Randa Abdel-Fattah – författare

This book explores Islamophobia in Australia, shifting attention from its victims to its perpetrators by examining the visceral, atavistic nature of people’s feelings and responses to the Muslim ‘other’ in everyday life. Based on ethnographic fieldwork, Islamophobia and Everyday Multiculturalism sheds light on the problematisations of Muslims amongst Anglo and non-Anglo Australians, investigating the impact of whiteness on minorities’ various reactions to Muslims. Advancing a micro-interactional, ethnographically oriented perspective, the author demonstrates the ways in which Australia’s histories and logics of racial exclusion, thinking and expression produce processes in which whiteness socializes, habituates and ‘teaches’ ‘racialising’ behaviour, and shows how national and global events, moral panics, and political discourse infiltrate everyday encounters between Muslims and non-Muslims, producing distinct structures of feeling and discursive, affective and social practices of Islamophobia. As such, it will be of interest to social scientists with interests in race and ethnicity, migration and diaspora and Islamophobia.

School is tough enough without throwing a hijab intothe mix...Amal is a 16-year-old Melbourne teen with all the usual obsessionsabout boys, exams, chocolate and magazines.She's also a Muslim, struggling to honour the Islamic faith ina society that doesn't understand it.The story of her decision to "shawl up" and its attendant anxieties(like how much eyeliner to wear) is funny, surprising and touchingby turns.Exploring issues of faith and identity with the lightest oftouches, this is a joyful exploration of what it means to be a Muslimteenager "...a bright, articulate heroine true to herself and herfaith. Abdel-Fattah’s fine first novel offers a world of insight..."Kirkus Reviews Look out for Randa Abdel-Fattah's other books: Ten ThingsI Hate About Me and Where the Streets had a name

SHORTLISTED FOR THE 2023 PRIME MINISTER'S LITERARY AWARD FOR CHILDREN'S LITERATUREA CBCA NOTABLE PICTURE BOOK OF THE YEAR 2023SHORTLISTED FOR THE 2023 MULTICULTURAL NSW AWARDThere are eleven words for love, and my family knows them all.A family flees their homeland to find safety in another country, carrying little more than a suitcase full of love.As their journey unfolds, the oldest child narrates 11 meanings for love in Arabic as her family show, and are shown, all different kinds of love in their new home, and they also remember the love they have for their homeland and for those left behind or lost along the way.In the Arabic language, there are over 50 words describing the degrees of love. That's 50 stories, 50 life-worlds. This lyrical and heartwarming book takes you on a journey through 11 of these Arabic expressions for love.'Randa's rich words and Maxine's moving illustrations make this book sing' The Australian Women's Weekly'An uplifting, emotionally charged story . . . matched with bold illustrations that exude deep warmth' Sydney Morning Herald'A beautifully rendered, timely picture book created with heart' Books+Publishing

This book explores Islamophobia in Australia, shifting attention from its victims to its perpetrators by examining the visceral, atavistic nature of people’s feelings and responses to the Muslim ‘other’ in everyday life. Based on ethnographic fieldwork, Islamophobia and Everyday Multiculturalism sheds light on the problematisations of Muslims amongst Anglo and non-Anglo Australians, investigating the impact of whiteness on minorities’ various reactions to Muslims. Advancing a micro-interactional, ethnographically oriented perspective, the author demonstrates the ways in which Australia’s histories and logics of racial exclusion, thinking and expression produce processes in which whiteness socializes, habituates and ‘teaches’ ‘racialising’ behaviour, and shows how national and global events, moral panics, and political discourse infiltrate everyday encounters between Muslims and non-Muslims, producing distinct structures of feeling and discursive, affective and social practices of Islamophobia. As such, it will be of interest to social scientists with interests in race and ethnicity, migration and diaspora and Islamophobia.

‘One minute you’re a 15-year old girl who loves Netflix and music and the next minute you’re looked at as maybe ISIS.’ The generation born at the time of the 9/11 attacks are turning 18. What has our changed world meant for them? We now have a generation – Muslim and non-Muslim – who have grown up only knowing a world at war on terror. These young people have been socialised in a climate of widespread Islamophobia, surveillance and suspicion. An unparalleled security apparatus around terrorism has grown alongside fears over young people’s radicalisation and the introduction into schools and minority communities of various government-led initiatives to counter violent extremism. In Coming of Age in the War on Terror Randa Abdel-Fattah, a leading scholar and popular writer, interrogates the impact of all this on young people’s trust towards adults and the societies they live in and their political consciousness. Drawing on local interviews but global in scope, this book is the first to examine the lives of a generation for whom the rise of the far-right, the discourse of Trump and Brexit and the growing polarisation of politics seems normal in the long aftermath of 9/11. It’s about time we hear what they have to say.

Silence is complicity, but what does it take to speak up?Hannah is a journalist running on empty. Balancing the chaos of new motherhood, her job and her faith, she increasingly feels the judgement of a newsroom that doesn’t value her voice. Ashraf is an academic whose career and personal life are in freefall.As Israel’s bombardment of Gaza intensifies, a teenage student is arrested for protesting a university’s ties to an Israeli arms manufacturer. Both Hannah and Ashraf are pulled into the unfolding drama – but in very different ways. While Hannah fights to tell the true story, risking her place in the newsroom, Ashraf chooses caution, prioritising his reputation as the stakes rise around him.As their paths begin to converge, both must confront what they are willing to stand for – and what their silence might cost them.