Howard Jacobson – författare

Shakespeare's The Merchant of Venice is brilliantly reinvented by Howard Jacobson, in his merciless, sharp and funny story of revenge, justice and antisemitism. With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire’s Golden Triangle, he invites him back to his house. It’s the beginning of a remarkable friendship...Howard Jacobson’s version of The Merchant of Venice bends time to its own advantage as it asks what it means to be a father, a Jew and a merciful human being in the modern world.‘Inspired...It does what any good literary subversion should do: deepens and enhances one's appreciation of the original’ Guardian‘Jacobson’s prose has the sort of elastic precision you only get from a writer who is truly in command… There's also deep and sincere soul-searching going on here’ IndependentSHAKESPEARE RETOLD: Time travel. Zombies. Power-hungry media moguls. This is Shakespeare as you’ve never seen him before: nine iconic plays transformed by the best novelists of our time, with covers by Michael Craig-Martin.

An acclaimed surgeon specializing in weight loss delivers a paradigm-shifting examination of the diet and health industry's focus on protein, explaining why it is detrimental to our health, and can prevent us from losing weight. Whether you are seeing a doctor, nutritionist, or a trainer, all of them advise to eat more protein. Foods, drinks, and supplements are loaded with extra protein. Many people use protein for weight control, to gain or lose pounds, while others believe it gives them more energy and is essential for a longer, healthier life. Now, Dr. Garth Davis, an expert in weight loss asks, "Is all this protein making us healthier?" The answer, he emphatically argues, is NO. Too much protein is actually making us sick, fat, and tired, according to Dr. Davis. If you are getting adequate calories in your diet, there is no such thing as protein deficiency. The healthiest countries in the world eat far less protein than we do and yet we have an entire nation on a protein binge getting sicker by the day. As a surgeon treating obese patients, Dr.Davis was frustrated by the ever-increasing number of sick and overweight patients, but it wasn't until his own health scare that he realized he could do something about it. Combining cutting-edge research, with his hands-on patient experience and his years dedicated to analyzing studies of the world's longest-lived populations, this explosive, groundbreaking book reveals the truth about the dangers of protein and shares a proven approach to weight loss, health, and longevity.

Frank Ritz is a television critic. His partner, Melissa Paul, is the author of pornographic novels for liberated women. He watches crap all day; she writes crap all day. It's a life. Or it was a life. But now they're fighting, locked in oral combat. He won't shut up and she is putting her finger down her throat again. So there's only one thing for it - Frank has to go. But go where? And do what? Frank Ritz has been on heat more or less continuously since he could speak his own name. Let him out of the house and his first instinct is to go looking for sex. Deviant sex, treacherous sex, even straight sex, so long as it's immoderate - he's never been choosy. But what happens when sex is all you know but no longer what you want?

From the beginning Oliver Walzer is a natural - at ping-pong. Even with his improvised bat (the Collins Classic edition of Dr Jekyll and Mr Hyde) he can chop, flick, half-volley like a champion. At sex he is not so adept, but with tuition from Sheeny Waxman, fellow member of the Akiva Social Club Table Tennis Team and stalwart of the Kardomah coffee bar, his game improves.Winner of the 2010 Man Booker Prize.

Barney Fugleman has two major preoccupations in life: sex and literature. He is obsessed by the life and work of a man hailed by many as a genius of the nineteenth century - and by Barney as a 'prurient little Victorian ratbag'. This curious propulsion drives him out of Finchley, and out of the life he shares with Sharon and her 'rampant marvellings', to Cornwall. There he offends serious ramblers with his slip-on snakeskin shoes, fur coat and antagonism to all things green and growing as he stomps the wild Atlantic cliffs on long, morbid walks, tampering with the truth, tangling with the imperious Camilla - and telling a riotous tale.By the winner of the Man Booker Prize and author of The Finkler Question.

In an ever divided Britain, this wryly observed novel is a timely and thought-provoking read from the Booker-winning author of The Finkler Question.'A very funny, bitterly intelligent novel...do read it' Malcolm BradburySefton Goldberg: mid-thirties, English teacher at Wrottesley Poly in the West Midlands; small, sweaty, lustful, defiantly unappreciative of beer, nature and organised games; gnawingly aware of being an urban Jew islanded in a sea of country-loving Anglo-Saxons. Obsessed by failure - morbidly, in his own case, gloatingly, in that of his contemporaries - so much so that he plans to write a bestseller on the subject. In the meantime he is uncomfortably aware of advancing years and atrophying achievement, and no amount of lofty rationalisation can disguise the triumph of friends and colleagues, not only from Cambridge days but even within the despised walls of the Poly itself, or sweeten the bitter pill of another's success...

