Penny Sparke – författare

First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the city’s most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained façades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry.The collection spans buildings from 1920 to 1970 and showcases the work of some of the city’s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively shot by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots—such as stones, door handles, and handrails—with larger architectural views.The images are accompanied by concise contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction.In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city’s design DNA across high to low architecture.

The story of how plants and flowers have shaped interior design for over 200 yearsFrom ferns in 19th-century British parlors to contemporary “living walls” in commercial spaces, plants and flowers have long been incorporated into the design of public and private spaces. Spanning two centuries, Nature Inside explores the history and popularity of indoor plants, revealing the close relationship between architecture, interior design, and nature. Studying the international modern interior through the lens of plants in the human environment, author Penny Sparke attributes a degree of the interest in indoor plants to urbanization, and, more recently, the climate crisis, which serve as ongoing reminders that people must maintain a connection to, and respect for, the natural world. While architectural and interior design styles have evolved alongside the popularity of various plant species, the human need to bring nature indoors has remained constant.

Since the 1990s, in response to dramatic transformations in the worlds of technology and the economy, design – a once relatively definable discipline, complete with a set of subdisciplines – has become unrecognizable. Consequently, design scholars have begun to address new issues, themes and sub-disciplines such as: sustainable design, design for well-being, empathic design, design activism, design anthropology, and many more.The Routledge Companion to Design Studies charts this new expanded spectrum and embraces the wide range of scholarship relating to design – theoretical, practice-related and historical – that has emerged over the past four decades. Comprising forty-three newly commissioned chapters, the Companion is organized into the following six sections: Defining design: discipline, process Defining design: objects, spaces Designing identities: gender, sexuality, age, nation Designing society: empathy, responsibility, consumption, the everyday Design and politics: activism, intervention, regulation Designing the world: globalization, transnationalism, translation. Contributors include both established and emerging scholars and the chapters offer an international scope, covering work emanating from, and relating to, design in the United Kingdom, mainland Europe, North America, Asia, Australasia and Africa.This comprehensive collection makes an original and significant contribution to the field of Design Studies.

What was different about the environments that women created as architects, designers and clients at a time when they were gaining increasing political and social status in a male world? Through a series of case studies, Women's Places: Architecture and Design 1860-1960, examines in detail the professional and domestic spaces created by women who had money and the opportunity to achieve their ideal. Set against a background of accepted notions of modernity relating to design and architecture of the late 19th and early 20th centuries, this book provides a fascinating insight into women's social aspirations and identities. It offers new information and new interpretations in the study of gender, material culture and the built environment in the period 1860-1960.

What was different about the environments that women created as architects, designers and clients at a time when they were gaining increasing political and social status in a male world? Through a series of case studies, Women's Places: Architecture and Design 1860-1960, examines in detail the professional and domestic spaces created by women who had money and the opportunity to achieve their ideal. Set against a background of accepted notions of modernity relating to design and architecture of the late 19th and early 20th centuries, this book provides a fascinating insight into women's social aspirations and identities. It offers new information and new interpretations in the study of gender, material culture and the built environment in the period 1860-1960.

With contributors drawn from a broad range of disciplines, The Modern Period Room brings together a carefully selected collection of essays to consider the interiors of the modern era and their more recent reconstructions from a variety of different viewpoints.Contributions from leading design historians, architects and curators of the history of the domestic interior in the UK engage with the issues and conventions surrounding the modern period room to expose the conflicting tensions that lie beneath the conceptual and physical strategy of the modern period room's representational technique. Exploring themes and examples by prestigious architects, such as Ernö Goldfinger, Truus Schroeder and Gerrit Rietveld, the authors reveal the specific coding of presented interior spaces. This illustrated new take on the historiography of twentieth century show interiors enables historians and theorists of architecture, design and social history to investigate the contexts in which this representational device has been used.

This fascinating collection provides a chronologically arranged set of case studies looking at how interior design has constantly redefined itself as a manifestation of culture, from the eighteenth-century to the present day. The book looks at the amateur activities of female ‘home makers’ in search of creative outlets and married couples seeking to modernise their homes as well as the contributions of early professional (female) ‘interior decorators’, and later, (male) ‘interior designers’. It also considers the more anonymous role of commercial enterprises, such as hairdressing salons, ocean-going liners or modern offices as well as public institutions, such as hospitals or naval training establishments.Interior design and identity examines interior design in relation to the changing identities of its practitioners, its inhabitants and of the furnishings, focussing on the ways in which cultural values came to be embedded in the spaces which people inhabited and made their own. Issues relating to interiority, gender, and the relationship of the public sphere are also considered opening up a new level of design historical enquiry.

