Sarah Hall – författare

A Guardian, Observer, New Statesman, Financial Times, Independent, BBC and Daily Mail Book of the Year 'Vital, fierce and free.' Financial Times'Incandescently good.' Sarah Perry 'Pulsing with life and lyricism.' Spectator'Fiercely exuberant.' Observer'Delightfully playful.' Andrew Miller'A truly astonishing thing.' George Monbiot A wondrous, elemental novel from 'a writer of show-stopping genius'. GuardianSHORTLISTED FOR THE GOLDSMITHS PRIZE, THE GORDON BURN PRIZE AND THE WINSTON GRAHAM PRIZE Helm is a ferocious, mischievous wind - a subject of folklore and wonder - who has blasted the sublime landscape of the Eden Valley since the very dawn of time.This is Helm's life story, formed from the chronicles of those the wind enchanted: the Neolithic tribe who tried to placate it, the Dark Age wizard priest who wanted to banish it, the Victorian steam engineer who attempted to capture it - and the farmer's daughter who fell in love. But now Dr Selima Sutar, surrounded by measuring instruments, alone in her observation hut, fears the end is nigh.Vital and audacious, Helm is the elemental tale of a unique life force - and of a relationship: between nature and people, neither of whom can weather life without the other.'Sarah Hall's writing has conquered the body and the soul and now it conquers the wind itself.' DAISY JOHNSON'I can think of no other British writer whose talent so consistently thrills, surprises and staggers.' BENJAMIN MYERS'I'm awed . I wouldn't think a novel could be at once so taut and so multifarious, expanding one's sense of what fiction can do.' SARAH MOSS'Helm is as vital, fierce and free as the phenomenon it describes.' FINANCIAL TIMES 'A spectacular epic tapestry. Nobody could tell the story of our inextricable relationship with wild nature as beautifully as Sarah Hall.' LEE SCHOFIELD'[Hall] sweeps from the cinematic to the specific, her prose pulsing with life and lyricism. Helm pushes both the boundaries of the novel and our relationship with nature.' SPECTATOR'A big, celebratory book, in places delightfully playful, in others as tight and breathless as a thriller.' ANDREW MILLER

Executive search, headhunting, is now one of the archetypal new knowledge intensive professional services, as well as a labor market intermediary bound up with globalization. In this book, the authors examine the key actors in the process of executive search globalization – leading global firms – and offer an interpretation of the forces producing the contemporary organizational strategies of global executive search. The Globalization of Executive Search documents the forms of institutional work that have legitimated the role of executive in elite labor markets and created demand for the services of global firms; this exposes not only the changing geographies of executive search, but also how executive search has established itself as a new knowledge intensive professional service. The authors reveal how the globalization of executive search is exemplary of the processes by which a range of new knowledge intensive professional services have come to be globally recognized, approaching the heart of contemporary capitalism.

'One of the finest writers at work today.' Damon Galgut'A writer of show-stopping genius.' Guardian 'So vivid, so visceral, so vital.' Val McDermidFor almost a decade Rachel Caine has turned her back on home and worked in Idaho at a reservation for wolves. As one of the few experts in her field she is summoned back to England by the eccentric Earl of Annerdale to help with his plan for re-wilding wolves on his estate in the Lake District. As Rachel attempts a gradual reconciliation with her estranged family, her work with the Earl begins to generate public outrage and the threat of sabotage. Set against a backdrop of Scottish independence and tumultuous power struggles both locally and nationally, The Wolf Border is a novel steeped in wilderness and wildness, both animal and human.

*WINNER OF THE BBC NATIONAL SHORT STORY AWARD 2020*SHORTLISTED FOR THE EDGE HILL SHORT STORY PRIZE 2018LONGLISTED FOR THE GORDON BURN PRIZE 2018WINNER OF THE EAST ANGLIAN BOOK AWARD FOR FICTIONWINNER OF AN O.HENRY PRIZE FOR SHORT FICTION'A genius.' Jessie BurtonMadame Zero is a remarkable collection of dark, sensuous stories set in sometimes conflicting landscapes - rural, industrial, psychological - all of which are hauntingly resonant with dread. Whether set in an apocalyptic storm, a local swimming pool, or a surgical theatre, Sarah Hall's celebrated stories inhabit a hinterland between the natural and urban, the mundane and surreal, human and animal.

The prizewinning debut from Britain's most exciting contemporary novelist.In a remote dale in a northern English county, a centuries-old rural community has survived into the mid-1930s almost unchanged. But then Jack Liggett drives in from the city, the spokesman for a Manchester waterworks company with designs on the landscape for a vast new reservoir. The dale must be evacuated, flooded, devastated; its water pumped to the Midlands and its community left in ruins.Liggett further compounds the village's problems when he begins a troubled affair with Janet Lightburn, a local woman of force and character who is driven to desperate measures in an attempt to save the valley.Told in luminous prose, with an intuitive sense for period and place, Haweswater remembers a rural England that has been lost for many decades.

