John Cowper Powys – författare

'A great literary masterpiece' A. N. Wilson 'A genius ... a fearless writer, who writes with reckless passion' Margaret DrabbleJohn Cowper Powys's epic Wolf Solent centres around the story of a young man returning to his roots in the West Country after ten years in London. Complex, romantic and humorous, it is peopled with memorable characters and filled with vivid, primitive descriptions of landscape. But beyond this powerful evocation of people and place, Wolf Solent is also a meditation on life and death, good and evil, body and soul, combining the earthy and everyday with the spiritual.'Wolf Solent is a stupendous and rather glorious book … as beautiful and strange as an electric storm' V. S. Pritchett

‘Truly extraordinary … a very earthquake of a book … incontestably great’ The TimesPowys' great visionary novel, now in Penguin Modern Classics One of the great cult novels, a book that can be read and re-read throughout a lifetime, A Glastonbury Romance is John Cowper Powys' masterpiece. Set in a beautifully imagined fictional version of the West Country, the novel inhabits a twentieth century under siege from older and stranger forces.An epic work of terrific force and lyrical intensity, interweaving the ancient with the modern, the novel probes the mystical and spiritual ethos of Glastonbury and its association with the legend of the Grail. At the heart of the book is the vision of one man, who wishes to make Glastonbury again the great pilgrimage centre it once was. But what really lies in this powerful landscape and why did so many men and women once come to it seeking redemption?The edition used for this Penguin Classics edition is the original 1932 American text.‘A masterpiece ... Open any page and you can find something wonderful’ Margaret Drabble‘Possibly the greatest novel of the twentieth century, and one of the great mystical masterpieces of all time’ Colin Wilson‘To encounter Powys ... is to arrive at the very fount of creation’ Henry Miller

After My Fashion has an unusual publishing history. Although it was John Cowper Powys third novel written in 1920, it wasn't published until 1980. It seems that when his US publisher turned it down Powys made no effort to place it elsewhere. Indeed, when Powys had finished a book he tended to be oddly indifferent to its fate. The novel has two other unusual features: its locations (Sussex and Greenwich Village) and Isadora Duncan being the inspiration for Elise, the dancer and mistress of the protagonist, Richard Storm (based quite largely on Powys himself).As one would expect from Powys the writing is vivid, not least in the descriptions of the Sussex landscape and the bohemian milieu of Greenwich Village.

Published in 1954, John Cowper Powys called this novel, a 'long romance about Odysseus in his extreme old age, hoisting sail once more from Ithaca'. As usual there is a large cast of human characters but Powys also gives life and speech to inanimates such as a stone pillar, a wooden club,and an olive shoot. The descent to the drowned world of Atlantis towards the end of the novel is memorably described, indeed, Powys himself called it 'the best part of the book'.Many of Powys's themes, such as the benefits of matriarchy, the wickedness of priests and the evils of modern science which condones vivisection are given full rein in this odd but compelling work.

In this panoramic novel of Friar Roger Bacon, John Cowper Powys displays his genius at its most fecund. First published in 1956, this novel, set in thirteenth-century Wessex, is an amalgam of all the qualities that make John Cowper Powys unique. The love-story of Lil-Umbra and Raymond de Laon, and the quest of the Mongolian giant, Peleg, for Ghosta, the girl seen, loved, and lost on the battlefield, are intermingled with the historical, theological and magical threads which form the brocade of this novel. Dominating all is the mysterious creation of Roger Bacon one of the boldest as well as most intricate of Powys' world-changing inventions. Professor G. Wilson Knight called this 'A book of wisdom and wonders'.

Ducdame was John Cowper Powys' fourth novel published in 1925. It is set in Dorset. The protagonist, Rook Ashover (a wonderfully Powysian name) is an introverted young squire with a dilemma: to go on loving his mistress, Netta Page, or, make a respectable marriage and produce an heir.Of his early novels (pre- Wolf Solent) this one is often considered to be the most carefully constructed and best organized. Like them all it contains a gallery of rich, complex characters and glorious writing.

'What I've tried to do in this tale is to invent a group of really mad people who have the fantastic and grotesquely humorous extravagance that, afer all, is an element in life'. So wrote John Cowper Powys himself in his prefatory note to this novel first published in 1952. In this 'wild book' Powys creates a 'Philosophy of the Demented' expressing fundamental truths about madness and sanity. Most of the novel, though, like so much of his later fiction, it is more a fantasy, takes place in Glint Hall, a lunatic asylum. The two main characters are John Hush and Tenna Sheer. They fall in love. The rapidly developing, psychologically complex narrative centres on 'Hush's organizationof a conspiracy of revolt amongst the most fantastically crazy of the inmates'. It makes for a strange, disturbing, and yet, at times, funny read.

First published in 1937, John Cowper Powys originally wanted to call this novel 'Hell'. One can see why. Powys was a fervent opponent of vivisection, 'man's most vicious cruelty', and here, in this strange fantasy, he gives full vent to his feelings. The main adventures are set in Hell where the narrator, not named but clearly based on Powys himself, his dog, Black Peter, Morwyn, his new love and her father, a vivisector find themselves hurled after a cataclysm on a Welsh mountain-side. The infernal adventures and encounters are virtuoso displays of Powys's extraordinary knowledge of the mythical underworld.

