Mike Kelley – författare

The photography collected in A View from the Top may have arisen out of a desire to document a singular body of work—the Viewpoint Collection. Through Kelley’s eye, lens, and postproduction choices, however, it advances the very way that buildings can be photographed and understood, allowing us to visit residences that most of us will never see in person.The photographs also demonstrate that these projects are quintessentially Californian. Their emphasis on open plans, airy modernism, the indoor-outdoor relationship, natural textures and colour-palette, and an intensive attention to landscaping are also quintessentially Los Angeles. The buildings—which are the creations of some of the world’s most renowned architects—are inspired and inspiring. They are luxurious, aspirational, and visually exciting. The book is both a valuable contribution to architectural history and a pleasure to read.

Produced in conjunction with Del Vaz Projects, Nonmemory presents seminal work from Mike Kelley in dialogue with seven contemporary artists whose works engage with the locus of memory, and its role as it posits our perceptions of space and pace. Nonmemory brings together works by Mike Kelley and a group of artists—Kelly Akashi, Meriem Bennani, Beatriz Cortez, Raúl de Nieves, Olivia Erlanger, Lauren Halsey, and Max Hooper Schneider—whose work similarly engages Kelley’s titular concept: the ‘non-memory’ of the various institutional spaces or built environments he encountered in his life. Documenting the eponymous exhibition at Hauser & Wirth Los Angeles in 2023–24, the book also features reproductions of important works by Kelley, his foundational essay, ‘Architectural Non-memory Replaced with Psychic Reality,’ conversations with each artist, and a new text by exhibition curator and editor of the publication Jay Ezra Nayssan.