'Glorious.' Observer 'Wildly imaginative.' Independent'Intoxicating.' Financial TimesOn the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes.Hugely atmospheric, exotic and familiar, The Electric Michelangelo is a love story and an exquisitely rendered portrait of seaside resorts on opposite sides of the Atlantic by one of the most uniquely talented novelists of her generation.

'The Lake District's answer to The Handmaid's Tale.' GuardianEngland is in a state of environmental and economic crisis. Under the repressive regime of The Authority, citizens have been herded into urban centres, and all women of child-bearing age fitted with contraceptive devices. A woman known as 'Sister' leaves her oppressive marriage to join an isolated group of women in a remote northern farm at Carhullan, where she intends to become a rebel fighter. But can she follow their notion of freedom and what it means to fight for it?'At the vanguard of the new wave of futuristic dystopian literature . . . an accomplished, provocative novel.' Literary Review'Hall's fierce and shocking writing captures the cruel beauty of Cumbria.' Telegraph'A dystopian vision of a disturbingly near future in which the floods have risen and the oil has run out . . . entirely modern and brutally fresh.' Independent

An exquisitely sensual novel of art, absence, loss and passion, from one of Britain's most exciting contemporary writers.Moving between Italy and England, the lives of four people intertwine across half a century: a dying painter considers the sacrifices and losses that have made him an enigma; a blind girl tries to make sense of a world she can no longer see; a landscape artist finds himself trapped in dangerous terrain, and a young woman embarks on a dangerous affair of darkness and sexual abandon.'Affords the deepest pleasures fiction has to offer.' Nadeem Aslam 'This deeply sensual novel is what you rarely find -- an intelligent page-turner.' Sunday Telegraph'Elegant and poetic . . . Captivating.' Marie Claire'A brililantly written study of small and large artistic triumphs.' Tatler

How we come in, and how we go out, sex and death: these are the governing drives, our two greatest themes.In this provocative and haunting collection of short stories, acclaimed writers probe the nature of, and connection between two of the most powerful, exhilarating and terrifying forces that define and shape the human experience: sex and death.

An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian).'Dark and brilliant.' SARAH MOSS'A masterpience.' DAISY JOHNSON'Extraordinary.' SARAH PERRY'Hall has set a bar . . . Finely wrought, intellecutally brave and emotionally honest.'THE SCOTSMANIn the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days.Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world. 'Sarah Hall makes language shimmer and burn . . . One of the finest writers at work today.'DAMON GALGUT'Wonderful . . . The writing goes down smoking hot onto the page.'ANDREW MILLER'I can think of no other British writer whose talent so consistently thrills, surprises and staggers . . . With Burntcoat she has solidified her status as the literary shining light we lesser souls aspire to.'BENJAMIN MYERS

*WINNER OF THE BBC NATIONAL SHORT STORY AWARD 2020*SHORTLISTED FOR THE EDGE HILL SHORT STORY PRIZESHORTLISTED FOR THE JAMES TAIT BLACK MEMORIAL PRIZEA Guardian, Financial Times and Irish Times Book of the Year'No one writes stories the way Hall does and quite possibly no one ever will. Astonishing, miraculous, a gift.' Daisy Johnson'The queen of dark short fiction.' Guardian'Astonishing, miraculous, a gift.' Daisy Johnson'The best short story writer in Britain.' SpectatorIn Turkish forests or rain-drenched Cumbrian villages, characters walk, drive, dream and fly, trying to reconcile themselves with their journey through life and death. Radical, charged with a transformative, elemental power, each of these stories invites us to stand at the very edge of our possible selves.Includes the story 'The Grotesques', winner of the BBC Short Story Award, 2020.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. Walking ahead of him on the heath, his wife turns to look at him over her shoulder, 'Topaz eyes glinting. Scorched face. Vixen.'In language harvested from nature, Sarah Hall tells a story of metamorphosis, of wildness and fecundity, and of a man reaching for reason, who cannot let go of the creature he loves.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

