Lawrence Wright – författare

THE PULITZER PRIZE-WINNING BESTSELLER, NOW AN ACCLAIMED TV SERIESThis is the definitive account of the run-up to 9/11: from the man who lit the spark of radical Islam in 1948, to those who built up a terror network, and to the FBI agent whose warnings of 'something big' coming were ignored until the Twin Towers fell.'The Looming Tower is a thriller. And it's a tragedy, too' The New York Times'The most detailed (and thrilling) account we have of the events that led to the destruction of the Twin Towers' Observer, Books of the Year'Possibly the best book yet written on the rise of al-Qaeda ... beautifully written and wonderfully compelling' William Dalrymple'We meet some formidable schemers and killers ... fabulists crazed with blood and death' Martin Amis

'This is a funny, pointed love letter to Texas, at once elegiac and clear-eyed' Ben Macintyre, The Times From the Pulitzer Prize-winning author of The Looming Tower, God Save Texas is a journey through the most controversial state in America.Texas is a Republican state in the heart of Trumpland that hasn't elected a Democrat to a statewide office in more than twenty years; but it is also a state in which minorities already form a majority (including the largest number of Muslim adherents in the United States). The cities are Democrat and among the most diverse in the nation. Oil is still king but Texas now leads California in technology exports and has an economy only somewhat smaller than Australia's.Lawrence Wright has written an enchanting book about what is often seen as an unenchanting place. Having spent most of his life there, while remaining deeply aware of its oddities, Wright is as charmed by Texan foibles and landscapes as he is appalled by its politics and brutality. With its economic model of low taxes and minimal regulation producing both extraordinary growth and striking income disparities, Texas, Wright shows, looks a lot like the America that Donald Trump wants to create.This profound portrait of the state, completed just as Texas battled to rebuild after the devastating storms of summer 2017, not only reflects the United States back as it is, but as it was and as it might be. As much the home of Roy Orbison and Willie Nelson as of J.R., Ross Perot and the Bush family, as filled with magical scenery as with desolate oil-fields and strip-malls, Texas is a bellwether, super-sized mass of contradictions: a life-long study.

With humor and the biting insight of a native, the Pulitzer Prize-winning author of The Looming Tower explores the history, culture, and politics of Texas, while holding the stereotypes up for rigorous scrutiny. God Save Texas is a journey through the most controversial state in America. It is a red state in the heart of Trumpland that hasn’t elected a Democrat to a statewide office in more than twenty years; but it is also a state in which minorities already form a majority (including the largest number of Muslims). The cities are blue and among the most diverse in the nation. Oil is still king but Texas now leads California in technology exports. The Texas economic model of low taxes and minimal regulation has produced extraordinary growth but also striking income disparities. Texas looks a lot like the America that Donald Trump wants to create. And Wright’s profound portrait of the state not only reflects our country back as it is, but as it was and as it might be.

Originally published in 1983, this book is about the way we see things – or think we do, which is by no means the same – and about the ways in which we have tried to reproduce that visual concept in diagrams, pictures, photographs, films and television. Whatever the medium, if any degree of realism is intended, some use of perspective is inevitable, and some understanding of it can aid the appreciation of the result. But here the technicalities of perspective geometry are treated as far as possible non-technically, by a common-sense approach. Students, would-be artists or architects, are warned in the Preface that they will travel second-class in the author’s train of thought (the ‘general reader’ coming first), but they may well find the journey worthwhile in that it provides a background to a subsequent, more detailed studies. Lawrence Wright shows that every form of perspective representation has some innate falsity, but that most such forms offer an adequate makeshift; that rules of geometry often need to be bent; that labour-saving dodges and shortcuts exist. As he says, perspective drawing, like politics, is an art of the possible. In reading this book, beginners may find it all simpler than they had supposed, though the established expert may in some interesting respects find just the opposite. The general reader may thereafter find himself seeing things – and representations of them – in a new light.

Originally published in 1983, this book is about the way we see things – or think we do, which is by no means the same – and about the ways in which we have tried to reproduce that visual concept in diagrams, pictures, photographs, films and television. Whatever the medium, if any degree of realism is intended, some use of perspective is inevitable, and some understanding of it can aid the appreciation of the result. But here the technicalities of perspective geometry are treated as far as possible non-technically, by a common-sense approach. Students, would-be artists or architects, are warned in the Preface that they will travel second-class in the author’s train of thought (the ‘general reader’ coming first), but they may well find the journey worthwhile in that it provides a background to a subsequent, more detailed studies. Lawrence Wright shows that every form of perspective representation has some innate falsity, but that most such forms offer an adequate makeshift; that rules of geometry often need to be bent; that labour-saving dodges and shortcuts exist. As he says, perspective drawing, like politics, is an art of the possible. In reading this book, beginners may find it all simpler than they had supposed, though the established expert may in some interesting respects find just the opposite. The general reader may thereafter find himself seeing things – and representations of them – in a new light.

Ten powerful pieces first published in The New Yorker recall the path terror in the Middle East has taken from the rise of al-Qaeda in the 1990s to the recent beheadings of reporters and aid workers by ISIS. With the Pulitzer Prize-winning The Looming Tower, Lawrence Wright became generally acknowledged as one of our major journalists writing on terrorism in the Middle East. This collection draws on several articles he wrote while researching that book as well as many that he's written since, following where and how al-Qaeda and its core cult-like beliefs have morphed and spread. They include an indelible impression of Saudi Arabia, a kingdom of silence under the control of the religious police; the Syrian film industry, then compliant at the edges but already exuding a feeling of the barely masked fury that erupted into civil war; the 2006-11 Israeli-Palestinian conflict in Gaza, a study in disparate values of human lives. Others continue to look into al-Qaeda as it forms a master plan for its future, experiences a rebellion from within the organization, and spins off a growing web of terror in the world.The American response is covered in profiles of two FBI agents and a chief of the CIA. It ends with the recent devastating piece about the capture and beheading by ISIS of four American journalists and aid workers, and how the US government failed to handle the situation.

The New York Times bestselling investigation into Scientology by Pulitzer Prize-Winner Lawrence Wright now published for the first time in the UK and Australia

This is a detailed and amusing look at the place where we spend a third of our lives - bed! Examples include a Neolithic stone bed from Skara Brae in the Orkneys, ornate early Renaissance beds, a mid-18th century bed from Chippendale's Chinese period and American metal folding beds.