Michael Redhill – författare
Visar alla böcker från författaren Michael Redhill. Handla med fri frakt och snabb leverans.
8 produkter
8 produkter
Inbunden, Engelska, 2007
500 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2002
323 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2001
323 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2003
198 kr
Skickas inom 10-15 vardagar
The editors of BRICK magazine had the idea of celebrating the new century by asking their contributors for short essays about their favourite 'lost classics': books they treasured and would love to pass on to friends, but that are, for all intents and purposes, forgotten. The next issue contained 32 such essays - pithy, witty, passionate, surprising - which led to the idea of soliciting more, and celebrating again with a book. In LOST CLASSICS you will find Margaret Atwood on sex and death in the scandalous DR GLAS, first published in Sweden in 1905 and Helen Garner on the delightfully sinister Australian children's epic, THE JOURNEY OF THE STAMP ANIMALS. You will also find David Malouf on Stendhal's LIFE OF ROSSINI; Jeffrey Eugenides on THE PILGRIM HAWK by Glenway Westcott; John Irving on THE HEADMASTER'S PAPERS by Richard A Hawley; Edmund White on THE STORY OF HAROLD by Terry Andrews; Bill Richardson on a children's book for adults by Russell Hoban, and much, much more.
Häftad, Engelska, 2018
165 kr
Skickas inom 5-8 vardagar
Winner of the 2017 Scotiabank Giller PrizeJean Mason has a doppelganger.She's never seen her, but others* swear they have.*others | noun. A peculiar collection of drug addicts, scam artists, philanthropists, philosophers and vagrants - the regulars of Bellevue Square.Jean lives in downtown Toronto with her husband and two kids. The proud owner of a thriving bookstore, she doesn't rattle easily - not like she used to. But after two of her customers insist they've seen her double, Jean decides to investigate. Curiosity grows to obsession and soon Jean's concerns shift from the identity of the woman, to her very own.Funny, dark and surprising, Bellevue Square takes readers down the existentialist rabbit hole and asks the question: what happens when the sense you've made of things stops making sense?
Häftad, Engelska, 2026
122 kr
Kommande
In the last jittery years of the eighteenth century, England is hungry for marvels. In rides Doctor Gustavus Katterfelto, a celebrity conjurer who once performed for Kings and now lives by his wits, with his battered stage gear and his black cat Cleo.He is joined by Roger Gossage, a young Moroccan Jew stranded in Britain. When a river accident leaves Katterfelto injured and Roger combing the Severn for lost property, he finds a dented silver horn, cold as a grave coin. When breathed into, it answers with a woman’s voice - she speaks of far-off cities, strange machines and in riddles, and soon “the Oracle of Clevelode” is the sensation of the Midlands. Crowds pack Duvernet’s theatre and fields at dusk. Doom-preachers chant her phrases. Rival magicians and zealots circle. But then a shadowy Constable of the Night sets a trap.As hysteria rises, Roger begins to suspect the horn is not a trick at all. In Nottingham a scientific committee is formed to test the oracle. What begins as theatre becomes obsession, and ends in a public trial for “pretending to sorcery”, with Roger fighting to save Katterfelto and the voice inside the horn.Told as a breathless 'true account', The Trial of Katterfelto is a darkly comic historical fever dream about spectacle, belief, and the price of hearing the future.
Häftad, Engelska, 2019
198 kr
Skickas inom 5-8 vardagar
A muscle’s “twitch force” is a measurement of its energy potential. It’s history dependent: you can forget it, but it’s engraved on you where you can’t see it, and all it wants to do is repeat. Scotiabank Giller Prize winner Michael Redhill’s first collection of poetry in eighteen years, Twitch Force has a gnomic, satirical, and lucid intelligence. In “Ingredients,” heredity’s recipe is told via short-form family narrative; in “My Arrangements,” a stolen laptop battery leads to an encounter with the Israeli Olympic women’s beach volleyball team; while in “The Women,” human beauty is parsed down to the level of chromosomes: “I’m beautiful; I have my mother’s feet. The women who change into men are beautiful men who were once beautiful women.”This is poetry concerned with love and its loss, despair and hard-won hope, knowledge and essential mystery, aging and timelessness. Readers are cautioned: ideas that present as self-explanatory may be closer than they appear. Twitch Force is a stunningly realized return to the form from one of Canada’s bravest and most original poets.
Häftad, Engelska, 2002
138 kr
Tillfälligt slut
This remarkable autobiographical play by the award-winning author of Building Jerusalem and Martin Sloane, is a Russian-doll-like play: concentric stories enveloping each other. A writer is told, in confidence, a terrible tale of murder and injustice and he promises never to repeat the story. Goodness is the writer breaking his word. Recently divorced, Michael Redhill goes to Poland to get away frm his life and to do some research on the Holocaust. Thwarted by witnesses unwilling to talk, he returns home via England, but in London is introduced to someone who can tell him a 'real' story of evil. Through this reluctant witness, Redhill learns of a genocide. He encounters, through the memory of the storyteller, an alleged war criminal, about to be put on trial. But this is an old man with Alzheimer's who can no longer remember the time his crimes were allegedly committed. Has his guilt dissolved with his memory? Could he be pretending to be ill in order to escape punishment? The witness conjures for Redhill the war criminal's passionate and beautiful daughter, who will defend her father at all costs.There is also the prosecuting attorney, who has much in common with the old man whose destruction he seeks. As well as an uncomfortable attraction to his daughter. Each is drawn to the other. All is witnessed by a female prison guard -- the one who tells the playwright, years later, what really happened in the quest to give a nation some closure. Everyone's story is compelling, and the ending is as unexpected as it is shocking. Who do we believe? A prison guard still wounded by history? A writer suffering from heartache? A dying war criminal? What is our responsibility? Who does memory serve? Did the past really happen? And if it did, who has a claim on it? Goodness is a play about what happens in the gaps between experiencing, telling and hearing.