Yukio Mishima – författare

Noboru spies on his widowed mother, Fusako Kuroda, as she begins a relationship with Ryuji Tsukazaki, a merchant sailor he idolises as a hero.Set in post-war Yokohama, Japan, in the late 1950s, The Sailor Who Fell from Grace from the Sea follows thirteen-year-old Noboru and a secret gang of schoolboys who have sworn to reject the adult world as sentimental and corrupt. Under the cold authority of their leader, they train themselves in what they call ‘objectivity,’ suppressing emotion in favour of ruthless judgement.When Ryuji abandons the sea to pursue a settled life with Fusako, Noboru and the boys see this not as love, but as weakness. The sailor they once revered becomes, in their eyes, a traitor to heroic masculinity. Their disillusionment curdles into a calculated plan to restore what they believe is honour.As twentieth-century Japanese historical fiction grounded in the social aftermath of the Second World War, The Sailor Who Fell from Grace from the Sea builds towards an act of chilling violence, exposing adolescent absolutism, misogyny, and the fragile myth of male heroism.‘Mishima’s greatest novel, and one of the greatest of the past century’ The Times

Tokyo, 1912. The closed world of the ancient aristocracy is being breached for the first time by outsiders - rich provincial families, a new and powerful elite.Kiyoaki has been raised among the elegant Ayakura family – members of the waning aristocracy – but he is not one of them. Coming of age, he is caught up in the tensions between old and new, and his feelings for the exquisite, spirited Satoko. His devoted friend Honda watches from the sidelines. It is only when Satoko is engaged to a royal prince that Kiyoaki realises the magnitude of his passion.'An austere love story, probably my favourite of his novels' David Mitchell, Independent on Sunday '[Mishima's] best work, unnerving as it may be, still casts a spell; and I suspect it will retain its dark radiance' Guardian

Generally regarded both in Japan and in the West as his most successful novel, THE TEMPLE OF THE GOLDEN PAVILION brings together all Mishima's preoccupations with violence, desire, religious life and the history of his own nation. Based on actual incident, the burning of a celebrated temple, the novel is both a vivid narrative and a meditation on the state of Japan in the post-war period.

The second book in Mishima's Sea of Fertility tetraology - this is a story of political violence, traditional samurai values and nihilism.Isao is a young, engaging patriot, and a fanatical believer in the ancient samurai ethos. He turns terrorist, organising a violent plot against the new industrialists, who he believes are threatening the integrity of Japan and usurping the Emperor's rightful power. As the conspiracy unfolds and unravels, Mishima brilliantly chronicles the conflicts of a decade that saw the fabric of Japanese life torn apart.'Runaway Horses is disturbing material, also a harbinger of Mishima's own act of 'patriotic' self-slaughter... Strange, elegant, erotic' Guardian

'The best book I've read this year ... darkly comedic and full of tension and surprise' Marina Abramovic 'Life for sale. Use me as you wish. I am a twenty-seven-year-old male. Discretion guaranteed. Will cause no bother at all.'When Hanio Yamada realises the future holds little of worth to him, he puts his life for sale in a Tokyo newspaper, thus unleashing a series of unimaginable exploits. A world of murderous mobsters, hidden cameras, a vampire woman, poisoned carrots, code-breaking, a hopeless junkie heiress and makeshift explosives reveals itself to the unwitting hero. Is there nothing he can do to stop it? Resolving to follow the orders of his would-be purchasers, he comes to understand what life is worth, and whether we can indeed name our price.

'Interplanetary, quite extraordinary . . . awash with dark humour and scenes of intense beauty' Financial Times'One of the greatest avant-garde Japanese writers of the twentieth century' New YorkerBeautiful Star is a 1962 tale of family, love, nuclear war and UFOs, and was considered by Mishima to be one of his very best books. Translated into English for the first time, this atmospheric black comedy tells the story of the Osugi family, who come to the sudden realization that each of them hails from a different planet: Father from Mars, mother from Jupiter, son from Mercury and daughter from Venus. This extra-terrestrial knowledge brings them closer together, and convinces them that they have a mission: to find others of their kind, and save humanity from the imminent threat of the atomic bomb...

I spåren av ett misslyckat kuppförsök ställs löjtnant Shinji Takeyama inför ett omöjligt val: att rikta vapnen mot kamraterna eller att svika sin soldatplikt. Efter en sista kärleksnatt konfronterar han och hans unga, lojala hustru sitt öde och begår seppuku. På en pregnant prosa som är ett med sitt våldsamma objekt gestaltar Yukio Mishima hur det rituella självmordet blir ett uttryck för patriotism och trohet mot idealen. Patriotism, här på svenska för första gången, var författarens egen favoritberättelse och filmatiserades med honom själv i huvudrollen som Shinji. Verket har fått en särställning i den japanska efterkrigslitteraturen och läses ofta i ljuset av Mishimas egen dramatiska död genom seppuku 1970. Översättning, kommentarer & efterord av Lars Vargö

