Judson L. Jeffries – författare

Despite the growing scholarly interest in the Civil Rights movement, to date there has been no comprehensive examination of the Black Power movement. Black Power in the Belly of the Beast fills this gap by providing the first in-depth look at the Black Power movement from the 1963 founding of the Revolutionary Action Movement (RAM) to the Black Power Movement's demise in the mid 1970s. The volume’s twelve contributors include well-known scholars such as James A. Geschwender and Douglas Glasgow as well as prominent community activists Akbar Muhammad Ahmad, Floyd W. Hayes III, and Komozi Woodard. Each of their chapters explores a single Black Power organization including Us, the Black Panther Party, and the Deacons for Defense and Justice. Important but lesser-known Black Power organizations such as the Republic of New Afrika and Sons of Watts are paid equal attention, as contributors address issues including self-defense, Black identity, and the politics of class and gender. Throughout, authors emphasize the primary role that Black institutions and charismatic leaders played in the rise, development, and eventual decline of the overall movement.

The Black Panther Party for Self-Defense was founded in Oakland, California, in 1966 by Huey P. Newton and Bobby Seale. It was perhaps the most visible of the Black Power groups in the late 60s and early 70s, not least because of its confrontational politics, its rejection of nonviolence, and its headline-catching, gun-toting militancy. Important on the national scene and highly visible on college campuses, the Panthers also worked at building grassroots support for local black political and economic power. Although there have been many books about the Black Panthers, none has looked at the organization and its work at the local level. This book examines the work and actions of seven local initiatives in Baltimore, Winston-Salem, Cleveland, Indianapolis, Milwaukee, Philadelphia, and Los Angeles. These local organizations are revealed as committed to programs of community activism that focused on problems of social, political, and economic justice.

Portland, Oregon, though widely regarded as a liberal bastion, also has struggled historically with ethnic diversity; indeed, the 2010 census found it to be “America’s whitest major city.” In early recognition of such disparate realities, a group of African American activists in the 1960s formed a local branch of the Black Panther Party in the city’s Albina District to rally their community and be heard by city leaders. And as Lucas Burke and Judson Jeffries reveal, the Portland branch was quite different from the more famous—and infamous—Oakland headquarters. Instead of parading through the streets wearing black berets and ammunition belts, Portland’s Panthers were more concerned with opening a health clinic and starting free breakfast programs for neighborhood kids. Though the group had been squeezed out of local politics by the early 1980s, its legacy lives on through the various activist groups in Portland that are still fighting many of the same battles.Combining histories of the city and its African American community with interviews with former Portland Panthers and other key players, this long-overdue account adds complexity to our understanding of the protracted civil rights movement throughout the Pacific Northwest.A V Ethel Willis White Book

Portland, Oregon, though widely regarded as a liberal bastion, also has struggled historically with ethnic diversity; indeed, the 2010 census found it to be “America’s whitest major city.” In early recognition of such disparate realities, a group of African American activists in the 1960s formed a local branch of the Black Panther Party in the city’s Albina District to rally their community and be heard by city leaders. And as Lucas Burke and Judson Jeffries reveal, the Portland branch was quite different from the more famous—and infamous—Oakland headquarters. Instead of parading through the streets wearing black berets and ammunition belts, Portland’s Panthers were more concerned with opening a health clinic and starting free breakfast programs for neighborhood kids. Though the group had been squeezed out of local politics by the early 1980s, its legacy lives on through the various activist groups in Portland that are still fighting many of the same battles.Combining histories of the city and its African American community with interviews with former Portland Panthers and other key players, this long-overdue account adds complexity to our understanding of the protracted civil rights movement throughout the Pacific Northwest.A V Ethel Willis White Book

In two volumes, Judson Jeffries brings together essays on 21 accomplished and influential members of Omega Psi Phi Fraternity, Inc., demonstrating the enormous impact of the fraternity. Volume 1 tells the story of the organization’s founding and spotlights scientists, civil rights lawyers, athletes, and musicians.

In two volumes, Judson Jeffries brings together essays on 21 accomplished and influential members of Omega Psi Phi Fraternity, Inc., demonstrating the enormous impact of the fraternity. Volume 2 discusses military figures, artists, modern civil rights activists, and scholars, and celebrates the rise of recent scholarship on Black Greek-letter organizations.

