John Sutherland – författare

The Woman in White (1859-60) is the first and greatest `Sensation Novel'. Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue.The novel is dominated by two of the finest creations in all Victorian fiction - Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant `Napoleon of Crime'. A masterwork of intricate construction, The Woman in White sets new standards of suspense and excitement, and achieved sales which topped even those of Dickens, Collins's friend and mentor.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

An innovative novel featuring an astonishingly wicked female villain, Wilkie Collins's Armadale was regarded by T.S. Eliot as 'the best of [his] romances'. This Penguin Classics edition is edited with an introduction and notes by John Sutherland.When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money - and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as 'One of the most hardened female villains whose devices and desires have ever blackened fiction'. She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian 'sensation novels'.John Sutherland's introduction illustrated how Wilkie Collins drew on scandalous newspaper headlines and on new technology particularly the penny post and the telegraph - to lend extra pace and veracity to his tale. This edition also contains notes, further reading and an appendix on stage dramatisations of Armadale.Wilkie Collins (1824-1889) was born in London in 1824, the eldest son of the landscape painter William Collins. In 1846 he was entered to read for the bar at Lincoln's Inn, where he gained the knowledge that was to give him much of the material for his writing. From the early 1850s he was a friend of Charles Dickens, who produced and acted in two melodramas written by Collins, The Lighthouse and The Frozen Deep. Of his novels, Collins is best remembered for The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868).If you enjoyed Armadale, you might like Collins's No Name, also available in Penguin Classics.

'What spectacle is more august than that of a great king in exile? Who is more worthy of respect than a brave man in misfortune?' When "Henry Esmond" appeared in 1852, noted writers and critics of the time acclaimed it as the best historical novel ever written. Set in the reign of Queen Anne, the story follows the troubled progress of a gentleman and an officer in Marlborough's army, as he painfully wrestles with an emotional allegiance to the old Tory-Catholic England until, disillusioned, he comes to terms of a kind with the Whiggish-Protestant future. This change also entails a very uncomfortable switch in his affections. The love story of Henry Esmond is charged with sombre, unconscious emotions, yet is skilfully embedded into historical events which are convincing but never too prominent.

The second of Trollope's Palliser novels tells of the career of a hot-blooded middle-class politician whose sexual energies bring him much success with women.

Dark, desolate and fantastical, The Purple Cloud was a pioneer in the genre of apocalyptic novels, and the first great science fiction work of the twentieth century. It inspired authors such as H. P. Lovecraft and Stephen King. The Purple Cloud tells the grandly bleak story of Adam Jeffson: the first man to reach the North Pole and the last man left alive on earth. A sweet-smelling, deadly cloud of poisonous gas has devastated the world, and as Jeffson travels the stricken globe in search of human life, he slowly succumbs to madness, and unleashes fire and destruction on his planet. John Sutherland's introduction discusses M. P. Shiel's dissolute life, the originality of his book and its place within the context of 'last man' novels. This edition also includes a chronology, notes and further reading.

Caught in the midst of England's War of the Roses, young Dick Shelton's loyalties are torn between a guardian who betrays him and the leader of the secret fellowship, "The Black Arrow". the Houses of York and Lancaster are locked in a brutal struggle for England's crown and the fate of the kingdom is at stake. Shelton finds himself entangled in the conspiracy. In order to survive he must distinguish friend from foe and confront the tests of war, shipwreck, murder and forbidden love.

Love, so the song goes, is a many-splendoured thing, and fiction has been trying for years both to promote and subvert the clichés it encourages. We turn to literature to learn what love is and what it should be, and readers of this collection will find consolation and inspiration in equal measure from some of the sharpest observers of this most essential human emotion.In tracing the lineaments of `English love' through the fiction of 200 years we can see something of its infinite variety and of the shifting rules of the game. Sylvia Plath seems closer to Aphra Behn than to Elizabeth Gaskell or even Thomas Hardy in her concept of feminine modesty, while violence, or sheer incomprehension, enter the definition in the worlds of D. H. Lawrence and Katherine Mansfield. Romantic love is at the heart of the `love story' and these stories, while taking love as their subject, do not always follow the conventional route. Bittersweet endings, ironic angles on traditional platitudes and other surprises make the insights of writers such as Anne Ritchie, Somerset Maugham or V. S. Pritchett always fresh and challenging. Simple or sophisticated, sometimes comic and often very moving, these stories bring a delightful perspective to the mysteries of the English in love.

