Stephen Little – författare

View of the Pinnacle is a richly illustrated catalogue featuring more than eighty suzuribako, dating from the fourteenth through the twentieth centuries, from the Edmund and Julia Lewis Collection.suzuribako, the exquisite lacquer boxes designed to hold the implements used in creating brush-and-ink calligraphy, have for centuries combined utilitarian function with superb craftsmanship. The art of creating suzuribako came into being during the Heian period in Japan (794–1185), when aristocratic culture—both artistic and literary—flourished; it was in full flower during the sixteenth century and continued into modern times. The designs on suzuribako frequently represent highly refined visual representations of classical poetry, literature, mythology, and history. Diverse subjects are depicted, including religious figures, philosophers, poets, animals, mythical creatures, and landscapes (real and imagined). These artistic representations are often combined with calligraphed poems or excerpts from classical literature. In the catalogue, Stephen Little and Edmund Lewis give equal attention to both the literary content of the suzuribako and the lacquer techniques used in crafting them. The literary references and themes, drawn as much from Chinese as from Japanese classical texts, reflect the deep knowledge of Chinese and Japanese classical literature among the literate classes in Japan from the eighth century onward. A full appreciation of the themes and metaphorical imagery incorporated into many of the boxes requires a deep cultural sophistication on the part of the viewer. Stephen Little, describing the layered literary themes frequently depicted in suzuribako, notes that “the excavation of hidden layers of meaning in a box’s decoration becomes a thrilling quest.” The volume includes an essay by Edmund Lewis on the nuances of meaning in suzuribako designs, and the interviewing of the artistic and literary expressions embodied in them. In a second essay, John Stevens presents a brief history of Japanese calligraphy and explains its central importance in Japanese cultural expression.

Stephen takes the reader from his earliest school days when it became clear he was academically bright, especially in maths, attending prep school, winning a scholarship to major public school Uppingham where he won maths prizes and, aged 16, passed 3 S (scholarship) levels. By then he had decided to be a bookie. He attended an interview for Cambridge University only because it was on his bicycle route to Newmarket races!Unable to work in any gambling job until 18, he set about visiting racecourses by bicycle, staying in youth hotels (17½p per night), eventually cycling to all racecourses in the UK, including several now-defunct courses.At 18 he found employment with Beresford & Smith in London; aged 24 he got his first bookie’s licence in 1971 and by the age of 40 in 1986 was betting big on the rails at major meetings such as the Grand National, Cheltenham, Derby, Royal Ascot and Glorious Goodwood, often laying bets to lose £100,000 or more - when money was worth nearly twice today’s value - one of the few bookies who happily stood "toe to toe and traded blow for blow" with big hitters like JP McManus, Barney Curley, Michael Tabor and Harry Findlay.In 1998 changes in pitch administration prompted early retirement, and he sold his pitches, worked for a few unsatisfactory years for Corals and then departed the big time - with a Bentley as well as a bicycle, a house in Georgian Bath and a satisfactory bank balance.

The most in-depth presentation to date of the world-renowned artist’s lacquer paintings, including explanations of his techniques for working with the challenging mediumPublished with Su Xiaobai Foundation/Los Angeles County Museum of Art.Chinese painter Su Xiaobai (born 1949) transforms the ancient medium of lacquer into a radiant, sculptural language. Trained in both Beijing and Du?sseldorf, he bridges Chinese literati traditions and postwar European painting. Working with local artisans and salvaged burlap, bamboo mats and ceramic tiles from demolished Qing houses, Su combines hand-ground pigments, mineral powders and shell dust into his “soup.” Layered up to 20 times on engineered wood supports, his lacquer surfaces crack, sink and rise as each stratum dries at its own rhythm, exposing hidden chromatic and tactile depths. This volume presents two decades’ worth of Xiaobai’s paintings as well as two essays, a biography and an interview with the artist by curator Stephen Little. It traces his development as a master of lacquer—from his liberating break with oil paint in 2003 through to the present day.

A new edition of the bestselling introduction to the 'isms' of art.This is an easy-to-use guide to a wide range of art 'isms'. From the 'isms' of the Renaissance to the 'isms' of the present day, it gives you a practical introduction to all the significant 'isms' that have shaped art history. For each 'ism', there is a definition, an introduction to the topic, lists of key artists, keywords, and major works as well as suggestions of other 'isms' that you might be interested in.This is a new edition of the original bestselling title which now includes four brand-new chapters covering Digitalism, Activism, Superflat and Internationalism. This book is a must for everyone who is interested in art - whether you are a Sunday afternoon art gallery visitor, art student or already an art connoisseur.