Ten tales of loss and longing, from one one Japan's greatest writers It was the height of summer, and there was anger in the rays of the sunA summer holiday that turns to tragedy; a moonlit journey to fulfil a wish; a couple’s unusual way of making a living; a young lieutenant who ends his life; a night of infidelities. This selection contains nine short stories and one modern Noh play by one of Japan’s greatest writers. Selected by Mishima himself for translation, they are by turns tender and delicate, ironic and shocking, showing the strange pull between duty and desire, death and beauty.‘He can be funny, even hilarious, but he is also capable of plunging into the dark psychic depths achieved by Hitchcock’ New York Times Book ReviewTranslated by Edward G. Seidensticker, Ivan Morris, Donald Keene and Geoffrey W. Sargent

This is Mishima's novel about the pressure of living an idealised life. It tells a fictionalised account of real events - the lonely acolyte who destroyed a famous Kyoto temple. Mizoguchi grows up a lonely boy in a poor family, a hopeless and frustrated stutterer. Only tales of the beauty of a famous temple in Kyoto, told by his dying father, sustain him. Taunted by his schoolmates, he eventually escapes to become an acolyte at the temple. But there, witness to acts of callous violence and terrified by the bombing of the war, Mizoguchi develops an all-consuming obsession with the temple's preservation - until the beauty of the place itself starts to feel like his deadliest enemy.This powerful story of sacrifice and unattainable ideals brings together Mishima's preoccupations with violence, desire, religion and national history to dazzling effect.'One of the outstanding writers of the world' New York Times

'There is in this world a kind of desire like stinging pain'A Japanese teenager is overcome with longing for his male classmate. He imagines his body punctured with arrows, like the body of St Sebastian in the painting that obsesses him. Over and over again, each night in his private fantasies, the objects of his lust are tortured, killed and maimed. But, in the rigid world of imperial wartime Japan there is no place for such transgressive desires. He must wear a false mask and hide his true nature, whatever the cost. 'A terrific and astringent work of beauty' The Times Literary Supplement'Mishima is lucid in the midst of emotional confusion, funny in the midst of despair' Christopher Isherwood'Never has a "confession" been freer from self-pity' Sunday Times

A beautiful hardback edition of the great Japanese classic.'Mishima's greatest novel, and one of the greatest of the past century' The TimesA band of savage thirteen-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'.When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic.They regard this disillusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.A tale of youth and warped masculinity, rediscover the suspenseful and deeply ominous classic with this special edition.Vintage Quarterbound Classics: Bound to be beautiful

By now, Yukio Mishima’s (1925-1970) dramatic demise through an act of seppuku after an inflammatory public speech has become the stuff of literary legend. With Patriotism, Mishima was able to give his heartwrenching patriotic idealism an immortal vessel.  A lieutenant in the Japanese army comes home to his wife and informs her that his closest friends have become mutineers. He and his beautiful loyal wife decide to end their lives together. In unwavering detail Mishima describes Shinji and Reiko making love for the last time and the couple’s seppuku that follows.

The gripping story of an affair gone horribly wrong, from one of Japan's greatest twentieth-century writersKoji, a young student, has fallen hopelessly in love with the beautiful, enigmatic Yuko. But she is married to the literary critic and serial philanderer Ippei. Tormented by desire and anger, Koji is driven to an act of violence that will bind this strange, terrible love triangle together for the rest of their lives. A starkly compelling story of lust, guilt and punishment, The Frolic of the Beasts explores the masks we wear in life, and what happens when they slip.'One of the greatest avant-garde Japanese writers of the twentieth century' New Yorker

The dramatic climax of The Sea of Fertility tetraology.It is the 1960s and Honda, now an aged and wealthy man, discovers and adopts a sixteen-year-old orphan, Toru. Honda believes that the boy is the reincarnation of the tragic protagonists of the three previous novels, each of whom died at the age of twenty. Honda raises and educates the boy, he makes him his heir, and watches him, waiting. But Toru is also watching Honda...'A surpassingly chilling, subtle and original novel' New York Times'Mishima's ritualistic suicide in 1970 will always overshadow his work, but his dark saga of 20th-century Japan is mesmerising' Guardian

A haunting novella of fame and disillusionment by a Japanese literary iconAll eyes are upon Rikio. And he likes it, mostly. His fans cheer from a roped-off section, screaming and yelling to attract his attention. They would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells "action"; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions.Written shortly after Yukio Mishima himself had acted in the film Afraid to Die, this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams as the absurdity of his existence comes sharply into focus. With exquisite, vivid prose, Star begs the question: is there ever any escape from how we are seen by others?

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-SmithFilled with rich description and luxurious beauty, these ten tales of loss and longing from one of Japan's greatest writers show the pull between duty and desire, ecstasy and death: a mother lost in mourning, a moonlit journey to fulfil a wish, a night of infidelity, a young lieutenant who ends his life.

