Jacques Le Goff – författare

Jacques Le Goff is a prominent figure in the tradition of French medieval scholarship, profoundly influenced by the Annales school, notably, Bloch, Febvre, and Braudel, and by the ethnographers and anthropologists Mauss, Dumézil, and Lévi-Strauss. In building his argument for "another Middle Ages" (un autre moyen âge), Le Goff documents the emergence of the collective mentalité from many sources with scholarship both imaginative and exact.

To write this history of the imagination, Le Goff has recreated the mental structures of medieval men and women by analyzing the images of man as microcosm and the Church as mystical body; the symbols of power such as flags and oriflammes; and the contradictory world of dreams, marvels, devils, and wild forests. "Le Goff is one of the most distinguished of the French medieval historians of his generation ...he has exercised immense influence."--Maurice Keen, New York Review of Books "The whole book turns on a fascinating blend of the brutally materialistic and the generously imaginative."--Tom Shippey, London Review of Books "The richness, imaginativeness and sheer learning of Le Goff's work ...demand to be experienced."--M. T. Clanchy, Times Literary Supplement

-- Gerald Prince, University of Pennsylvania

-- Gerald Prince, University of Pennsylvania

We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries. Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissance. We should instead view Western civilization as undergoing several "renaissances" following the fall of Rome, over the course of a long Middle Ages that lasted until the mid-eighteenth century. While it is indeed necessary to divide history into periods, Le Goff maintains, the meaningful continuities of human development only become clear when historians adopt a long perspective.Genuine revolutions-the shifts that signal the end of one period and the beginning of the next-are much rarer than we think.

We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries. Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissance. We should instead view Western civilization as undergoing several "renaissances" following the fall of Rome, over the course of a long Middle Ages that lasted until the mid-eighteenth century. While it is indeed necessary to divide history into periods, Le Goff maintains, the meaningful continuities of human development only become clear when historians adopt a long perspective.Genuine revolutions-the shifts that signal the end of one period and the beginning of the next-are much rarer than we think.

Canonized in 1297 as Saint Louis, King Louis IX of France (1214-1270) was the central figure of Christendom in the thirteenth century. He ruled when France was at the height of power; he commanded the largest army in Europe and controlled the wealthiest kingdom. Renowned for his patronage of the arts, Louis was equally famous for his choice to imitate the suffering Christ as a humbly attired, bearded penitent.Armed with the considerable resources of the nouvel historien, Jacques Le Goff mines existing materials about Saint Louis to forge a new historical biography of the king. Part of his ambitious project is to reconstruct the mental universe of the thirteenth century: Le Goff describes the scholastic and intellectual background of Louis's reign and, most importantly, he discusses methodology and the interpretation of written sources—their composition, provenance, and reliability.Le Goff divides his unconventional biography into three parts. In the first, he gives us the contours of Louis's life from birth to death in the usual context of family dynamics and genealogy, courtly and regional politics, and shifts in economic, social, and cultural life. In sifting through the historical accounts of the king's life, Le Goff determines that it is Louis IX's profound sense of moral and religious purpose—his desire to become the ideal Christian ruler—that colors his every action from boyhood on; it is also, for Le Goff, what renders contemporary accounts problematic and what necessitates further scrutiny.That dissection of sources occupies the second part. Le Goff's intention is to pare away the layers of homily and anecdote produced by the king's early biographers to discover the true St. Louis. Questioning whether St. Louis was merely the invention of his eulogists, Le Goff penetrates beyond the literary and hagiographical evidence to the human behind the legend. He brilliantly analyzes Louis's progression toward his unique self-creation and its subsequent mythologizing. In the third part, Le Goff highlights the contradictions within Louis and his historical image that previous chroniclers have elided and overlooked. In the end, he leaves us with the saint, rather than the king, with all the paradoxes embedded within that dual role.A prolific medievalist of international renown, Jacques Le Goff (1924- ) is the former director of studies at the L'École des Hautes Études en Sciences Sociales, Paris. Among his honors is the Dr. A. H. Heineken Prize for History, bestowed in 2004 by the Royal Netherlands Academy of Arts and Sciences to Le Goff for "fundamentally changing our view of the Middle Ages." He was also among the recipients of the 2007 Dan David Prize in recognition of contributions to his discipline. of Louis' life from birth to death in the usual context of family dynamics and genealogy, courtly and regional politics, and shifts in economic, social, and cultural life. In sifting through the historical accounts of the king's life, Le Goff determines that it is Louis IX's profound sense of moral and religious purpose—his desire to become the ideal Christian ruler—that colors his every action from boyhood on; it is also, for Le Goff, what renders contemporary accounts problematic and what necessitates further scrutiny. That dissection of sources occupies the second part. Le Goff's intention is to pare away the layers of homily and anecdote produced by the king's early biographers to discover the true Saint Louis. Questioning whether Saint Louis was merely the invention of his eulogists, Le Goff penetrates beyond the literary and hagiographical evidence to the human behind the legend. He brilliantly analyzes Louis' progress toward his unique self-creation and its subsequent mythologizing. In the third part, Le Goff highlights the contradictions within Louis and his historical image that previous chroniclers have elided or overlooked. In the end, he leaves us with the saint, rather than the king, with all the paradoxes embedded in that role.

