Isla Dewar – författare

In the Scottish fishing village of Mareth, everyone knows everything about each other - and what they don't know they assume; the villagers live against a constantly changing backdrop of elaborate scheming and sexual innuendo. At the hub of this world is the Ocean Cafe, run by tousle-haired, forty-something Magda, who makes grown men eat their greens, won't serve customers she doesn't like, and loves her children and their father with a passion. When Jessie Tate, devastated by recent tragedy, rents the flat above the cafe in an escape from the city, her dream of peace and solitude is shattered by the rock 'n' roll music that thuds through her floor. But perhaps a dose of life in an intimate, colourful and utterly self-absorbed community is just what Jessie needs to break free of her ghosts...

Ellen Quinn kept her sanity in the suffocating Edinburgh suburb where she grew up by imagining it was a hotbed of intrigue. A neglected child, she's still looking for love as an adult; and so she finds herself married to Daniel. How could she know that he would misbehave?Cora O'Brien is the total opposite; outrageous and outspoken, she inspires the children she teaches with her enthusiasm. The city can't soften her Highland lilt but her lifestyle would raise a few eyebrows back home. But her vividness is a façade: most of her secrets she's still keeping to herself.Fast friends from the start, Ellen and Cora may have plenty to learn about life, but they always have vodka and each other to talk to when the unexpected happens...

When Megs became a cleaner, she didn't realise that if people looked at her a cleaner would be all they saw. Megs has as full a life as the people she does for, Mrs Terribly-Clean-Pearson or Ms Oh-Just-Keep-It-Above-The-Dysentery-Line McGhee. She's the mother of three children and still mourning the death of a son; she enjoys a constant sparring match with her mother; she drinks away her troubles with Lorraine, her friend since Primary One; and she sings the blues in a local club.Megs has been getting by. But somehow that's not enough any more. It's time Megs gave up on being ordinary...

Rowan has always cherished an ambition to travel. She didn't just leave the small Scottish town where she grew up; she fled from it as fast as she could. Now she's become expert at metropolitan living; she could walk by a million faces and not notice any of them. And her dream is almost within her grasp.When Rowan does start packing her bags, she has to find room for one very unexpected item. And she's headed not for exotic distant shores but back to Scotland. There, she feels at first like nothing more than a source of good gossip. But as she discovers that no one is quite who she thought they were, Rowan begins to see that home could be where she'll find what she was looking for after all...

When Roz's silent, compulsive husband refused to discuss his problem, when her children seemed embroiled in their own lives, Roz did the unthinkable - she walked out. She did not know that her children would not understand, would not forgive her. She had one moment of joy, shutting the door, leaving, followed by ten years of guilt.Then the death of the family matriarch Nan reunites Roz, now with a career, a flat and a lover, with her family. Histrionic Zoe and infuriatingly laid-back Jamie arrive on her doorstep. Suddenly Roz is a mother again. A human soup is stirred, and dark family secrets are revealed. But Roz soon realises that her children have only returned to her so that, in the proper scheme of things, they can leave her. Rather than she leaving them.

To the neighbours who helped raise her, Madeline was a handful: opinionated, disruptive, verbose. They blamed it all on her lack of a mother. But Madeline was happy: her father was parent enough. Till he wasn't there for her any more, and Madeline had to grow up fast. Befriended by Annie, she catches a glimpse of normal family life, and sees Annie glow as she marries her adoring Willie. Madeline has never wanted a regular man in her own life, yet somehow she finds herself living in a rambling Highland mansion with Stuart, loving to the point of exhaustion, and painting her heart out. Until life creeps into the idyll with a vengeance...

When Iris Chisholm arrives in the tiny Highland community of Green Cairns, she's still in a state of shock - not so much from her husband's untimely death as from the discovery that he'd gambled away all their money and even their home. In addressing the problems of the children at the school where she becomes the only teacher, Iris finds distraction from her worries. Further distractions come in the shape of golden-tongued lawyer Michael and the gentle handyman, Chas. The locals are deliciously outraged at the scandal of a schoolmarm who seems to have a sex life, while so embroiled is Iris that she does not notice what is happening to her own children - who need her just as much as the waifs of Green Cairns...

Compulsively neat, obsessively organised, Lily is a writer who writes about writers. When she is asked to contribute to a book on lost icons, she visits Rita Boothe - photographer, journalist and wit - who took LSD when she was forty and never lived up to her promise. Rita shows Lily some of her photographs, including one of a beautiful, sexy creature drinking Jack Daniels in a white limousine. It is Mattie, Lily's mother. Lily stares in wonder and with envy - she wishes she could live with such abandon. But Mattie is no longer the woman in the limo, and she and Lily's father live in a neglected house with their neglected marriage. Lily and her siblings want to mend their parents' rift, but Marie's husband has walked out, and Rory avoids coming home altogether. Unless something happens, the family's going to fade away. But something is about to happen...

As a child Nora waged war on her mother, Maisie. It relieved the hurt she felt when she overheard Maisie say she preferred her older daughter, Cathryn. Now, Nora lives in Edinburgh, far from her gaudily decorated suburban London home and the volatile Maisie. She is introduced to a circle of friends who all work in the same publisher's offices. In Brendan, the gentle deputy editor, she finds a friend who shares her deprecating humour, and fascination with trivia, as they chat and walk about town. And in Nathan, she finds a lover she adores.Though always braced for betrayal, this time it takes her by storm. It is only when she learns to forgive, and be forgiven, that she begins to come to terms with her past.

When James McElroy saw the ad for a lodger with 'Bibi Sanders' in a smart Edinburgh street, he pictured a glamorous young landlady with whom he would form a meaningful and deep relationship. But Bibi's in her seventies. She's led a full life, including marriage to the domineering and difficult Callum, now deceased, and raised six children.She's not sure what to make of James and suspects - rightly - a troubling secret in his past. When Bibi sets out to re-visit the past for the final time via a tour of Britain in her rather unexpected Volvo sports car, James decides to go with her. It's a journey full of surprises and revelations which will change them both - and, in Isla Dewar's inimitable way, entertain and enlighten every reader.

You can’t change your past. You can only use the experiences you live through to make your future better, wiser. Anna and her best friend George meet every week to remember, to sigh, to laugh, to reminisce about their moments of glory, guilt and mischief and share their sorrows over a glass or three of wine. The things they’ve done still make them blush. Anna wanted to be a poet – a famous poet. George left home in a childish rage and years later returned with her baby.When Anna is asked to look after the boy across the road for a few hours each week, she isn’t sure. She doesn’t really do children. But she takes the job on and, gradually, a child’s view of her world shows her a different place.George remembers a flat she stayed in when she ran away from home. It had the kitchen of all kitchens and, oh, how she’d love to see it again. Anna sets out to see if it still exists and discovers a cookbook full of recipes, intimates notes and drawings from George’s life.Does all this mark an ending or the beginning of something new and marvellous for Anna and George?