In two volumes, Judson Jeffries brings together essays on 21 accomplished and influential members of Omega Psi Phi Fraternity, Inc., demonstrating the enormous impact of the fraternity. Volume 1 tells the story of the organization’s founding and spotlights scientists, civil rights lawyers, athletes, and musicians.

In two volumes, Judson Jeffries brings together essays on 21 accomplished and influential members of Omega Psi Phi Fraternity, Inc., demonstrating the enormous impact of the fraternity. Volume 2 discusses military figures, artists, modern civil rights activists, and scholars, and celebrates the rise of recent scholarship on Black Greek-letter organizations.

Contributions by Ignatius Calabria, H. Zahra Caldwell, Brian Jude de Lima, Sabatino DiBernardo, William Fulton, Antonio Garfias, Judson L. Jeffries, Tony Kiene, Molly Reinhoudt, Fred Shaheen, and Karen Turman With his signature blend of genres and lyrics that touch on myriad societal issues, the artist Prince has challenged and captivated the minds and hearts of countless listeners. Feel My Big Guitar: Prince and the Sound He Helped Create is a wide-ranging collection that seeks to place Prince at the center of contemporary musical scholarship, putting him in proper cultural and political context. This edited volume includes a mix of essays and reflections by scholars and fans, as well as interviews with people who worked with and knew Prince personally. Employing a blend of methodologies, contributors offer a body of fresh, intriguing, thought-provoking, and mind-bending work about Prince—an artist whose music exemplified those very characteristics.The volume examines Prince's musical influences, his rivalries (both real and imagined), and instrumental eroticism. It includes enlightening interviews with early mentor Pépe Willie and Gayle Chapman, Prince’s first female bandmate. These personal reflections and interviews grant readers a unique lens through which to view Prince, enriching our overall understanding of the man. Ultimately, Feel My Big Guitar serves as a space for sharing musicological analysis and memories about an artist whose work has touched and inspired so many. Years in the making, this is the first book in an ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, intended to investigate and reveal the full spectrum of Prince’s life and work.

Contributions by Ignatius Calabria, H. Zahra Caldwell, Brian Jude de Lima, Sabatino DiBernardo, William Fulton, Antonio Garfias, Judson L. Jeffries, Tony Kiene, Molly Reinhoudt, Fred Shaheen, and Karen Turman With his signature blend of genres and lyrics that touch on myriad societal issues, the artist Prince has challenged and captivated the minds and hearts of countless listeners. Feel My Big Guitar: Prince and the Sound He Helped Create is a wide-ranging collection that seeks to place Prince at the center of contemporary musical scholarship, putting him in proper cultural and political context. This edited volume includes a mix of essays and reflections by scholars and fans, as well as interviews with people who worked with and knew Prince personally. Employing a blend of methodologies, contributors offer a body of fresh, intriguing, thought-provoking, and mind-bending work about Prince—an artist whose music exemplified those very characteristics.The volume examines Prince's musical influences, his rivalries (both real and imagined), and instrumental eroticism. It includes enlightening interviews with early mentor Pépe Willie and Gayle Chapman, Prince’s first female bandmate. These personal reflections and interviews grant readers a unique lens through which to view Prince, enriching our overall understanding of the man. Ultimately, Feel My Big Guitar serves as a space for sharing musicological analysis and memories about an artist whose work has touched and inspired so many. Years in the making, this is the first book in an ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, intended to investigate and reveal the full spectrum of Prince’s life and work.

Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. WhitePrince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history.Contributors employ a diverse range of approaches to explore the intricate facets of this cultural icon, illuminating the many dimensions of his creative output and legacy. The collection is organized around two central themes that shed light on Prince’s artistry and lasting influence. Moving beyond conventional discussions about Prince and masculinity, Part I, "Black Masculinity and Gender Performativity," delves into less-explored aspects of the artist’s gender-bending persona. Essays in this section cover a slew of fascinating subjects, including Prince’s re-scripting of Black masculinity in the cult classic Under the Cherry Moon, and an autoethnographic study of African American father-son relationships in the film Purple Rain. Another essay examines the subversive gender performativity of Prince and frequent collaborator Sheila E.Part II, "Beauty, Race, and Spirituality," explores a range of topics present in Prince’s oeuvre, from the sociopolitical contours of his work to his overlooked but significant projects and protégés. Contributors in this section examine Prince’s representations of female beauty, his articulations of urban rage and protest, and his commercially successful but critically overlooked Batman soundtrack. This second installment of the ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, continues to center Prince as a focal point in music scholarship and enhance our understanding of his complex life and work.

Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. WhitePrince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history.Contributors employ a diverse range of approaches to explore the intricate facets of this cultural icon, illuminating the many dimensions of his creative output and legacy. The collection is organized around two central themes that shed light on Prince’s artistry and lasting influence. Moving beyond conventional discussions about Prince and masculinity, Part I, "Black Masculinity and Gender Performativity," delves into less-explored aspects of the artist’s gender-bending persona. Essays in this section cover a slew of fascinating subjects, including Prince’s re-scripting of Black masculinity in the cult classic Under the Cherry Moon, and an autoethnographic study of African American father-son relationships in the film Purple Rain. Another essay examines the subversive gender performativity of Prince and frequent collaborator Sheila E.Part II, "Beauty, Race, and Spirituality," explores a range of topics present in Prince’s oeuvre, from the sociopolitical contours of his work to his overlooked but significant projects and protégés. Contributors in this section examine Prince’s representations of female beauty, his articulations of urban rage and protest, and his commercially successful but critically overlooked Batman soundtrack. This second installment of the ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, continues to center Prince as a focal point in music scholarship and enhance our understanding of his complex life and work.

Contributions by Arthur Banton, Adrian A. Bautista, Shannon M. Cochran, Nancy J. Holland, Zachary Hoskins, Judson L. Jeffries, Zada Johnson, Deirdre T. Guion Peoples, Caterina Y. Pierre, John Rafalski, Molly Reinhoudt, Gina Shropshire, and Laura Tiebert Erotic City and Beyond: Prince, Place, and the Making of an Icon, the third and final volume in the PrincEnlighteNmenT: A Study of Society through Music project, explores the intricate, complex, and nuanced interplay between Prince’s artistry, his social orbit, and the enduring impact of his life and work. Divided into three thematic sections, essayists examine how his music and public persona intersected with race, gender, politics, and geography, revealing him as both a product and a shaper of postmodern civil rights America. Part I, "Space, Place, and Political Sociology in Prince’s World," considers how Prince engaged with urban landscapes, gender, and social critique. Essays explore him as a postmodern flâneur in Under the Cherry Moon, interpret "When Doves Cry" as a meditation on Black urban life and masculinity, and situate Paisley Park, his former home and recording studio in the suburb of Chanhassen, Minnesota, as a site of cultural memory and mythmaking. Part II, "Iconography and the Making of a Legend," examines how Prince destabilized hierarchies of race, gender, and sexuality, challenged the boundaries between creator and performer, and redefined his role as a "Black New Waver," expanding a genre often marked by racial division. The final section, "Purple Tears, Mourning, and the Psychology of Living," turns to Prince’s legacy, exploring how fans find meaning, transformation, and inspiration through their connections to him, highlighting the cultural power of fandom as both a reflection of and response to the artist’s influence. Together, the essays in this volume demonstrate that a richer understanding of Prince—and the America that shaped him—emerges from examining the social, cultural, and political contexts in which he lived and created.

