Joao Silva – författare

The Bang-Bang Club was a group of four young war photographers, friends and colleagues: Ken Oosterbroek, Kevin Carter, Greg Marinovich and Joao Silva, war correspondants during the last years of apartheid, who took many of the photographs that encapsulate the final violent years of racist white South Africa. Two of them won Pulitzer Prizes for individual photos. Ken, the oldest and a mentor to the others, died, accidentally shot while working; Kevin, the most troubled of the four, committed suicide weeks after winning his Pulitzer for a photograph of a starving baby in the Sudanese famine. Written by Greg and Joao, The Bang-Bang Club tells their uniquely powerful war stories. It tells the story of four remarkable young men, the stresses, tensions and moral dilemmas of working in situations of extreme violence, pain and suffering, the relationships between the four and the story of the end of apartheid. An immensely powerful, riveting and harrowing book, and an invakuable contribution to the literary genre of war photography. An eye-opening book for readers of Susan Sontag.

During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author João Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.

This is an open access title. It is made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International licence. It is available to read and download as a PDF version on the Oxford Academic platform.CP violation is an intriguing and elusive subject, and current knowledge of it remains limited, on both the experimental and theoretical levels. Researchers lack a fundamental understanding of its origin, and this is all the more important because CP violation is related to the generation problem and mass problem, two of the basic open questions in particle physics. This book provides beginning researchers with a self-contained introduction to the subject, starting at an elementary level and taking the reader to the forefront of current research.

Liberalism—in its political, economic, and ethical forms—shaped the 19th-century Western world. Rooted in philosophy and expressed through economic and political systems, liberalism was complex and often contradictory. This book explores the influence of liberalism on music in Portugal, Spain, and Latin America—regions where liberalism evolved amid conflict that left deep cultural marks. Rather than focusing on nation-states, the authors trace the circulation of music across borders and highlight cultural exchanges during pivotal moments such as the “Atlantic crises” (after 1807-08) and the revolutionary cycle of 1820–1823. Through operas, zarzuelas, the press, wind and brass bands, as well as debates on slavery, they reveal how liberalism was performed and imagined, offering a fresh perspective on music and ideology.