One day, out of the blue, Henry Nagel inherits a sumptuous apartment in St John's Wood. Divine intervention? Or his late father's love nest? Henry doesn't know, but he is glad to escape the North. After nearly sixty years of angry disappointment, Henry's life is about to change. Not that the ghosts of Henry's past are prepared to disappear without a struggle - his old school-friend and rival Osmond 'Hovis' Belkin, currently enjoying success in Hollywood; his tragic great aunt Marghanita for whom Henry once entertained a dangerous passion; and his father Izzi, upholsterer turned illusionist, fire-eater and origamist, whose shade Henry interrogates relentlessly. But the present clamours as loudly as the past. His dyspeptic neighbour Lachlan wants his sympathy; Lachlan's sloppy red setter, Angus, wants a walk; and Moira, the waitress with the crooked smile and custard hair, seems to want him. Kicking and screaming every inch of the way, Henry realises he might finally be falling in love.

A re-envisaging of Shakespeare's The Merchant of Venice, from the Man Booker Prize-winner and our great chronicler of Jewish life. ‘Who is this guy, Dad? What is he doing here?’ With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire’s Golden Triangle, he invites him back to his house. It’s the beginning of a remarkable friendship ...‘Jacobson is quite simply a master of comic precision. He writes like a dream’ Evening Standard'The funniest British novelist since Kingsley Amis or Tom Sharpe' Mail on Sunday

The Exagoge is a drama on the theme of the Jewish Exodus, written in Greek in the form of a Greek tragedy by a Jew living in Alexandria probably at some time during the second century BC. It survives in 269 lines - not isolated verses but forming several continuous passages - enough to give the shape of the play and to reveal Ezekiel as a tragedian of significance. For the student of Jewish literary history and thought Ezekiel is a most important source, of interest for being one of the earliest examples of Jewish exegesis and paraphrase of the Bible. Professor Jacobson accompanies the text of the play with a translation. In the commentary he examines the fragments line by line, comparing them with the biblical account and other accounts in related Jewish sources. The substantial and readable introduction examines the historical, social and intellectual background to Ezekiel and the Exagoge.

A series of letters purportedly written by Penelope, Dido, Medea, and other heroines to their lovers, the Heroides represents Ovid's initial attempt to revitalize myth as a subject for literature. In this book, Howard Jacobson examines the first fifteen elegaic letters of the Heroides. In his critical evaluation, Professor Jacobson takes into consideration the twofold nature of the work: its existence as a single entity with uniform poetic structure and coherent goals, and its existence as a collection of fifteen individual poems. Thus, fifteen chapters are devoted to a thorough analysis and interpretation of the particular poems, while six additional chapters are concerned with problems that pertain to the work as a whole, such as the nature of the genre, the role of rhetoric, theme, and variation, and the originality of Ovid. Special attention is given to the application of modern psychological criticism to the delineations of the pathological psyche in the letters. In an additional chapter on the chronology of Ovid's early amatory poetry, the author challenges and revises the traditional dating of the Heroides. Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A series of letters purportedly written by Penelope, Dido, Medea, and other heroines to their lovers, the Heroides represents Ovid's initial attempt to revitalize myth as a subject for literature. In this book, Howard Jacobson examines the first fifteen elegaic letters of the Heroides. In his critical evaluation, Professor Jacobson takes into consideration the twofold nature of the work: its existence as a single entity with uniform poetic structure and coherent goals, and its existence as a collection of fifteen individual poems. Thus, fifteen chapters are devoted to a thorough analysis and interpretation of the particular poems, while six additional chapters are concerned with problems that pertain to the work as a whole, such as the nature of the genre, the role of rhetoric, theme, and variation, and the originality of Ovid. Special attention is given to the application of modern psychological criticism to the delineations of the pathological psyche in the letters. In an additional chapter on the chronology of Ovid's early amatory poetry, the author challenges and revises the traditional dating of the Heroides. Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

______________WINNER OF THE MAN BOOKER PRIZE______________'Full of wit, warmth, intelligence, human feeling and understanding. It is also beautifully written with that sophisticated and near invisible skill of the authentic writer' - Observer'Wonderful ... Jacobson is seriously on form' - Evening Standard______________Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevcik. Both Libor and Finkler are recently widowed, and together with Treslove they share a sweetly painful evening revisiting a time before they had loved and lost. It is that very evening, when Treslove hesitates a moment as he walks home, that he is attacked - and his whole sense of who and what he is slowly and ineluctably changes.______________‘How is it possible to read Howard Jacobson and not lose oneself in admiration for the music of his language, the power of his characterisation and the penetration of his insight? ... The Finkler Question is further proof, if any was needed, of Jacobson's mastery of humour' - The Times‘There are few writers who exhibit the same unawed respect for language or such a relentless commitment to re-examining even the most seemingly unobjectionable of received wisdoms' - Daily Telegraph