Contributions by Arthur Banton, Adrian A. Bautista, Shannon M. Cochran, Nancy J. Holland, Zachary Hoskins, Judson L. Jeffries, Zada Johnson, Deirdre T. Guion Peoples, Caterina Y. Pierre, John Rafalski, Molly Reinhoudt, Gina Shropshire, and Laura Tiebert Erotic City and Beyond: Prince, Place, and the Making of an Icon, the third and final volume in the PrincEnlighteNmenT: A Study of Society through Music project, explores the intricate, complex, and nuanced interplay between Prince’s artistry, his social orbit, and the enduring impact of his life and work. Divided into three thematic sections, essayists examine how his music and public persona intersected with race, gender, politics, and geography, revealing him as both a product and a shaper of postmodern civil rights America. Part I, "Space, Place, and Political Sociology in Prince’s World," considers how Prince engaged with urban landscapes, gender, and social critique. Essays explore him as a postmodern flâneur in Under the Cherry Moon, interpret "When Doves Cry" as a meditation on Black urban life and masculinity, and situate Paisley Park, his former home and recording studio in the suburb of Chanhassen, Minnesota, as a site of cultural memory and mythmaking. Part II, "Iconography and the Making of a Legend," examines how Prince destabilized hierarchies of race, gender, and sexuality, challenged the boundaries between creator and performer, and redefined his role as a "Black New Waver," expanding a genre often marked by racial division. The final section, "Purple Tears, Mourning, and the Psychology of Living," turns to Prince’s legacy, exploring how fans find meaning, transformation, and inspiration through their connections to him, highlighting the cultural power of fandom as both a reflection of and response to the artist’s influence. Together, the essays in this volume demonstrate that a richer understanding of Prince—and the America that shaped him—emerges from examining the social, cultural, and political contexts in which he lived and created.

Huey P. Newton's powerful legacy to the Black Panther movement and the civil rights struggle has long been obscured. Conservatives harp on Newton's drug use and on the circumstances of his death in a crack-related shooting. Liberals romanticize his black revolutionary rhetoric and idealize his message. In Huey P. Newton: The Radical Theorist, Judson L. Jeffries considers the entire arc of Newton's political role and influence on civil rights history and African American thought. Jeffries argues that, contrary to popular belief, Newton was one of the most important political thinkers in the struggle for civil rights. Huey P. Newton's political career spanned two decades. Like many freedom fighters, he was a complex figure. His international reputation was forged as much from his passionate defense of black liberation as from his highly publicized confrontations with police. His courage to address police brutality won him admirers in ghettos, on college campuses, and in select Hollywood circles. Newton gave Black Power a compelling urgency and played a pivotal role in the politics of black America during the 1960s and 1970s. Few would deny that Newton's life (1942-1989) was strewn with incidences of violence and that his police record was long. But Newton's struggles with police took place in a rich and troubled context that included urban unrest, police brutality, government repression, and an intense debate over civil rights tactics. Stripped of history and interpretation, the violence of Newton's life brought emphatic indictments of him. Newton's death attracted widespread media attention. However, pundits offered little on Newton as freedom fighter or as theoretician and activist. Huey P. Newton: The Radical Theorist dispels myths about Newton's life, but the book is primarily an in-depth examination of Newton's ideas. By exploring this charismatic leader, Jeffries's book makes a valuable contribution to the scant literature on Newton, while also exposing the core tenets and evolving philosophies of the Black Panther Party. Judson L. Jeffries is an assistant professor of political science at Purdue University. He is the author of Virginia's Native Son: The Election and Administration of Governor L. Douglas Wilder (2000), and his work has been published in such periodicals as Western Journal of Black Studies, Journal of Political Science, and Ethnic and Racial Studies.

The Black Panther Party suffers from a distorted image largely framed by television and print media, including the Panthers' own newspaper. These sources frequently reduced the entire organization to the Bay Area where the Panthers were founded, emphasizing the Panthers' militant rhetoric and actions rather than their community survival programs. This image, however, does not mesh with reality. The Panthers worked tirelessly at improving the life chances of the downtrodden regardless of race, gender, creed, or sexual orientation. In order to chronicle the rich history of the Black Panther Party, this anthology examines local Panther activities throughout the United States---in Seattle, Washington; Kansas City, Missouri; New Orleans, Louisiana; Houston, Texas; Des Moines, Iowa; and Detroit, Michigan.This approach features the voices of people who served on the ground---those who kept the offices in order, prepared breakfasts for school children, administered sickle cell anemia tests, set up health clinics, and launched free clothing drives. The essays shed new light on the Black Panther Party, re-evaluating its legacy in American cultural and political history. Just as important, this volume gives voice to those unsung Panthers whose valiant efforts have heretofore gone unnoticed, unheard, or ignored.