This 1985 book presents a selection of ten of the most significant contributions to Faire de l'histoire, a major three-volume exposition of the fresh state of French historiography first published in 1974. All the essays were commissioned from historians representing the best of the 'Annales' tradition, including Emmanuel le Roy Ladurie, François Furet and Georges Duby. The first five essays concentrate upon the physical world, and deal with some of the more familiar aspects of 'new history'; the second half of the book is concerned with the unconscious world of mentalités, the network of belief, symbol and cultural practice that is attracting the attention of historians in ever-increasing numbers. In an introduction Colin Lucas places the essays in this collection within the long-term development of French historical study, and assesses not only its great strengths but also some of the doubts and dilemmas to which it has given rise.

This one thousand year history of the civilization of western Europe has already been recognized in France as a scholarly contribution of the highest order and as a popular classic. Jacques Le Goff has written a book which will not only be read by generations of students and historians, but which will delight and inform all those interested in the history of medieval Europe. Part one, Historical Evolution , is a narrative account of the entire period, from the barbarian settlement of Roman Europe in the fifth, sixth and seventh centuries to the war-torn crises of Christian Europe in the fourteenth and fifteenth centuries. Part two, Medieval Civilization , is analytical, concerned with the origins of early medieval ideas of culture and religion, the constraints of time and space in a pre-industrial world and the reconstruction of the lives and sensibilities of the people during this long period. Medieval Civilization combines the narrative and descriptive power characteristic of Anglo-Saxon scholarship with the sensitivity and insight of the French historical tradition.

This is a history of the European city from the early Middle Ages to the present. Tracing the city from the survival of urban life after the collapse of the Roman Empire to the effects of modern industrialization and transportation, Professor Benevolo's book also provides a fascinating account of the relationship between urban life and cultural and intellectual life.

This book is about the history of food in Europe and the part it has played in the evolution of the European cultures over two millennia. It has been a driving force in national and imperial ambition, the manner of its production and consumption a means by which the identity and status of regions, classes and individuals have been and still are expressed. In this wide-ranging exploration of its history the author weaves deftly between the classes, regions and nations of Europe, between the habits of late antiquity and the problems of modernity. He examines the interlinked evolutions of consumption, production and taste, to show both what these reveal of the varied cultures and peoples of Europe in the past and what they suggest about the present.

It is impossible to understand the late Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled for clerical use in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a best seller. By 1500, there were more copies of it in circulation than there were of the Bible itself. Priests drew on The Golden Legend for their sermons, the faithful used it for devotion and piety, and artists and writers mined it endlessly in their works. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, one of the world's most renowned medievalists, provides a lucid, compelling, and unparalleled account of why and how The Golden Legend exerted such a profound influence on medieval life. In Search of Sacred Time explains how The Golden Legend--an encyclopedic work that followed the course of the liturgical calendar and recounted the life of the saint for each feast day--worked its way into the fabric of medieval life.Le Goff describes how this ambitious book was carefully crafted to give sense and shape to the Christian year, underscoring its meaning and drama through the stories of saints, miracles, and martyrdoms. Ultimately, Le Goff argues, The Golden Legend influenced how medieval Christians perceived the passage of time, Christianizing time itself and reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.

How The Golden Legend shaped the medieval imaginationIt is impossible to understand the Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a bestseller. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, who was one of the world's most renowned medievalists, provides a lucid and compelling account that shows how The Golden Legend Christianized time itself, reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.

