Hisham Matar – författare

WINNER OF THE ORWELL PRIZE FOR POLITICAL FICTIONNATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR FICTIONWINNER OF THE GORDON BOWKER VOLCANO PRIZE 2025FINALIST FOR THE NATIONAL BOOK AWARD 2024LONGLISTED FOR THE BOOKER PRIZE 2024FROM THE PULITZER-PRIZE WINNING AUTHOR OF THE RETURN'A brilliant novel about innocence and experience, about friendship, family and exile' COLM TOIBINKhaled and Mustafa meet at university in Edinburgh: two Libyan eighteen-year-olds expecting to return home after their studies. In a moment of recklessness and courage, they travel to London to join a demonstration in front of the Libyan embassy. When government officials open fire on protestors in broad daylight, both friends are wounded, and their lives forever changed.Over the years that follow, Khaled, Mustafa and their friend Hosam, a writer, are bound together by their shared history. If friendship is a space to inhabit, theirs becomes small and inhospitable when a revolution in Libya forces them to choose between the lives they have created in London and the lives they left behind.'The first Booker contender of 2024 . . . a deeply touching, beautifully composed book' Sunday Times'It is impossible to describe the profound depth and beauty of this book' MAAZA MENGISTE, author of THE SHADOW KING'My Friends is both a complex and unsentimental meditation on what friendship means and a searingly moving exploration of how exile impacts those who are forced to live in this state of loss. It is a book that we loved for its spareness of language and its deeply affecting storytelling.’ Booker Prize Judges 2024

In Egypt, Nuri, a teenage boy, falls in love with Mona - the woman his father will marry. Consumed with longing, Nuri wants to get his father out of the way - to take his place in Mona's heart. But when his father disappears, Nuri regrets what he wished for. Alone, he and Mona search desperately for the man they both love. Only for Nuri to discover a silence he cannot break and unimaginable secrets his father never wanted him to know.Hisham Matar's new novel My Friends is available for pre-order now!

Nine-year-old Suleiman is just awakening to the wider world beyond the games on the hot pavement outside his home and beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business, but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood.

WINNER OF THE PULITZER PRIZE IN BIOGRAPHY WINNER OF THE RATHBONES FOLIO PRIZE SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHYWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016 The Return is at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what it is to be human.Hisham Matar was nineteen when his father was kidnapped and taken to prison in Libya. He would never see him again. Twenty-two years later, the fall of Gaddafi meant he was finally able to return to his homeland. In this moving memoir, the author takes us on an illuminating journey, both physical and psychological; a journey to find his father and rediscover his country.'A beautifully-written memoir that skillfully balances a graceful guide through Libya's recent history with the author's dogged quest to find his father' Barack ObamaHisham Matar's new novel My Friends is available now!

Shortlisted for both the Man Booker Prize and the Guardian First Book Award, and published here as a Penguin Essential for the first time. Nine-year-old Suleiman is just awakening to the wider world beyond the games on the hot pavement outside his home and beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business, but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood.Hisham Matar's new novel My Friends is available now!

FROM THE PULITZER PRIZE-WINNING AND MAN BOOKER-SHORTLISTED AUTHOR'Sparkles with brilliant observations on art and architecture, friendship and loss' Guardian'Everybody should get to spend a month with Mr. Matar, looking at paintings' Zadie Smith, Wall Street Journal, Books of the Year_______________________________________________Matar was nineteen years old when his father was kidnapped. In the year following he found himself turning to art, particularly the great paintings of the Sienese School. They became a refuge and a way to think about the world outside the urgencies of the present.A quarter of a century later, having found no trace of his father, Matar finally visits the birthplace of those paintings. A Month in Siena is the encounter between the writer and the city. It is an immersion in painting, a consideration of love, grief and a profoundly moving contemplation of the relationship between art and life. _______________________________________________'A dazzling exploration of art's impact on his life and writing, and a moving contemplation of grief' Financial Times'I can think of no better expression of the humane than this economical, modest, yet altogether breathtaking book' New Statesman, Books of the Year'Bewitching, intensely moving' The Economist, Books of the Year

Francisco de Goya y Lucientes (1746-1828) is among the most important Spanish artists of the late 18th and early 19th centuries. A late masterpiece, his Forge derives from the mythological theme of the forge of Vulcan, the metalworker of the Olympian gods. The figures in Goya's monumental, haunting painting are instead muscular laborers at work around a blacksmith's anvil. Salomon's deeply researched text is complemented by a poetic piece by Matar.Designed to foster critical engagement and interest specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer.

FINALIST FOR THE NATIONAL BOOK AWARD 2024WINNER OF THE ORWELL PRIZE FOR POLITICAL FICTIONNATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR FICTIONSHORTLISTED FOR THE JHALAK PROSE PRIZE 2025LONGLISTED FOR THE BOOKER PRIZE 2024FROM THE PULITZER-PRIZE WINNING AUTHOR OF THE RETURN'A brilliant novel about innocence and experience, about friendship, family and exile' COLM TOIBINKhaled and Mustafa meet at university in Edinburgh: two Libyan eighteen-year-olds expecting to return home after their studies. In a moment of recklessness and courage, they travel to London to join a demonstration in front of the Libyan embassy. When government officials open fire on protestors in broad daylight, both friends are wounded, and their lives forever changed.Over the years that follow, Khaled, Mustafa and their friend Hosam, a writer, are bound together by their shared history. If friendship is a space to inhabit, theirs becomes small and inhospitable when a revolution in Libya forces them to choose between the lives they have created in London and the lives they left behind.'The first Booker contender of 2024 . . . a deeply touching, beautifully composed book' Sunday Times'It is impossible to describe the profound depth and beauty of this book' MAAZA MENGISTE, author of THE SHADOW KING'My Friends is both a complex and unsentimental meditation on what friendship means and a searingly moving exploration of how exile impacts those who are forced to live in this state of loss. It is a book that we loved for its spareness of language and its deeply affecting storytelling.’ Booker Prize Judges 2024