John Seelye – författare

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. The story grew out of a map that led to imaginary treasure, devised during a holiday in Scotland by Stevenson and his nephew. The tale is told by an adventurous boy, Jim Hawkins, who gets hold of a treasure map and sets off with an adult crew in search of the buried treasure. Among the crew, however, is the treacherous Long John Silver who is determined to keep the treasure for himself. Stevenson's first full-length work of fiction brought him immediate fame and continues to captivate readers of all ages.

The quintessential adventure story that first established pirates in the popular imagination, Robert Louis Stevenson's Treasure Island is edited with an introduction by John Seelye in Penguin Classics.When a mysterious sailor dies in sinister circumstances at the Admiral Benbow inn, young Jim Hawkins stumbles across a treasure map among the dead man's possessions. But Jim soon becomes only too aware that he is not the only one who knows of the map's existence, and his bravery and cunning are tested to the full when, with his friends Squire Trelawney and Dr Livesey, he sets sail in the Hispaniola to track down the treasure. With its swift-moving plot and memorably drawn characters - Blind Pew and Black Dog, the castaway Ben Gunn and the charming but dangerous Long John Silver - Stevenson's tale of pirates, treachery and heroism was an immediate success when it was first published in 1883 and has retained its place as one of the greatest of all adventure stories.In his introduction John Seelye examines Stevenson's life and influences and the novel's place within adventure fiction. This edition also includes Stevenson's essay on the composition of Treasure Island.Robert Louis Stevenson (1850-1894) was born in Edinburgh, the son of a prosperous civil engineer. Although he began his career as an essayist and travel writer, the success of Treasure Island (1883) and Kidnapped (1886) established his reputation as a writer of tales of action and adventure. Stevenson's Calvinist upbringing lent him a preoccupation with predestination and a fascination with the presence of evil, themes he explored in The Strange Case of Dr Jekyll and Mr Hyde (1886), and The Master of Ballantrae (1893).If you enjoyed Treasure Island, you might like Daniel Defoe's Robinson Crusoe, also available in Penguin Classics.

"Seelye's version seems evenfunnier than the original, and also more moving, since Seelye's Huck Finn iseven less sentimental about life and Tom Sawyer than Twain's Huck Finn. He isalso more perceptive about black people than the original."-- Hughes Rudd, CBS News"Seelye has stitched togethera whale of a book. Without reference to Twain's own version, it is almost impossibleto see the seams where 1970 joins 1884."-- Geoffrey Wolff, Newsweek

Winky thought he'd seen everything in Wyoming Territory: rustlers, hangings, shoot-outs, cattle standing frozen stiff in the snow. Then into town one lazy day rode a long-haired kid and a colossal African mute. They were met in the saloon by Fiddler Jones, whose hair and temper flared like a wasps' nest. Fiddler's yellow eyes fell instantly in love with the kid's pouch of gold dust. That pouch was worth killing for.Fiddler was no stranger to trouble, but the trouble he found in the kid and the mute took everyone by surprise. It just kept coming, like nothing Winky had ever seen before.

Long celebrated as a symbol of the country's origins, Plymouth Rock no longer receives much national attention. In fact, historians now generally agree that the Pilgrims' storied landing on the Rock never actually took place--the tradition having emerged more than a century after the arrival of the Mayflower.In Memory's Nation, however, John Seelye is not interested in the factual truth of the landing. He argues that what truly gives Plymouth Rock its significance is more than two centuries of oratorical, literary, and artistic celebrations of the Pilgrims' arrival. Seelye traces how different political, religious, and social groups used the image of the Rock on behalf of their own specific causes and ideologies. Drawing on a wealth of speeches, paintings, and popular illustrations, he shows how Plymouth Rock changed in meaning over the years, beginning as a symbol of freedom evoked in patriotic sermons at the start of the Revolution and eventually becoming an icon of exclusion during the 1920s.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.