_______________'[An] acutely observed collection of occasional pieces that pick at absurdist life and reveal him to be a quiz, a cultural critic gifted with precise comic timing' - The Times'Yes, Jacobson is an entertainer ... And he does indeed entertain, but in a way that stimulates rather than simply amuses' - Sunday Telegraph'Nobody does it better than Jacobson' - Observer_______________It takes a particular kind of man to want an embroidered polo player astride his left nipple. Occasionally, when I am tired and emotional, or consumed with self-dislike, I try to imagine myself as someone else, a wearer of Yarmouth shirts and fleecy sweats, of windbreakers and rugged Tyler shorts, of baseball caps with polo players where the section of the brain that concerns itself with aesthetics is supposed to be. But the hour passes. Good men return from fighting Satan in the wilderness the stronger for their struggle, and so do I.The winner of the 2010 Man Booker Prize, Howard Jacobson, brims with life in this collection of his most acclaimed journalism. From the unusual disposal of his father-in-law's ashes and the cultural wasteland of Chitty Chitty Bang Bang to the melancholy sensuality of Leonard Cohen and desolation of Wagner's tragedies, Jacobson writes with all the thunder and joy of a man possessed. Absurdity piles upon absurdity, and glorious sentences weave together to create a hilarious, heartbreaking and uniquely human collection. This book is not just a series of parts, but an irresistible, unputdownable sum which triumphantly out-Thurbers Thurber._______________'The no-nonsense tone, coupled with a coherent defence of truth, even in uncomfortable circumstances, shows the essayist as a natural comedian' - Prospect'Jacobson is one of the great sentence-builders of our time. I feel I have to raise my game, even just to praise ... In short, he is one of the great guardians of language and culture - all of it. Long may he flourish' - Nicholas Lezard, Guardian

_______________'A wildly funny account of his travels ... it actually is a book which makes you laugh out loud on almost every page' - Literary Review'The most successful attempt I know to grip the great dreaming Australian enigma by the throat and make it gargle' - Evening Standard'A marvellous read ... he is a comic explorer in the grandest mould' - Financial Times_______________The Man Booker Prize-winning author of The Finkler Question went Down Under - and this is what he found...On what he calls ‘the adventure of his life', Howard Jacobson travels around Australia, never entirely sure where he is heading next or whether he has the courage to tackle the wild life of the bush, the wild men of the outback, or the even wilder women of the seaboard cities.In pursuit of the best of Australian good times, he joins revelers at Uluru, argues with racists in the Kimberleys, parties with wine-growers in the Barossa and falls for ballet dancers in Perth. And even as vexed questions of national identity and Aboriginal land rights present themselves, his love for Australia and Australians never falters._______________'Entertaining ... this is a book about exotic Australia - the fringes, the deserts, the opal mines, the Aborigines, and the North Queensland rednecks' - Guardian

_______________'Comedy is never as clever as when Howard Jacobson is on a roll and this book finds him barrelling' - Independent on Sunday'Brilliantly composed ... crackling with Jacobson's wit, superb wordplay and boundless exuberance' - Times Literary Supplement'Seriously funny' - Alexei Sayle, Daily Telegraph_______________A sharp, witty novel from the Man Booker Prize-winning author of The Finkler QuestionNovelist Guy Ableman is in thrall to his vivacious wife Vanessa, a strikingly beautiful red-head, contrary, highly strung and blazingly angry. The trouble is, he is no less in thrall to her alluring mother, Poppy. More like sisters than mother and daughter, they come as a pair, a blistering presence that destroys Guy's peace of mind, suggesting the wildest stories but making it impossible for him to concentrate long enough to write any of them.Not that anyone reads Guy, anyway. Not that anyone is reading anything. Reading, Guy fears, is finished. His publisher, fearing the same, has committed suicide. His agent, like all agents, is in hiding. Vanessa, in the meantime, is writing a novel of her own. Guy doesn't expect her to finish it, or even start it, but he dreads the consequences if she does.In flight from personal disappointment and universal despair, Guy wonders if it's time to take his love for Poppy to another level. Fiction might be dead, but desire isn't. And out of that desire he imagines squeezing one more great book.By turns angry, elegiac and rude, Zoo Time is a novel about love - love of women, love of literature, love of laughter. It shows our funniest writer at his brilliant best._______________'All the trademark Jacobson qualities - waspish comedy, transgressive sex, wry riffs on Jewishness, prose so scintillating you might miss its underlying artistry - are here in spades *****' - The Mail on Sunday'Once again, Jacobson shows that the true humorist is among the best kinds of novelist. His humour is neither cheap nor chirpy but addresses fundamental mysteries' - Sunday Telegraph