A Guardian, Observer, New Statesman, Financial Times, Independent, BBC and Daily Mail Book of the Year 'Vital, fierce and free.' Financial Times'Incandescently good.' Sarah Perry 'Pulsing with life and lyricism.' Spectator'Fiercely exuberant.' Observer'Delightfully playful.' Andrew Miller'A truly astonishing thing.' George Monbiot A wondrous, elemental novel from 'a writer of show-stopping genius'. GuardianSHORTLISTED FOR THE GOLDSMITHS PRIZE, THE GORDON BURN PRIZE AND THE WINSTON GRAHAM PRIZE Helm is a ferocious, mischievous wind - a subject of folklore and wonder - who has blasted the sublime landscape of the Eden Valley since the very dawn of time.This is Helm's life story, formed from the chronicles of those the wind enchanted: the Neolithic tribe who tried to placate it, the Dark Age wizard priest who wanted to banish it, the Victorian steam engineer who attempted to capture it - and the farmer's daughter who fell in love. But now Dr Selima Sutar, surrounded by measuring instruments, alone in her observation hut, fears the end is nigh.Vital and audacious, Helm is the elemental tale of a unique life force - and of a relationship: between nature and people, neither of whom can weather life without the other.'Sarah Hall's writing has conquered the body and the soul and now it conquers the wind itself.' DAISY JOHNSON'I can think of no other British writer whose talent so consistently thrills, surprises and staggers.' BENJAMIN MYERS'I'm awed . I wouldn't think a novel could be at once so taut and so multifarious, expanding one's sense of what fiction can do.' SARAH MOSS'Helm is as vital, fierce and free as the phenomenon it describes.' FINANCIAL TIMES 'A spectacular epic tapestry. Nobody could tell the story of our inextricable relationship with wild nature as beautifully as Sarah Hall.' LEE SCHOFIELD'[Hall] sweeps from the cinematic to the specific, her prose pulsing with life and lyricism. Helm pushes both the boundaries of the novel and our relationship with nature.' SPECTATOR'A big, celebratory book, in places delightfully playful, in others as tight and breathless as a thriller.' ANDREW MILLER

A Guardian, Observer, New Statesman, Financial Times, Independent, BBC and Daily Mail Book of the Year'Vital, fierce and free.' Financial Times'Incandescently good.' Sarah Perry'Pulsing with life and lyricism.' Spectator'Fiercely exuberant.' Observer'Delightfully playful.' Andrew Miller'A truly astonishing thing.' George MonbiotA wondrous, elemental novel from 'a writer of show-stopping genius'. GuardianSHORTLISTED FOR THE GOLDSMITHS PRIZE, THE GORDON BURN PRIZE, THE WINSTON GRAHAM PRIZE and THE LAKELAND FICTION BOOK OF THE YEARLONGLISTED FOR THE CLIMATE FICTION PRIZE AND THE WALTER SCOTT PRIZE Helm is a ferocious, mischievous wind - a subject of folklore and wonder - who has blasted the sublime landscape of the Eden Valley since the very dawn of time.This is Helm's life story, formed from the chronicles of those the wind enchanted: the Neolithic tribe who tried to placate it, the Dark Age wizard priest who wanted to banish it, the Victorian steam engineer who attempted to capture it - and the farmer's daughter who fell in love. But now Dr Selima Sutar, surrounded by measuring instruments, alone in her observation hut, fears the end is nigh.Vital and audacious, Helm is the elemental tale of a unique life force - and of a relationship: between nature and people, neither of whom can weather life without the other.'Sarah Hall's writing has conquered the body and the soul and now it conquers the wind itself.' DAISY JOHNSON'I can think of no other British writer whose talent so consistently thrills, surprises and staggers.' BENJAMIN MYERS'I'm awed . I wouldn't think a novel could be at once so taut and so multifarious, expanding one's sense of what fiction can do.' SARAH MOSS'Helm is as vital, fierce and free as the phenomenon it describes.' FINANCIAL TIMES'A spectacular epic tapestry. Nobody could tell the story of our inextricable relationship with wild nature as beautifully as Sarah Hall.' LEE SCHOFIELD'[Hall] sweeps from the cinematic to the specific, her prose pulsing with life and lyricism. Helm pushes both the boundaries of the novel and our relationship with nature.' SPECTATOR'A big, celebratory book, in places delightfully playful, in others as tight and breathless as a thriller.' ANDREW MILLER

RESPATIALISING FINANCE ‘In Respatialising Finance Sarah Hall uses the internationalisation of the Chinese Renminbi (RMB) to work through a sympathetic conceptual and empirical critique of prevailing analyses of International Financial Centres (IFCs). Her conceptual (re)framing stresses the politics, institutions and economics of IFCs and will be essential reading for all social scientists interested in the dynamism of contemporary finance and financial centres.’Professor Jane Pollard, Centre for Urban and Regional Development Studies (CURDS), Newcastle University, UK‘Through detailed study of Chinese RMB internationalisation and combining analytical insights from economic geography, sociology, and international political economy, Sarah Hall shows why offshore networks anchored in territories such as the City of London are both core to global monetary and financial landscapes, and provide a key terrain for state power and politics.’Professor Paul Langley, Department of Geography, Durham University, UKRespatialising Finance is one of the first detailed empirical studies of how and why London became the leading western financial centre within the wider Chinese economic and political project of internationalising its currency, the renminbi (RMB). This in-depth volume examines how political authorities in both London and Beijing identified the potential value of London’s international financial centre in facilitating and legitimising RMB internationalisation, and how they sought to operationalise this potential through a range of market-making activities.The text features original data from on-the-ground research in London and Beijing conducted with financial and legal professionals working in RMB markets and offers an original theoretical approach that brings economic geography into closer dialogue with international political economy. Recent work on territory illustrates how financial centres are not simply containers and facilitators of global financial flows – rather they serve as territorial fixes within the dynamic and crisis-prone nature of global finance.