Richard Stark – författare

By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire - menaced by a pair of sadistic, drug-crazed hippies. Slayground turns the hunter into prey, as Parker gets trapped in a shuttered amusement park, besieged by a bevy of local mobsters. He's low on bullets - but, as anyone who's crossed his path knows, that definitely doesn't mean he's defenseless. Finally, in Plunder Squad, job after job disintegrates into failure and violence, and a rare act of mercy from earlier in the series comes back to bite Parker - hard. These books by Stark reveal a master craftsman working at the height of his powers, and they deserve a place on the bookshelf of every fan of crime fiction.

Parker is enlisted by the mob to knock off an island casino guarded by speed-boats and heavies, forty miles from the Texas coast.

Parker, the ruthless anti-hero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hard-boiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to. This season's offerings include volumes 7-9 in the series: "The Seventh", "The Handle", and "The Rare Coin Score". "The Rare Coin Score" features the first appearance of Claire, who will steal Parker's heister's heart - while together they steal two million dollars of rare coins.

You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after.Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre.The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to.Parker goes under the knife in "The Man with the Getaway Face", changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet: an armored car in New Jersey, stuffed with cash.

You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after.Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre.The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to.In "The Outfit", Parker goes toe-to-toe with the mob - hitting them with heist after heist after heist - and the entire underworld learns an unforgettable lesson: whatever Parker does, he does deadly.

You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brink's truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after. Parker, the ruthless antihero of Richard Stark's mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre.The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to. This season's offerings include volumes 4-6 in the series: "The Mourner", "The Score", and "The Jugger". In "The Jugger", Parker travels to Nebraska to help out a geriatric safecracker who knows too many of his criminal secrets. By the time he arrives, the safecracker is dead and Parker's skeletons are on the verge of escaping from their closet - unless Parker resorts to lethal measures.

You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brink's truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after. Parker, the ruthless antihero of Richard Stark's mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre.The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to. This season's offerings include volumes 4-6 in the series: "The Mourner", "The Score", and "The Jugger". "The Mourner" is a story of convergence - of cultures and of guys with guns. Hot on the trail of a statue stolen from a fifteenth-century French tomb, Parker enters a world of eccentric art collectors, greedy foreign officials, and shady KGB agents.

You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brink's truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after. Parker, the ruthless antihero of Richard Stark's mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style - and adored by fans who turn each intoxicating page with increasing urgency - Stark is a master of crime writing, his books as influential as any in the genre.The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover - and become addicted to. This season's offerings include volumes 4-6 in the series: "The Mourner", "The Score", and "The Jugger". Parker works with a group of professional con men in "The Score" on his biggest job yet - robbing an entire town in North Dakota.

The heist of a college football game goes sour, and the take is stolen by a crazed, violent amateur. Parker must outrun the cops - and the killer - to retrieve his cash.

Between Parker's 1961 debut and his return in the late 1990s, the world of crime changed considerably. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital - the days of cash-stuffed payroll trucks were long gone. But cash isn't everything: Firebreak takes Parker to a palatial Montana "hunting lodge" where a dot-com millionaire hides a gallery of stolen old masters - which will fetch Parker a pretty penny if his team can just get it past the mansion's tight security. The forests of Montana are an inhospitable place for a heister when well-laid plans fall apart, but no matter how untamed the wilderness, Parker's guaranteed to be the most dangerous predator around.

The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels.Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire - menaced by a pair of sadistic, drug-crazed hippies. Slayground turns the hunter into prey, as Parker gets trapped in a shuttered amusement park, besieged by a bevy of local mobsters. He's low on bullets - but, as anyone who's crossed his path knows, that definitely doesn't mean he's defenseless. Finally, in Plunder Squad, job after job disintegrates into failure and violence, and a rare act of mercy from earlier in the series comes back to bite Parker - hard. These books by Stark reveal a master craftsman working at the height of his powers, and they deserve a place on the bookshelf of every fan of crime fiction.

By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire - menaced by a pair of sadistic, drug-crazed hippies. Slayground turns the hunter into prey, as Parker gets trapped in a shuttered amusement park, besieged by a bevy of local mobsters. He's low on bullets - but, as anyone who's crossed his path knows, that definitely doesn't mean he's defenseless. Finally, in Plunder Squad, job after job disintegrates into failure and violence, and a rare act of mercy from earlier in the series comes back to bite Parker - hard. These books by Stark reveal a master craftsman working at the height of his powers, and they deserve a place on the bookshelf of every fan of crime fiction.

The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor" - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels.Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

In The Green Eagle Score, Parker cuts his vacation with Claire short with a new job: stealing the entire payroll of an Air Force base in upstate New York. With help from Marty Fusco, fresh out of the pen, and a smart aleck finance clerk named Devers, Parker tries to shorten the odds on the risky job. But the ice is thinner than Parker likes to think—and a wrench always gets thrown in the works.

A corrupt African colonel has converted half his country’s wealth into diamonds and smuggled them to a Manhattan safe house. Four upstanding citizens plan to rescue their new nation by stealing the diamonds back—with the help of a “specialist”: Parker. Will Parker break his rule against working with amateurs and help them because his woman would be disappointed if he doesn’t? Or because three hired morons have threatened to kill him and his woman if he does? They thought they were buying an advantage, but what they get is a predated death certificate.

Bank robberies should run like clockwork, right? If your name’s Parker, you expect nothing less. Until, that is, one of your partners gets too greedy for his own good. The four-way split following a job leaves too small a take for George Uhl, who begins to pick off his fellow heisters, one by one. The first mistake? That he doesn’t begin things by putting a bullet in Parker. That means he won’t get the chance to make a second. One of the darkest novels in the series, this caper proves the adage that no one crosses Parker and lives.

Payback has a new name: Flashfire is now a major film - 'Parker' - starring Jason Statham and Jennifer Lopez. Parker is a thief with a unique code of ethics: Don't steal from people who can't afford it and don't hurt people who don't deserve it. When he is double-crossed by his crew and left for dead, Parker is set on revenge. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist, and put right what they took from him.