_______________'[An] acutely observed collection of occasional pieces that pick at absurdist life and reveal him to be a quiz, a cultural critic gifted with precise comic timing' - The Times‘The author’s prose is always a delight … a book that manages the high-wire act of being genuinely funny while dispensing genuine wisdom’ - Times Literary Supplement'Jacobson is one of the great sentence-builders of our time. I feel I have to raise my game, even just to praise ... In short, he is one of the great guardians of language and culture - all of it. Long may he flourish' - Nicholas Lezard, Guardian_______________Week after week, for eighteen years, the Booker Prize-winning novelist Howard Jacobson wrote a weekly column for the Independent, reflecting in inimitable style on the sacred and the profane in turn, the frivolous and the serious, the deeply personal and the most universal.The shame and humiliation inherent in death is explored with frank astuteness. Matisse, darts and the power of love are celebrated; while cyclists are very much censured. And meanwhile, a beloved old Labrador walks his last walk as life elsewhere hurtles on and away…The Dog’s Last Walk is a collection of wisdom and iconoclasm for our uncertain times, and one that reveals one of our greatest writers in all his humanity._______________'Sharp and playful, surreal and thoughtful, and occasionally … rather moving' - New Statesman'Yes, Jacobson is an entertainer ... And he does indeed entertain, but in a way that stimulates rather than simply amuses' - Sunday Telegraph'His columns were always one of the best things in [the Independent] – funny, argumentative, contrary and stuffed with ideas as well as a big, sympathetic personality' - Philip Hensher, Spectator

'A . . . tender love story . . . This book is alive. It pulses with warmth and intelligence' The TimesA wickedly observed novel about falling in love at the end of your life, by the Man Booker Prize-winning author of The Finkler Question.At the age of ninety-something, Beryl Dusinbery is forgetting everything – including her own children. She spends her days stitching morbid samplers and tormenting her two carers with tangled tales of her husbands and affairs. Shimi Carmelli can do up his own buttons, walks without a frame and speaks without spitting. Among the widows of North London, he’s whispered about as the last of the eligible bachelors. He forgets nothing –especially not the shame of a childhood incident that has long hung over him. There's very little left remaining for either of them. . . But perhaps just enough to heal some of the hurt inflicted along the way, and find new meaning in what's left.*SHORTLISTED FOR THE WINGATE LITERARY PRIZE 2020*

'One of the all-time great memoirs' Daily Telegraph'Wonderful...candid, shrewd and moving' William Boyd'Laugh-out-loud glorious and uproarious' Simon SchamaHoward Jacobson's funny, revealing and tender memoir of his path to becoming a writer.Howard Jacobson was forty when his first novel was published. In Mother's Boy, he traces the life that brought him there. Born into a working-class Jewish family in 1940s Manchester, he did not lack encouragement or subject matter. Jacobson takes us from childhood and studying at Cambridge, through landing in Sydney as a maverick young professor, and on to his first marriage and the birth of his son. Later, he begins new - and often surprising - ventures in places as disparate as London, Wolverhampton, Boscastle and Melbourne.Infused with bittersweet memories of Jacobson's parents and friends, this is the story of a writer's beginnings, and of learning to understand who you are before you can become the writer you were meant to be.'Hilariously brilliant' David Baddiel'Howard Jacobson brilliantly transforms calamity into rip-roaring comedy' Craig Brown, Mail on Sunday

Love can change your life. Can it survive marriage and middle age?‘Wonderfully wise, moving and heartfelt’ WILLIAM BOYD‘A tender love story’ DAILY TELEGRAPH*LONGLISTED FOR THE DUBLIN LITERARY AWARD 2025*Lily falls in love with Sam the minute she sets eyes on him. It takes Sam a day or two longer. Curious, because Lily has never quite believed in love, while Sam thought he understood it inside out.Lily, a documentary maker, and Sam, a playwright, are both in relationships that have quietly expired, and an affair takes hold that they are powerless to resist.Arriving in mid-life, their relationship opens unexpected new worlds. But what will happen to them when familiarity and age begin to take their toll? What will survive?‘Celebrates love in later life’HARPER’S BAZAAR‘Playful, knowing…a romping read in all senses’EVENING STANDARD‘Jacobson at his finest’LINDA GRANT

'The undisputed British master of black comedies' ObserverIn the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed – the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature?The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet.His wife Charmian is a beacon of calm but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.'

Oliver Walzer is shy, bookish, Jewish. He doesn’t know how to talk to girls. But he can slice, flick and spin a ping pong ball better than any teenager in Manchester. Oliver channels his frustrated adolescent lust into the game he loves. That is until the heartbreaking Lorna Peachley and the prospect of a place at Cambridge take his eye off the ball.

A wickedly observed novel about falling in love at the end of your life, by the Man Booker Prize-winning author of The Finkler Question. *SHORTLISTED FOR THE WINGATE LITERARY PRIZE 2020*At the age of ninety-something, Beryl Dusinbery is forgetting everything - including her own children.