The first book on the impressive collection of George R. Kravis II, founder of the Kravis Design Center--one of the leading collectors of modern industrial design in North America. A must-have for lovers of modern design, this is a perfect follow-up to Vintage Industrial and an accessible, but authoritative introduction to this field. An exquisitely curated selection of 100 pieces from the Kravis Design Center's industrial design collection, this book features works by some of the most important figures in the history of design: Peter Behrens, Russel Wright, Charles and Ray Eames, George Nelson, Alexander Girard, Ettore Sottsass, and Yves Behar.

An Introduction to Design and Culture provides a comprehensive guide to the changing relationships between design and culture from 1900 to the present day with an emphasis on five main themes:• Design and consumption• Design and technology• The design profession• Design theory• Design and identities.This fifth edition extends the traditional definition of design to embrace its more recent manifestations, which include service design, user-interface design, co-design, and sustainable design. It also discusses the relationship between design and the new media and the effect of globalisation and transnationalism on design. Most importantly, it looks at its contents through a new lens which acknowledges the post-industrial, post-colonial, post-modern, (and, arguably, post-design) climate of the twenty-first century and the challenges that it poses.Taking a broadly chronological approach, Professor Sparke employs historical methods to show how these themes developed through the twentieth century and into the twenty-first century and played a role within modernism, post-modernism and beyond. Over a hundred illustrations are used throughout to demonstrate the breadth of design, and examples – among them design in Modern China, the work of Apple Computers Ltd., and design thinking – are used to elaborate key ideas. The new edition remains essential reading for undergraduate and postgraduate students of design studies, cultural studies and visual arts.

An Introduction to Design and Culture provides a comprehensive guide to the changing relationships between design and culture from 1900 to the present day with an emphasis on five main themes:• Design and consumption• Design and technology• The design profession• Design theory• Design and identities.This fifth edition extends the traditional definition of design to embrace its more recent manifestations, which include service design, user-interface design, co-design, and sustainable design. It also discusses the relationship between design and the new media and the effect of globalisation and transnationalism on design. Most importantly, it looks at its contents through a new lens which acknowledges the post-industrial, post-colonial, post-modern, (and, arguably, post-design) climate of the twenty-first century and the challenges that it poses.Taking a broadly chronological approach, Professor Sparke employs historical methods to show how these themes developed through the twentieth century and into the twenty-first century and played a role within modernism, post-modernism and beyond. Over a hundred illustrations are used throughout to demonstrate the breadth of design, and examples – among them design in Modern China, the work of Apple Computers Ltd., and design thinking – are used to elaborate key ideas. The new edition remains essential reading for undergraduate and postgraduate students of design studies, cultural studies and visual arts.

Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within a range of disciplinary contexts and historiographical traditions are turning to biography as means of exploring and accounting for social, cultural and material change - and this volume reflects that turn, representing the fields of architectural and design history, social history, literary history, creative writing and design practice. Topics include masters and servants in eighteenth-century English kitchens; the lost interiors of Oscar Wilde's 'House Beautiful'; Elsa Schiaparelli's Surrealist spaces; Jean Genet, outlaws, and the interiors of marginality; and architect Lina Bo Bardi's 'Glass House', São Paulo, Brazil.

Bringing together 12 original essays, Shaping the American Interior maps out, for the first time, the development and definition of the field of interiors in the United States in the period from 1870 until 1960. Its interdisciplinary approach encompasses a broad range of people, contexts, and practices, revealing the design of the interior as a collaborative modern enterprise comprising art, design, manufacture, commerce, and identity construction. Rooted in the expansion of mass production and consumption in the last years of the nineteenth century, new and diverse structures came to define the field and provide formal and informal contexts for design work. Intertwined with, but distinct from, architecture and merchandising, interiors encompassed a diffuse range of individuals, institutions, and organizations engaged in the definition of identity, the development of expertise, and the promotion of consumption. This volume investigates the fluid pre-history of the American profession of interior design, charting attempts to commoditize taste, shape modern conceptions of gender and professionalism, define expertise and authority through principles and standards, marry art with industry and commerce, and shape mass culture in the United States.

Bringing together 12 original essays, Shaping the American Interior maps out, for the first time, the development and definition of the field of interiors in the United States in the period from 1870 until 1960. Its interdisciplinary approach encompasses a broad range of people, contexts, and practices, revealing the design of the interior as a collaborative modern enterprise comprising art, design, manufacture, commerce, and identity construction. Rooted in the expansion of mass production and consumption in the last years of the nineteenth century, new and diverse structures came to define the field and provide formal and informal contexts for design work. Intertwined with, but distinct from, architecture and merchandising, interiors encompassed a diffuse range of individuals, institutions, and organizations engaged in the definition of identity, the development of expertise, and the promotion of consumption. This volume investigates the fluid pre-history of the American profession of interior design, charting attempts to commoditize taste, shape modern conceptions of gender and professionalism, define expertise and authority through principles and standards, marry art with industry and commerce, and shape mass culture in the United States.