Mishima’s literary powers are on full display in his penultimate novel, a meditation on reincarnation and Buddhist philosophy.Honda, a brilliant lawyer and man of reason, is called to Bangkok on legal business. He is granted an audience with a young Thai princess known as 'Moonlight', an encounter that radically alters the course of his life. Convinced she is a reincarnated spirit, he undertakes a long, arduous pilgrimage to the holy places of India. There he encounters her again. But the princess has become one more embodiment of all that Honda cannot possess.'An elegy to the loss of pureness in the Japanese national spirit' Japan Times

The gripping story of an affair gone horribly wrong, from one of Japan's greatest twentieth-century writersKoji, a young student, has fallen hopelessly in love with the beautiful, enigmatic Yuko. But she is married to the literary critic and serial philanderer Ippei. Tormented by desire and anger, Koji is driven to an act of violence that will bind this strange, terrible love triangle together for the rest of their lives. A starkly compelling story of lust, guilt and punishment, The Frolic of the Beasts explores the masks we wear in life, and what happens when they slip. 'One of the greatest avant-garde Japanese writers of the twentieth century' New Yorker

For years Kazu has run her fashionable restaurant with a combination of charm and shrewdness - then she falls in love.The man is one of her clients, an aristocratic retired politician, and she renounces her business in order to become his wife. But it is not so easy to renounce her independent spirit. Eventually Kazu must choose between her marriage and the demands of her irrepressible vitality. After the Banquet is a magnificent portrait of political and domestic warfare and love in later life.'An exquisitely paced high comedy at once characterized by humor and restraint...features a magnificently ebullient heroine as she embarks upon one more adventure in love' Kirkus‘[Mishima's] most novelistic work, with a degree of earthiness and warmth rare in his fiction’ New York Times

Etsuko is a trapped woman who lays traps for others... After the early death of her philandering husband, Etsuko moves into her father-in-law's house, where she numbly submits to the old man's advances. Meanwhile she develops feelings for the handsome eighteen-year-old servant Saburo. Tormented by his indifference, yet invigorated by her desire, she makes one last, catastrophic bid for his attention.'A sensuous, absorbing study of overriding obsession' Kirkus'One of the outstanding writers of the world' New York Times

Written when Mishima was only twentysix, Forbidden Colors is a depiction of a male homosexual relationship, in which a rich older man buys the love of a young man who is stunningly handsome but who lacks the ability to love. As in Mann's Death in Venice, the older man's longing for the beauty of youth is associated with aestheticism and death.

Though best known for his novels, Yukio Mishima published more than sixty plays, almost all of which were produced during his lifetime. Among them are kabuki plays and others inspired by No dramas-two types used in classical Japanese theater. Of play-writing Mishima once observed, "I started writing dramas just as water flows toward a lower place. In me, the topography of dramas seems to be situated far below that of novels. It seems to be in a place which is more instinctive, closer to child's play." For English readers, these plays have been one of Japan's best-kept secrets-until now. In this anthology, Hiroaki Sato translates the brilliance and richness of Yukio Mishima's writing into the English language. He has selected five major plays and three essays on dramaturgy, providing informative introductions to guide the reader. Sato's translations offer a broad historical and personal context in which those new to Mishima's work can place his writing. For those more familiar with Mishima, these translations offer another medium in which one can access his ingenious work.

Though best known for his novels, Yukio Mishima published more than sixty plays, almost all of which were produced during his lifetime. Among them are kabuki plays and others inspired by No dramas-two types used in classical Japanese theater. Of play-writing Mishima once observed, "I started writing dramas just as water flows toward a lower place. In me, the topography of dramas seems to be situated far below that of novels. It seems to be in a place which is more instinctive, closer to child's play." For English readers, these plays have been one of Japan's best-kept secrets-until now. In this anthology, Hiroaki Sato translates the brilliance and richness of Yukio Mishima's writing into the English language. He has selected five major plays and three essays on dramaturgy, providing informative introductions to guide the reader. Sato's translations offer a broad historical and personal context in which those new to Mishima's work can place his writing. For those more familiar with Mishima, these translations offer another medium in which one can access his ingenious work.

'These stories are waves of fury, desire and delicious cruelty, always kissed by beauty and death' Mariana Enríquez A new selection of lyrically haunting short stories from a Japanese literary iconA writer is seized by apocalyptic visions; a voyeuristic marquis commits a brutal act; and a trio of beatniks dance to modern jazz in the ruins of an abandoned church. Here, stark autobiography contrasts with pure horror, and the tenderness of first love cedes to obsession, heartbreak and deathly beauty. A new selection of Mishima’s short stories from the 1960s, Voices of the Fallen Heroes traces the final decade of Mishima’s career and offers a unique glimpse into the mind of one of Japan’s greatest writers.In the title story, a séance brings forth the spirits of young officers in the Imperial Army and the kamikaze pilots of the Second World War, who reproach the Emperor and mourn Japan’s modern decline. In another, Mishima recounts the true story of the time a deranged fan broke into his home at dawn, insisting on meeting the author and imploring him to ‘tell the truth’. Elsewhere, a beautiful youth achieves eternal life through violent murder, and an ill-matched couple seal their fate with a pack of cards, tangled in the web of time and unfulfilled desire.Available in English for the first time, and carefully selected by expert translators, these captivating stories are the perfect introduction to Mishima's work, on the 100th anniversary of his birth.