Mary Ward (1851-1920) had a furiously active public career, her literary and philanthropic activities transforming her from an eminent Victorian into a pre-eminent Edwardian.The granddaughter of Thomas Arnold, she found herself at the centre of an intellectual and cultural coterie comprising the Arnold, Huxley, and Trevelyan families. Her novel, Robert Elsmere (1888), the first of a series of bestsellers, earned her both unprecedented sums of money and the critical respect of writers such as Henry James. She helped found Somerville College, Oxford, the University's first institution for the higher education of women, and inaugurated a number of play centres for the children of London's working women, despite being a fierce opponent of women's suffrage. As the first female reporter to visit the trenches in 1916, she was instrumental in bringing America into the war.Yet for all her achievements, her private life was overshadowed - often tragically so - by misfortune. Her parents's marriage was seriously affected by her father's religious doubts; she eclipsed her husband, a Times journalist and art critic, while her indolent son frittered away her financial and emotional resources.John Sutherland's fascinating study of the private suffering of this predominantly public person also provides useful insights into the restrictions placed upon women in the late-Victorian-Edwardian era.This title also appears in the Oxford General Books catalogue for Autumn 1990.

'I rejoice', said Doctor Johnson, 'to concur with the Common Reader.' For the last century, the tastes and preferences of the common reader have been reflected in the American and British bestseller lists, and this Very Short Introduction takes an engaging look through the lists to reveal what we have been reading - and why. John Sutherland shows that bestseller lists monitor one of the strongest pulses in modern literature and are therefore worthy of serious study. Along the way, he lifts the lid on the bestseller industry, examines what makes a book into a bestseller, and asks what separates bestsellers from canonical fiction. Exploring the relationship between bestsellers and the fashions, ideologies, and cultural concerns of the day, the book includes short case-studies and lively summaries of bestsellers through the years: from In His Steps - now almost totally forgotten, but the biggest all-time bestseller between 1895 and 1945, to Gone with the Wind and The Andromeda Strain, and The Da Vinci Code. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Widely regarded as one of Trollope's most successful later novels,He Knew He Was Right is a study of marriage and of sexual relationships cast against a background of agitation for women's rights. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

How well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Published in 1904, and drawing on London's own experience on board a sealing ship, The Sea-Wolf describes the struggle between the civilized and the pagan, between the values of the ruthless sea-captain, Wolf Larsen, and the moral, literary Humphrey Van Weyden.One of his most popular novels, it also reveals London's preoccupation with the Nietzschean idea of the superman, and his interest in the brute underlying social behaviour. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cardinal Manning * Florence Nightingale * Thomas Arnold * General GordonLytton Strachey's biographical essays on four 'eminent Victorians' dropped a depth-charge on Victorian England when the book was published in 1918. It ushered in the modern biography and raised the genre to the level of high literary art. Lytton Strachey approached his subjects with scepticism rather than reverence, and his iconoclastic wit and engaging narratives thrilled as well as shocked his contemporaries. Debunking Church, Public School and Empire, his portraits of Cardinal Manning, Florence Nightingale, Dr Arnold of Rugby, and General Gordon of Khartoum changed perceptions of the Victorians for a generation. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Published in 1913, this harrowing, autobiographical 'A to Z' of drinking shattered London's reputation as a clean-living adventurer and massively successful author of such books as White Fang and The Call of the Wild. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A vibrant guide to the world of literature, from dramatic plays to engrossing novels  Literature has inspired every civilisation, from Greek myth to today’s graphic novels. John Sutherland, who has researched, taught and written on the entire glorious span of human literary activity, here guides readers on a journey ‘through the looking glass’ to show how literature from across the world can transport us, transfix us, and teach us about ourselves.  He introduces key works, from the Epic of Gilgamesh and Shakespeare to T.S. Eliot, George Orwell and Margaret Atwood, and looks afresh at literature’s links to power, identity and taste. From the rude jokes within Anglo-Saxon riddles to the guilty pleasures of potboilers and fan fiction, this celebratory guide offers wit, humour and deep learning to all who enjoy literature, and who want to understand it anew.  Little Histories – Inspiring Guides for Curious Minds

First published in 1981, this book offers a study of British and American popular fiction in the 1970s, a decade in which the quest for the superseller came to dominate the lives of publishers on both sides of the Atlantic. Illustrated by examples of the lurid incidents that catapult so many books into the bestseller charts, this comprehensive study covers the work of Robbins, Hailey and Maclean, the 'bodice rippers', the disaster craze, horror, war stories and media tie-ins such as The Godfather, Jaws and Star Wars.

First published in 1981, this book offers a study of British and American popular fiction in the 1970s, a decade in which the quest for the superseller came to dominate the lives of publishers on both sides of the Atlantic. Illustrated by examples of the lurid incidents that catapult so many books into the bestseller charts, this comprehensive study covers the work of Robbins, Hailey and Maclean, the 'bodice rippers', the disaster craze, horror, war stories and media tie-ins such as The Godfather, Jaws and Star Wars.

A Stanford University Press classic.

Cease I say, cantankerous old fools /Thy deeds hath made our streets a no go zone /No more shall Montagues and Capulets /Enact their West Side Story Sharks and Jets /Or else shall pay the forfeit of the peace.To celebrate the 400th anniversary of Shakespeare's death, this is the second of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable footnotes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.

‘Give me the daggers and I’ll pin the blame/ On Duncan’s grooms who both are also slain. /A little water clears us of this deed /Though a large scotch might also do the trick...’ To celebrate the 400th anniversary of Shakespeare's death, this is the first of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable side notes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.