Jacques Le Goff sets out in this book to explain the role of money, or rather of the various types of money, in the economy, life and mentalities of the Middle Ages. He seeks also to explain how, in a society dominated by religion, the Church viewed money, and how it taught Christians what attitudes they should adopt towards it and towards the uses to which it could be put. He shows that, although money played an important role in the rise of towns and trade and in state formation, there was no capitalism but only a pre-capitalism in the Middle Ages, even by their end, in the absence of a truly global market. This is why economic development remained slow and limited, in spite of some remarkable success stories. It was a period in which it was as important to give money as it was to earn it. True wealth was not yet the wealth of this world, even though money played an increasingly large role in reality and in mentalities.No similar discussion of this subject, aimed at a wide readership, has previously been published. Written by one of the greatest medievalists, this book will be recognized as a standard work on the topic.

Jacques Le Goff sets out in this book to explain the role of money, or rather of the various types of money, in the economy, life and mentalities of the Middle Ages. He seeks also to explain how, in a society dominated by religion, the Church viewed money, and how it taught Christians what attitudes they should adopt towards it and towards the uses to which it could be put. He shows that, although money played an important role in the rise of towns and trade and in state formation, there was no capitalism but only a pre-capitalism in the Middle Ages, even by their end, in the absence of a truly global market. This is why economic development remained slow and limited, in spite of some remarkable success stories. It was a period in which it was as important to give money as it was to earn it. True wealth was not yet the wealth of this world, even though money played an increasingly large role in reality and in mentalities.No similar discussion of this subject, aimed at a wide readership, has previously been published. Written by one of the greatest medievalists, this book will be recognized as a standard work on the topic.

In this fascinating book, which takes the form of a series of edited interviews with noted journalist Jean-Maurice de Montremy, Jacques Le Goff offers us a synthesis of his work. In the course of these conversations he explains how he came to write his books and how an overall view of the civilisation of the Middle Ages gradually emerged; a civilisation which shaped ‘western’ culture both for better and for worse. Each conversation touches upon one of the major themes of his work and the book as a whole presents the reader with a fascinating attempt to recover, define, and understand the Middle Ages.

Known for speaking with the birds, for professing poverty, receiving the stigmata and for initiating the Franciscan order, Francis of Assisi is one of the most radical and inspiring figures in Christianity.In this outstanding and celebrated biography, the distinguished medievalist Jacques Le Goff paints a fascinating picture of the life of Francis of Assisi. Locating Francis in the feudal world of the twelfth and thirteenth centuries and exploring the social and political changes taking place at the time, Le Goff assess the dramatic influence of the saint on the medieval church and celebrates his role in the spiritual revival of the Catholic Church.This Routledge Classics edition includes a new Foreword by Sean L. Field.

Known for speaking with the birds, for professing poverty, receiving the stigmata and for initiating the Franciscan order, Francis of Assisi is one of the most radical and inspiring figures in Christianity.In this outstanding and celebrated biography, the distinguished medievalist Jacques Le Goff paints a fascinating picture of the life of Francis of Assisi. Locating Francis in the feudal world of the twelfth and thirteenth centuries and exploring the social and political changes taking place at the time, Le Goff assess the dramatic influence of the saint on the medieval church and celebrates his role in the spiritual revival of the Catholic Church.This Routledge Classics edition includes a new Foreword by Sean L. Field.

In this ground-breaking new study,Jacques Le Goff, arguably the leading medievalist of his generation, presents his view of the primacy of the Middle Ages in the development of European history. "[A] superb and necessary book. This provocative assessment from a lifetime of scholarship might help us to place ourselves, not just territorially, but in that other precious element of history: time."—The Guardian"A book that never fails to be informative, readable and provocative. Le Goff... has been the bravest and best of champions for medieval history. This book... is in every sense an inspiration."—BBC History MagazinePraised by prominent figures in Europe and history including: Rt Hon Christopher Patten, CH, Former Member of the European Commission, and Neil Kinnock, Vice-President, European Commission.

Heroes and Marvels of the Middle Ages is a history like no other: it is a history of the imagination, presented through two celebrated groups of the period. One group consists of heroes: Charlemagne, El Cid, King Arthur, Orlando, Pope Joan, Melusine, Merlin the Wizard, and also the fox and the unicorn. The other is the miraculous, represented here by three forms of power that dominated medieval society: the cathedral, the castle and the cloister.This imaginative history is a continuing story that presents the heroes and marvels of the Middle Ages as the times defined them: venerated, then bequeathed to future centuries where they have continued to live and transform through remembrance of the past, adaptation to the present and openness to the future.