Since the 1990s, in response to dramatic transformations in the worlds of technology and the economy, design - a once relatively definable discipline, complete with a set of sub-disciplines - has become unrecognizable. Consequently, design scholars have begun to address new issues, themes and sub-disciplines such as: sustainable design, design for well-being, empathic design, design activism, design anthropology, and many more. The Routledge Companion to Design Studies charts this new expanded spectrum and embraces the wide range of scholarship relating to design - theoretical, practice-related and historical - that has emerged over the last four decades. Comprised of forty-three newly-commissioned essays, the Companion is organized into the following six sections: Defining Design: Discipline, ProcessDefining Design: Objects, SpacesDesigning Identities: Gender, Sexuality, Age, NationDesigning Society: Empathy, Responsibility, Consumption, the EverydayDesign and Politics: Activism, Intervention, RegulationDesigning the World: Globalization, Transnationalism, TranslationContributors include both established and emerging scholars and the essays offer an international scope, covering work emanating from, and relating to, design in the United Kingdom, mainland Europe, North America, Asia, Australasia and Africa.This comprehensive collection makes an original and significant contribution to the field of Design Studies.

A Choice Outstanding Academic Title 2010.Designing the Modern Interior reveals how the design of the inside spaces of our homes and public buildings is shaped by and shapes our modern culture.The modern interior has often been narrowly defined by the minimalist work of elite, reforming architects. But a shared modernising impulse, expressed in interior design, extends at least as far back as the Victorians and reaches to our own time. And this spirit of modernisation manifested itself in interiors, designed both by professionals and by amateurs, which did not necessarily look modern and often even aimed to imitate the past.Designing the Modern Interior presents a new history of the interior from the late 19th to the 21st century. Particular characteristics are consistent across this period: a progressive attitude towards technology; a hyper-consciousness of what it is to live in the present and the future; an overt relationship with the mass media, mass consumption and the marketplace; an emphasis on individualism, interiority and the 'self'; the construction of identities determined by gender, class, race, sexuality and nationhood; and the experiences of urban and suburban life.

The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways.Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people’s identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps.Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.

Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design.Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK.These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions. With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.

Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design.Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK.These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions. With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.

Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within a range of disciplinary contexts and historiographical traditions are turning to biography as means of exploring and accounting for social, cultural and material change - and this volume reflects that turn, representing the fields of architectural and design history, social history, literary history, creative writing and design practice. Topics include masters and servants in eighteenth-century English kitchens; the lost interiors of Oscar Wilde's 'House Beautiful'; Elsa Schiaparelli's Surrealist spaces; Jean Genet, outlaws, and the interiors of marginality; and architect Lina Bo Bardi's 'Glass House', São Paulo, Brazil.

Flow combines cutting-edge scholarship with practitioner perspectives to address the concept of ‘flow’ and how it connects interiors, landscapes and buildings, expanding on traditional notions of architectural prominence. Contributors explore the transitional and intermediary relationships between inside/outside. Through a range of case studies, authors extend the notion of flow beyond the western industrialised world and embrace a wider geography while engaging with the specificity of climate and place. Accompanied by stunning colour illustration and photography, Flow brings together historical, theoretical and practice-based approaches to consider themes of nature, mobility, continuity and frames.

A Choice Outstanding Academic Title for 2010. Designing the Modern Interior reveals how the design of the inside spaces of our homes and public buildings is shaped by and shapes our modern culture. The modern interior has often been narrowly defined by the minimalist work of elite, reforming architects. But a shared modernising impulse, expressed in interior design, extends at least as far back as the Victorians and reaches to our own time. And this spirit of modernisation manifested itself in interiors, designed both by professionals and by amateurs, which did not necessarily look modern and often even aimed to imitate the past. Designing the Modern Interior presents a new history of the interior from the late 19th to the 21st century.Particular characteristics are consistent across this period: a progressive attitude towards technology; a hyper-consciousness of what it is to live in the present and the future; an overt relationship with the mass media, mass consumption and the marketplace; an emphasis on individualism, interiority and the 'self'; the construction of identities determined by gender, class, race, sexuality and nationhood; and the experiences of urban and suburban life.

