmap is Edward Said's final collection of essays, written between the end of 2000 and early 2003. They offer Said's commentary on the deepening crisis in the Middle East: pre-September 11 to the bombing of the World Trade Centre, through to the bombing of Afghanistan and the early days of the war in Iraq. What has always set Said apart is his ability to state the uncensored truth. This collection is filled with the eloquence, anger and the immense humanity for which Said was so loved and admired. Urgent, thought-provoking and troubling, it gives us a valuable and necessary perspective of the events of the last few years.

Edward W. Said discusses the centrality of popular resistance to his understanding of culture, history, and social change. He reveals his thoughts on the war on terrorism, the war in Afghanistan, and the Israeli-Palestinian conflict, and lays out a compelling vision for a secular, democratic future in the Middle East—and globally. Edward W. Said’s books include Orientalism, The Question of Palestine, Covering Islam, Culture and Imperialism, and The Politics of Dispossession. He has also published a memoir, Out of Place. David Barsamian is the producer of the critically acclaimed program Alternative Radio.

Edward W. Said discusses the centrality of popular resistance to his understanding of culture, history, and social change. He reveals his thoughts on the war on terrorism, the war in Afghanistan, and the Israeli-Palestinian conflict, and lays out a compelling vision for a secular, democratic future in the Middle East—and globally. Edward W. Said’s books include Orientalism, The Question of Palestine, Covering Islam, Culture and Imperialism, and The Politics of Dispossession. He has also published a memoir, Out of Place. David Barsamian is the producer of the critically acclaimed program Alternative Radio.

Using an impressive array of material from literature, archaeology and social theory, Edward Said explores the profound implications of Freud's Moses and Monotheism for Middle-East politics today. The resulting book reveals Said's abiding interest in Freud's work and its important influence on his own.He proposes that Freud's assumption that Moses was an Egyptian undermines any simple ascription of a pure identity, and further that identity itself cannot be thought or worked through without the recognition of the limits inherent in it. Said suggests that such an unresolved, nuanced sense of identity might, if embodied in political reality, have formed, or might still form, the basis for a new understanding between Jews and Palestinians. Instead, Israel's relentless march towards an exclusively Jewish state denies any sense of a more complex, inclusive past.

Edward Said experienced both British and American imperialism as the old Arab order crumbled in the late 1940s and early 1950s. This account of his early life reveals how it influenced his books Orientalism and Culture and Imperialism. Edward Said was born in Jerusalem and brought up in Cairo, spending every summer in the Lebanese mountain village of Dhour el Shweir, until he was 'banished' to America in 1951. This work is a mixture of emotional archaeology and memory, exploring an essentially irrecoverable past. As ill health sets him thinking about endings, Edward Said returns to his beginnings in this personal memoir of his ferociously demanding 'Victorian' father and his adored, inspiring, yet ambivalent mother.Now with a new introduction by Hisham Matar.

Are intellectuals merely the servants of special interests or do they have a larger responsibility? In these wide-ranging essays, one of our most brilliant and fiercely independent public thinkers addresses this question with extraordinary eloquence. Said sees the intellectual as an exile and amateur whose role it is 'to speak the truth to power' even at the risk of ostracism or imprisonment. Drawing on the examples of Jonathan Swift and Theodor Adorno, Robert Oppenheimer and Henry Kissinger, Vietnam and the Gulf War, Said explores the implications of this idea and shows what happens when intellectuals succumb to the lures of money, power, or specialization.

In this influential lecture, Edward Said explores Freud's foundational work Moses and Monotheism to rethink the relationship between identity, politics and psychoanalysis. The result is a study illuminating both Freud's thinking and that of Said, on whom the great psychoanalyst was a formative influence.Was Moses Jewish or an Egyptian? The question undermines any simple ascription of identity, highlighting the limits of these categories. Said suggests that such an unresolved, nuanced sense of identity might, if embodied in political reality, form the basis for a new understanding between Jews and Palestinians. In contrast, Israel's relentless march towards an exclusively Jewish state denies any sense of a more complex, inclusive past.With an introduction by Christopher Bollas and a response by Jacqueline Rose.

Since the Nakba in 1948, Israel has consistently denied Palestinians the most basic democratic rights. Originally published in 1988, Blaming the Victims shows how the cruel fate of this beleaguered people has been justified by spurious scholarship and biased journalism.Nearly forty years on, Blaming the Victims remains devastatingly relevant and instructive for anyone committed to Palestinian liberation. With the incredible rise of a global Palestine solidarity movement since 2023, the systems of censorship that have long obstructed honest writing about Israel's oppression of the Palestinians are finally beginning to collapse. As Edward W. Said writes in the introduction, 'A huge amount of work obviously remains to be done . The thing to be remembered, however, is that nothing - and certainly not a colonial "fact" - is irreversible.'With contributions from leading pro-Palestine voices, including Ibrahim Abu-Lughod, Noam Chomsky, Norman G. Finkelstein, and Rashid Khalidi, Blaming the Victims explores how Israel not only conquered the land but also the treacherous territory of 'ideas, representations, rhetoric, and images'.

With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. As in the title essay, the widely admired "Reflections on Exile," the fact of his own exile and the fate of the Palestinians have given both form and the force of intimacy to the questions Said has pursued. Taken together, these essays--from the famous to those that will surprise even Said's most assiduous followers--afford rare insight into the formation of a critic and the development of an intellectual vocation. Said's topics are many and diverse, from the movie heroics of Tarzan to the machismo of Ernest Hemingway to the shades of difference that divide Alexandria and Cairo. He offers major reconsiderations of writers and artists such as George Orwell, Giambattista Vico, Georg Lukacs, R. P. Blackmur, E. M. Cioran, Naguib Mahfouz, Herman Melville, Joseph Conrad, Walter Lippman, Samuel Huntington, Antonio Gramsci, and Raymond Williams. Invigorating, edifying, acutely attentive to the vying pressures of personal and historical experience, his book is a source of immeasurable intellectual delight.

A "beginning," especially as embodied in much modern thought, is its own method, Edward Said argues in this classic treatise on the role of the intellectual and the goal of criticism. Distinguishing between "origin," which is divine, mythical, and privileged, and "beginning," which is secular and humanly produced, Said traces the ramifications and diverse understandings of the concept of beginning through history. A beginning is a first step in the intentional production of meaning and the production of difference from preexisting traditions. It authorizes subsequent texts -- it both enables them and limits what is acceptable.Drawing on the insights of Vico, Valery, Nietzsche, Saussure, Lévi-Strauss, Husserl, and Foucault, Said recognizes the novel as the major attempt in Western literary culture to give beginnings an authorizing function in experience, art, and knowledge. Scholarship should see itself as a beginning -- as a uniting of theory and practice. Said's insistence on a criticism that is humane and socially responsible is what makes Beginnings is a book about much more than writing: it is about imagination and action as well as the constraints on freedom and invention that come from human intention and the method of its fulfillment.