Rodmoor is, unusually for a John Cowper Powys novel, set in East Anglia, Rodmoor itself being a coastal village.The protagonist, Adrian Sorio, is a typically Powys-like hero, highly-strung with only precarious mental stability. He is in love with two women - Nance Herrick and the more unconventional Phillipa Renshaw. This was Powys second novel, published in 1916. It deploys a rich and memorable cast of characters.

Wood and Stone was John Cowper Powys' first novel published in 1915. It is no prentice-work however - the author was already in his forties. The novel is set in the area of south Somerset that John Cowper Powys grew up in. The village of Nevilton is based on Montacute where his father was vicar for many years. When he wrote it Powys was living in the USA and it is perhaps this absence that accounts for the heightened vividness of the descriptive writing. Powys deploys a large and wonderfully delineated cast of characters. They are loosely divided between 'the well-constituted' and 'the ill-constituted'. Characteristically Powys favours the latter.

I have tried to write my life as if I were confessing to a priest, a philosopher, and a wise old woman. I have tried to write as if I were going to be executed when it was finished. I have tried to write it as if I were both God and Devil.' One is tempted to say only John Cowper Powys could have written that, and, beyond doubt, only John Cowper Powys could have written the idiosyncratic and spellbinding work we have here. Yes, he was influenced by Yeats and Rousseau, especially the latter's Confessions, but there is no other work quite like this. It seems almost too pedestrian to say it covers the first sixty years of his life (he lived for another thirty years) and to say anything about them, as J. B. Priestley memorably put it, 'would be like turning on a tap before introducing people to Niagara Falls.' J. B. Priestley also said 'It is a book which can be read, with pleasure and profit, over and over again. It is in fact one of the greatest autobiographies in the English language. Even if Powys had never written any novels, this one book alone would have proved him to be a writer of genius.

John Cowper Powys could never be straightforward or orthodox but here he sets off with a useful purpose. 'The aim of this book,' he declares, 'is to narrow down a vague and somewhat evasive conception, which hitherto, like ''aristocracy'' or ''liberty'', has come to imply a number of contradictory and even paradoxical elements, and to give it, not, of course, a purely logical form, but a concrete, particular, recognizable form, malleable and yielding enough and relative enough, but with a definite and quite unambiguous temper, tone, quality, atmosphere, of its own.' The book is in two parts: Analysis of Culture which deals with, in separate chapters, Philosophy, Literature, Poetry, Painting and Religion: Application of Culture which covers Happiness, Love, Nature, The Art of Reading, Human Relations, Destiny and Obstacles to Culture.John Cowper Powys hoped 'that the fine word ''culture'' . . . might lend itself to an easy, humane and liberal discussion - a sort of one-man Platonic symposium - and even turn out to contain, among its various implications, no unworthy clue to the narrow path of the wise upon earth.' He succeeds completely, in his own idiosyncratic way, in achieving that.'Mr Powys is to be congratulated on having written a book of the kind that most needs writing and most deserves to be read . . . Here in a dozen chapters of glowing and eloquent prose, Mr Powys describes for very reader that citadel which is himself, and explains to him how it may be strengthened and upheld and on what terms it is most worth upholding. . .' Manchester Guardian

In Defence of Sensuality was first published in 1930. The author's own foreword to the book is worth quoting in full:'The author feels that perhaps some explanation is due tot eh reader for the rather unusual employment of the ''Sensuality'' which serves as the title of this work. The advantage given to the author by the use of this particular expression is that it enables him to proceed from rock-bottom upwards as far as he likes. A more refined title would have cut him off, in his method of developing his idea, from the physical roots of existence; for while it is easy to indicate the overtones and undertones of Sensuality it would be hard to bring a gentle, vague word, like the word ''sensuousness'' down to the bare, stark, stoically-stripped Life-Sensation which is the subject of this book.How far has the individual the right to be what is called ''selfish''? How far has he the right to concentrate on his own solitary awareness of existence and make this alone his life-purpose? Is there such a thing at all as a Religion of Nature or a Cosmic Ethic? Such are the questions the author attempts to answer; and he finds that in his discussion of the root-sensations of life the word Sensuality, taken in an unusually comprehensive sense, serves his purpose better than any other word.'In Defence of Sensuality is one of the self-help books John Cowper Powys wrote that owe their genesis to the free-lance lecturing he did in America. In addition to this one, Faber Finds are reissuing The Meaning of Culture, A Philosophy of Solitude and The Art of Happiness.

'It is not our struggle to be happy that is mistaken; it is our false idea that we can find happiness anywhere but in ourselves... happiness does not depend on outward things. It is born of the mind, it is nourished by the mind, it is what rises, like breath in a frosty air, from the mind's wrestling with its fate...'The Art of Happiness (first published in 1935) belongs to John Cowper Powys's sequence of philosophical writings, and finds him exploring the problem of how man lives with his fellow man, and also with woman - that is to say, here, as opposed to the abstract arguments concerning Man in the universe, Powys is concerned with the practical arguments such as arise between man and his neighbour, his wife, his lover - and also with man's arguments against himself, all in the pursuit of happiness. The careful reader will find herein hints, clues, intimations, as to how we all might become a little happier - an invitation few of us would feel so fortunate as to refuse.