Russell Duncan – författare

For the first time since the early years of the American republic, the period following emancipation held out the promise of a true colorblind democracy. The freed slaves hoped for forty acres and a mule by which they could work as small farmers, erect houses, establish families, and live free from the gaze of planter and overseer. In this first light of freedom, blacks needed help to learn how to function in a democracy and how to protect themselves from whites eager to find a new way to exploit their labor. In Freedom's Shore, Russell Duncan tells of the efforts of Tunis Campbell, a black carpetbagger and fellow abolitionist and friend of Frederick Douglass, to lift his race to equal participation in American society. Duncan focuses on Campbell's determined work to push radical reforms, draft a new constitution for Georgia, and pass laws designed to ensure equality for all citizens of the state. Campbell made significant contributions at the state level, but his true importance was in his home district of Liberty and McIntosh counties on the Georgia coast. There he forged the black majority into a powerful political machine that controlled county elections for years. He successfully protected black rights, always promoting freedom-in-fact, not merely freedom-by-law. Yet, as many black politicians throughout the South were discovering, radical strength at the local level was insufficient to stop the growing strength of reactionary white politics at the state level. After years of struggle, Campbell was finally defeated by the white Democrats. Charged with political corruption, he was removed from his state and local political offices; at the age of sixty-four, over the protests of President Grant among others, Campbell was sentenced to Georgia's hire-out convict labor program. The black machine in McIntosh County, however, was not destroyed in Campbell's defeat, but instead remained an active force in county politics for forty years, returning a black legislator to the General Assembly in every election, except for the decade of the 1890s, until 1907.Presenting the beginnings of the battle for civil rights in the South, Freedom's Shore tells of the tenacity and achievements of one black political figure, of the hopes and dreams of a legally free people amid the political and social realities of Reconstruction Georgia.

On July 18, 1863, the African American soldiers of the Fifty-Fourth Massachusetts Infantry led a courageous but ill-fated charge on Fort Wagner, a key bastion guarding Charleston harbor. Confederate defenders killed, wounded, or made prisoners of half the regiment. Only hours later, the body of Colonel Robert Gould Shaw, the regiment's white commander, was thrown into a mass grave with those of twenty of his men. The assault promoted the young colonel to the higher rank of martyr, ranking him alongside the legendary John Brown in the eyes of abolitionists.In this biography of Shaw, Russell Duncan presents a poignant portrait of an average young soldier, just past the cusp of manhood and still struggling against his mother's indomitable will, thrust unexpectedly into the national limelight. Using information gleaned from Shaw's letters home before and during the war, Duncan tells the story of the rebellious son of wealthy Boston abolitionists who never fully reconciled his own racial prejudices yet went on to head the North's vanguard black regiment and give his life to the cause of freedom. This thorough biography looks at Shaw from historical and psychological viewpoints and examines the complex family relationships that so strongly influenced him.

On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune."In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex—though no less heroic—than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me."When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched."Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized.A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.

This sixth edition of a well-established introduction to life in the United States covers everything from US politics, society and culture, to the country’s history, economy and place on the world stage. With extensive use of empirical data and illustrative material, Contemporary United States offers readers critical commentary on key political developments and allows them to place this within a wider historical and cultural context.This new edition offers coverage of all of the latest domestic and international developments, including:-The continuing divide between rich and poor, addressing social, legal, economic, and political inequality-The domestic and international ramifications of the Covid-19-induced recession-The rise of China, the return of Putin and the complexity of problems in North Korea, Iraq, Syria, and Afghanistan-The #MeToo and the Black Lives Matter movements-The Biden administration to date.Contemporary United States takes a broad, balanced approach - considering conservative and liberal, pragmatic and idealistic perspectives in each chapter. It is essential reading for those taking modules on contemporary America across degree programmes in American studies and civilization, English studies, history, sociology and politics.

This sixth edition of a well-established introduction to life in the United States covers everything from US politics, society and culture, to the country’s history, economy and place on the world stage. With extensive use of empirical data and illustrative material, Contemporary United States offers readers critical commentary on key political developments and allows them to place this within a wider historical and cultural context.This new edition offers coverage of all of the latest domestic and international developments, including:-The continuing divide between rich and poor, addressing social, legal, economic, and political inequality-The domestic and international ramifications of the Covid-19-induced recession-The rise of China, the return of Putin and the complexity of problems in North Korea, Iraq, Syria, and Afghanistan-The #MeToo and the Black Lives Matter movements-The Biden administration to date.Contemporary United States takes a broad, balanced approach - considering conservative and liberal, pragmatic and idealistic perspectives in each chapter. It is essential reading for those taking modules on contemporary America across degree programmes in American studies and civilization, English studies, history, sociology and politics.

The novelist William Dean Howells described autobiography as the most democratic of American literary genres. Autobiography has offered a voice to women, African Americans, Native Americans, and others whose writings have often been excluded from the literary canon. The men and women presented here observed, shaped, or participated in many of the most exciting and important events of American history. First Person Past lets them speak for themselves.From the hundreds of American autobiographies, the editors have chosen twelve for each of Volumes I and II of First Person Past because they are interesting history and good literature. Their literary and historical virtues have been preserved as edited for inclusion in each volume.

The novelist William Dean Howells described autobiography as the most democratic of American literary genres. Autobiography has offered a voice to women, African Americans, Native Americans, and others whose writings have often been excluded from the literary canon. The men and women presented here observed, shaped, or participated in many of the most exciting and important events of American history. First Person Past lets them speak for themselves. From the hundreds of American autobiographies, the editors have chosen twelve for each of Volumes I and II of First Person Past because they are interesting history and good literature. Their literary and historical virtues have been preserved as edited for inclusion in each volume.