Through the impact of shops like Habitat and IKEA, and of the countless glossy magazines, books and catalogues that focus on the concept of ‘interior design’, we have all become familiar with the idea of our homes and public interiors containing items of modern furniture and decor. Yet design historian and critic Penny Sparke shows that, unlike designed buildings and artefacts, the fixed idea of the ‘modern interior’ has only ever been an abstract and idealized concept, promoted through exhibitions, retail contexts and the mass media, and that it rarely exists in an absolute form.The Modern Interior provides a persuasive account of the forces, conflicts and debates that have underpinned the emergence of something we now effortlessly refer to as the 'modern interior'. Offering fascinating and eloquent insights into the work of international designers including C. R. Mackintosh, Adolf Loos, Josef Frank, Frank Lloyd Wright, Marcel Breuer, Lilly Reich, Mies van der Rohe, Le Corbusier, Philippe Starck, and Charles and Ray Eames, Sparke focuses on the realities as well as concepts of the modern interior, whether in the hands of professional decorators and designers, or in those of its amateur inhabitants. By doing so, she deftly unravels the shift from Victorian to modern style, and demonstrates that the easy transition to the modern interior so frequently portrayed is little more than a mythology.The Modern Interior is essential reading for all students of modern design, architecture and culture, as well as anyone interested in why the interior spaces we inhabit look the way they do.

Bok nummer nio i vår nya serie med introduktioner till estetiska ämnen är Penny Sparkes grundläggande bok om de senaste decenniernas design. I den här boken om designens utveckling från efterkrigstiden fram till 2000-talet skriver Penny Sparke om förskjutningen mot en konsumtionskultur där bilden, imagen, varumärket blir lika väsentlig som designerns enskilda objekt och där skapandet och kommunicerandet av identitet blir centralt. Konsumtion har blivit en meningsskapande aktivitet som utgör ett betydande inslag i vår samtid. I denna kultur beskriver Sparke design som en nödvändig ingrediens, en brygga mellan produktion och konsumtion. Detta medför att flera av designens uttryck, som mode, grafisk form och inredning, finns rikligt representerade i den här boken. Till konsumtionskulturperspektivet lägger Sparke ytterligare ett - materiell kultur, ett begrepp som utvecklats ur arkeologi och antropologi - som hon hela tiden återkommer till. Avslutningsvis finns en litteraturlista för vidareläsning, ett person- och sakregister samt en omfattande presentation av designer och centrala designbegrepp. Den engelska texten utgör andra delen av Penny Sparkes bok »An introduction to design and culture [1900 to the present]«, ett nyskrivet tillägg inför nyutgåvan 2006. Introduktionen till den svenska upplagan är skriven av Christina Zetterlund, som disputerade 2003 med avhandlingen »Design i informationsåldern. Om strategisk design, historia och praktik«, Raster Förlag. Penny Sparke är rektor och professor i designhistoria vid institutionen för konst, design och musik vid Kingston University. Hon har bl.a. givit ut »As long as it's Pink. The sexual politics of taste«, »A Century of Design: Design Pioneers of the Twentieth Century« och »A Century of Car Design« (sv. Bilen - en designhistoria 1900-2001). Innehåll: Att konsumera postmodernism -Drömmen om moderniteten -Konsumtionskultur och postmodernism Teknologi och design: en ny allians -Överflödets material -Teknologi och livsstil Designkultur -Internationella formgivare -Nya designer Postmodernism och design -Den moderna designens kris -Postmodern design Att omdefiniera identiteter -Att omdefiniera nationalstaten -Att omdefiniera livsstilar Tips: Vi har även publicerat den viktiga essän »Postmodernitet, postmodernism och kvinnlig smak« av Penny Sparke. Den ingår i Kairos 8, volym 2, »Design och konst - texter om gränser och överskridanden« och publicerades ursprungligen i boken »As long as it's Pink. The sexual politics of taste.« Utgivna titlar i introduktionsserien: Design - en introduktion av John Heskett. Design för hållbar utveckling - en introduktion av Ann Thorpe. Design och postmodernitet - en introduktion av Penny Sparke. Designhistoria - en introduktion av Susann Vihma. Film och andra rörliga bilder - en introduktion, red. Anu Koivunen. Fotografi - en introduktion av Steve Edwards. Konstteori - en introduktion av Cynthia Freeland. Konstvetenskap - en introduktion av Dana Arnold. Mode - en introduktion. En tvärvetenskaplig betraktelse, red. Dirk Gindt & Louise Wallenberg. Svensk designhistoria av Lasse Brunnström. Kommande introduktionsböcker 2011: Swedish Design History av Lasse Brunnström.

With contributors drawn from a broad range of disciplines, The Modern Period Room brings together a carefully selected collection of essays to consider the interiors of the modern era and their more recent reconstructions from a variety of different viewpoints.Contributions from leading design historians, architects and curators of the history of the domestic interior in the UK engage with the issues and conventions surrounding the modern period room to expose the conflicting tensions that lie beneath the conceptual and physical strategy of the modern period room's representational technique. Exploring themes and examples by prestigious architects, such as Ernö Goldfinger, Truus Schroeder and Gerrit Rietveld, the authors reveal the specific coding of presented interior spaces. This illustrated new take on the historiography of twentieth century show interiors enables historians and theorists of architecture, design and social history to investigate the contexts in which this representational device has been used.