Faisal Devji – författare

A compelling examination of the rise of Islam as a global historical actor  Until the nineteenth century, Islam was variously understood as a set of beliefs and practices. But after Muslims began to see their faith as an historical actor on the world stage, they needed to narrate Islam’s birth anew as well as to imagine its possible death. Faisal Devji argues that this change, sparked by the crisis of Muslim sovereignty in the age of European empire, provided a way of thinking about agency in a global context: an Islam liberated from the authority of kings and clerics had the potential to represent the human race itself as a newly empirical reality.  Ordinary Muslims, now recognized as the privileged representatives of Islam, were freed from traditional forms of Islamic authority. However, their conception of Islam as an impersonal actor in history meant that it could not be defined in either religious or political terms. Its existence as a civilizational and later ideological subject also deprived figures like God and the Prophet of their theological subjectivities while robbing the Muslim community of its political agency. Devji illuminates this history and explores its ramifications for the contemporary Muslim world.

What are the motives behind Osama bin Laden's and Al-Qaeda's jihad against America and the West? Innumerable attempts have been made in recent years to explain that mysterious worldview. In Landscapes of the Jihad, Faisal Devji focuses on the ethical content of this jihad as opposed to its purported political intent. Al-Qaeda differs radically from such groups as Egypt's Muslim Brotherhood and Indonesia's Jemaah Islamiyah, which aim to establish fundamentalist Islamic states. In fact, Devji contends, Al-Qaeda, with its decentralized structure and emphasis on moral rather than political action, actually has more in common with multinational corporations, antiglobalization activists, and environmentalist and social justice organizations. Bin Laden and his lieutenants view their cause as a response to the oppressive conditions faced by the Muslim world rather than an Islamist attempt to build states.Al-Qaeda culls diverse symbols and fragments from Islam's past in order to legitimize its global war against the "metaphysical evil" emanating from the West. The most salient example of this assemblage, Devji argues, is the concept of jihad itself, which Al-Qaeda defines as an "individual duty" incumbent on all Muslims, like prayer. Although medieval Islamic thought provides precedent for this interpretation, Al-Qaeda has deftly separated the stipulation from its institutional moorings and turned jihad into a weapon of spiritual conflict. Al-Qaeda and its jihad, Devji suggests, are only the most visible manifestations of wider changes in the Muslim world. Such changes include the fragmentation of traditional as well as fundamentalist forms of authority. In the author's view, Al-Qaeda represents a new way of organizing Muslim belief and practice within a global landscape and does not require ideological or institutional unity. Offering a compelling explanation for the central purpose of Al-Qaeda's jihad against the West, the meaning of its strategies and tactics, and its moral and aesthetic dimensions, Landscapes of the Jihad is at once a sophisticated work of historical and cultural analysis and an invaluable guide to the world's most prominent terrorist movement.

Faisal Devji argues that new forms of militancy, such as the actions of al-Qaeda, are informed by the same desire for agency and equality that animates other humanitarian interventions, such as environmentalism and pacifism. To the militant, victimized Muslims are more than just symbols of ethnic and religious persecution-they represent humanity's centuries-long struggle for legitimacy and agency. Acts of terror, therefore, are fueled by the militant's desire to become a historical actor on the global stage. Though they have yet to build concrete political institutions, militant movements have formed a kind of global society, and as Devji makes clear, this society pursues the same humanitarian objectives that drive more benevolent groups.

The militant Islam represented by Al-Qaeda is often described as a global movement. Apart from the geographical range of its operations and support, little else is held to define it as 'global'.Landscapes of the Jihad explores the features that Al-Qaeda and other strands of militant Islam share in common with global movements. These include a decentralised organisation and an emphasis on ethical rather than properly political action.Devji brings these and other characteristics of Al-Qaeda together in an analysis of the jihad that locates it squarely within the transformationof political thought after the Cold War. The jihad emerges from the breakdown of traditional as well as modern forms of authority in the Muslim world. It is neither dogmatic in an old-fashioned way nor ideological in the modern sense, and concernedneither with correct doctrinal practice in the present nor with some revolutionary utopia of the future. Instead it is fragmented, dispersed and highly individualistic.