Rosmarie Waldrop – författare

Rosmarie Waldrop's Curves to the Apple brings together three highly praised and influential titles: The Reproduction of Profiles, Lawn of Excluded Middle, and Reluctant Gravities. Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."

In her new volume of prose poem “dialogues,” Reluctant Gravities, Rosmarie Waldrop once again pushes the boundaries and definitions of poetry, prose, gender, relationship, even language itself. Intended as a sequel to The Reproduction of Profiles and Lawn of Excluded Middle, Reluctant Gravities gives the rhetorical “you” addressed in those earlier volumes a voice and response. Some of Waldrop’s concerns are formal. As the author herself says, she “cultivates cuts, discontinuity, leaps, shifts of reference” in an attempt to compensate for the lack of margin, where verse would turn toward the white of the page, toward what is not. Instead, her “gap gardening” tries to place the margin, the emptiness inside the text. Yet the overriding point of the dialogues is determinedly human as the two voices with wit and philosophical playfulness debate aspects of “Aging,” “Depression,” “Desire,” and even ’’The Millennium.”

The latest book of prose poems by one of America's premier philosophical poets. For the title of her newest collection of prose poems, Rosmarie Waldrop adopts a term"blindsight" used by the neuroscientist Antonio R. Damasio to describe a condition in which a person actually sees more than he or she is consciously aware. "This is one reason," explains Waldrop, "for using collage: joining my fragments to other people's fragments in a dialogue, a net relation that might catch a bit more of the 'world.'" The collectionthe author's fourth with New Directionsis divided into four thematic sections. The first, "HÜlderlin Hybrids," resonates against the German poet's twisted syntax, while using rhythmic punctuation in counterpoint to sense. "'As Were,'" says Waldrop, "began with looking at the secondary occupations of artistsfor example, Mallarme teaching English, Montaigne serving as mayor of Bordeauxbut this soon gave way to playing more generally with particular aspects of historical figures." The title section, "Blindsight," is most consistent in its use of collage, juxtaposing words and images to jolting, epiphanic effect. "Cornell Boxes," in contrast, has a formal unity, inspired by the constructions of Joseph Cornell, each prose poem "box" composed in a structure of fours: four paragraphs of four sentences each, with four footnotes.

Rosmarie Waldrop says Gap Gardening “spans forty years of exploring the language I breathe and move in and that continues to condition me even while I try to contribute to it. It tracks my turn from verse to prose poems, to focusing on the sentence and its boundaries, my increasing reliance on collage and source texts as a way of engaging with other voices, of being in dialogue.”Gap Gardening also traces Waldrop’s growing sense of writing as an exploration of what happens in between. Between words, sentences, people, cultures. Between fragment and flow, thinking and feeling, mind and body.  For the first time, we have a complete and clear view of the work of a great and inquiring, brave and indispensable poet.

In this collection, Waldrop has dedicated many poems to other writers whom she esteems, and in each poem, echoes subtly that writer's forms, tones, and textures. From this synchronism, Waldrop evolves her own unique mediums of address that suggests a slipperiness in human emotion and in human speech.

No detailed description available for "Against Language?".

”Så långt tillbaka vi kan spåra människan har hon överlämnat sånger och verk till kommande generationer. Även om detta kollektiva minne förändras, så kan poesin – ‘Denna gamla krigskorrespondent’ som Luque kallar den – med historiens hjälp ge nuet ett djupare sammanhang.” Ur numrets ledare Poesi av Adrienne Rich, Aurora Luque, Lizette Romero Niknami, Rosmarie Waldrop, Jesper Svenbro, Signe Gjessing och Linnéa Enström. Essäer av Elisabeth Friis, Balsam Karam, Anna Smedberg Bondesson och Sinziana Ravini. Recensioner: Maria Küchen om Athena Farrokhzad, Erik Bergqvist om Camilla Hammarström, Arne Melberg om Göran Sonnevi, Theodor Hildeman Tognér om Axel Winqvist och Sarra Anaya om Sorin Masifi.