Elaine Scarry – författare

Have we become beauty-blind? This title not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. It offers a manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms.

Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Henry Kissinger. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain difficult to describe in words, it also actively destroys language, reducing sufferers in the most extreme cases to an inarticulate state of cries and moans. Scarry goes on to analyse the political ramifications of deliberately inflicted pain, specifically in the cases of warfare and torture, and she demonstrates how political regimes use the power of physical pain to attack and break down the sufferer's sense of self. Finally she turns to examples of artistic and cultural activity; actions achieved in the face of pain and difficulty.

During his impeachment proceedings, Richard Nixon boasted, "I can go into my office and pick up the telephone and in twenty-five minutes seventy million people will be dead." Nixon was accurately describing not only his own power but also the power of every American president in the nuclear age.Presidents Eisenhower, Kennedy, Johnson, and Nixon each contemplated using nuclear weapons—Eisenhower twice, Kennedy three times, Johnson once, Nixon four times. Whether later presidents, from Ford to Obama, considered using them we will learn only once their national security papers are released.In this incisive, masterfully argued new book, award-winning social theorist Elaine Scarry demonstrates that the power of one leader to obliterate millions of people with a nuclear weapon—a possibility that remains very real even in the wake of the Cold War—deeply violates our constitutional rights, undermines the social contract, and is fundamentally at odds with the deliberative principles of democracy.According to the Constitution, the decision to go to war requires rigorous testing by both Congress and the citizenry; when a leader can single-handedly decide to deploy a nuclear weapon, we live in a state of “thermonuclear monarchy,” not democracy.The danger of nuclear weapons comes from potential accidents or acquisition by terrorists, hackers, or rogue countries. But the gravest danger comes from the mistaken idea that there exists some case compatible with legitimate governance. There can be no such case. Thermonuclear Monarchy shows the deformation of governance that occurs when a country gains nuclear weapons.In bold and lucid prose, Thermonuclear Monarchy identifies the tools that will enable us to eliminate nuclear weapons and bring the decision for war back into the hands of Congress and the people. Only by doing so can we secure the safety of home populations, foreign populations, and the earth itself.

In Thinking in an Emergency, Elaine Scarry lays bare the realities of “emergency” politics and emphasizes what she sees as the ultimate ethical concern: “equality of survival.” She reveals how regular citizens can reclaim the power to protect one another and our democratic principles. Government leaders sometimes argue that the need for swift national action means there is no time for the population to think, deliberate, or debate. But Scarry shows that clear thinking and rapid action are not in opposition. Examining regions as diverse as Japan, Switzerland, Ethiopia, and Canada, Scarry identifies forms of emergency assistance that represent “thinking” at its most rigorous and remarkable. She draws on the work of philosophers, scientists, and artists to remind us of our ability to assist one another, whether we are called upon to perform acts of rescue as individuals, as members of a neighborhood, or as citizens of a country.

During his impeachment proceedings, Richard Nixon boasted, "I can go into my office and pick up the telephone and in twenty-five minutes seventy million people will be dead." Nixon was accurately describing not only his own power but also the power of every American president in the nuclear age.Presidents Eisenhower, Kennedy, Johnson, and Nixon each contemplated using nuclear weapons—Eisenhower twice, Kennedy three times, Johnson once, Nixon four times. Whether later presidents, from Ford to Obama, considered using them we will learn only once their national security papers are released.In this incisive, masterfully argued new book, award-winning social theorist Elaine Scarry demonstrates that the power of one leader to obliterate millions of people with a nuclear weapon—a possibility that remains very real even in the wake of the Cold War—deeply violates our constitutional rights, undermines the social contract, and is fundamentally at odds with the deliberative principles of democracy.According to the Constitution, the decision to go to war requires rigorous testing by both Congress and the citizenry; when a leader can single-handedly decide to deploy a nuclear weapon, we live in a state of “thermonuclear monarchy,” not democracy.The danger of nuclear weapons comes from potential accidents or acquisition by terrorists, hackers, or rogue countries. But the gravest danger comes from the mistaken idea that there exists some case compatible with legitimate governance. There can be no such case. Thermonuclear Monarchy shows the deformation of governance that occurs when a country gains nuclear weapons.In bold and lucid prose, Thermonuclear Monarchy identifies the tools that will enable us to eliminate nuclear weapons and bring the decision for war back into the hands of Congress and the people. Only by doing so can we secure the safety of home populations, foreign populations, and the earth itself.

The scientific research literature on memory is enormous. Yet until now no single book has focused on the complex interrelationships of memory and belief. This book brings together eminent scholars from neuroscience, cognitive psychology, literature, and medicine to discuss such provocative issues as “false memories,” in which people can develop vivid recollections of events that never happened; retrospective biases, in which memories of past experiences are influenced by one’s current beliefs; and implicit memory, or the way in which nonconscious influences of past experience shape current beliefs.Ranging from cognitive, neurological, and pathological perspectives on memory and belief, to relations between conscious and nonconscious mental processes, to memory and belief in autobiographical narratives, this book will be uniquely stimulating to scholars in several academic disciplines.

Just as painters understand paint, composers musical instruments, and sculptors stone or metal, verbal artists understand the only material in which their creations will get made - the back-lit tissue of the human brain. This book explores the almost miraculous processes by which poets and writers teach us the work of imaginative creation.

Acclaimed theorist and scholar Elaine Scarry uncovers profound connections between color and our intuitions about mind, spirit, and the immortal through readings of works by Proust, Woolf, and Murasaki, offering fresh insights into the interplay between language and the mysterious image-making power of the mind.How do writers summon color into being—not only in the worlds they depict, but in the minds of their readers? Unlike the visual arts, literature has no physical medium; its images instead emerge on the reader’s mental retina. In this new commission from David Zwirner Books, Elaine Scarry blends literary analysis with contemporary neuroscience, cognitive psychology, and philosophy to investigate this phenomenon of imagining color.Through close readings of texts by Marcel Proust, Virginia Woolf, Lady Murasaki, and the medieval Pearl poet, Scarry explores how the brain conjures hues and sensations without the eye encountering actual pigment or light. Drawing from classic experiments on imagination, Scarry reveals the surprising ways literature triggers quasi-physical responses, as words transform into vivid, sensorial experiences.This project extends the ekphrasis series’ exploration of how language gives form to visual experience, showing that literary description can summon colors and images in the mind’s eye.