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The Greeks and Romans were not shy about sex. Drinking cups, oil-lamps and walls were decorated with scenes of seduction and sexual intercourse which make the modern viewer blush; models of penises were worn around the neck or hung from doorways. In classical Greece, statues of erect penises served as boundary-stones and signposts. In Rome, marble satyrs and nymphs grappled in gardens. How are we to make sense of this abundance of sexual imagery? Were these images seductive, shocking, humorous? Were they about sex or love? And what and how do we learn from them? Sex on Show answers these questions by embracing ancient attitudes to religion, politics, sex and gender to examine how the ancient saw themselves and their world. Covering the sixth century BC to the fourth century AD, as well as some Neoclassical art from the eighteenth and nineteenth centuries, Sex on Show uses detailed visual analysis to bring new insights to Greek and Roman culture and to the meaning of erotic imagery, past and present. This is not simply a book about sexual practice or social history. It is a visual history – about what it meant and still means to stare sex in the face.

Have you ever wished that you could read the beautiful hieroglyphic script of ancient Egypt for yourself? Now you can, with the help of this practical step-by-step guide. It is suitable for complete beginners, or for anyone who would like to improve their knowledge of the language and culture of ancient Egypt.Mark Collier and Bill Manley have many years of experience teaching non-specialists at courses around the UK, so their approach is tried and tested. From the very beginning you will be introduced to genuine texts from ancient monuments. Each chapter introduces a new aspect of the ancient Egyptian language's hieroglyphic script and encourages you to develop your growing reading skills with practical exercises.The authors concentrate on a fascinating and rewarding group of monuments – funerary inscriptions, coffins and tomb scenes. The texts and supporting notes offer a first-hand insight into topics such as the pharaonic administration, family life in ancient Egypt, and ancient Egyptian approaches to death and the afterlife. With this book as your guide, you will be able to read with confidence the monuments reproduced in this book, and Egyptian monuments on display around the world.

A comprehensive examination of drawings from the Low Countries (present-day Luxembourg, Belgium and the Netherlands) dating from around 1430 to around 1600. This book is the culmination of a five-year research project combining curatorial, conservation and scientific expertise from the British Museum. The Low Countries were the economic and artistic powerhouse of northern Europe in the fifteenth and sixteenth centuries. This book charts the development and function of drawings as valuable records of creativity and exchange, shedding light on artistic techniques, styles and workshop practice. Key questions are addressed, such as: how these early drawings were made, used and understood by their contemporaries. Case studies selected from over 1,200 sheets from the British Museum’s outstanding collection are brought together to present a new paradigm for the understanding of Netherlandish drawings. Highlights include works by renowned artists Rogier van der Weyden, Lucas van Leyden, Pieter Bruegel and Hendrick Goltzius. With a focus on function and material, new connections from across the period enable the presentation of a unified narrative of drawing in the region.

Praise for the exhibition***** The Telegraph ***** The Times***** Daily Telegraph**** The Evening Standard“Plunge into the infinity pool of ancient Egyptian history with this dizzying array of artworks” - Waldemar Januszczack, Sunday Times Culture magazine Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts.The British Museum’s exhibition Hieroglyphs: unlocking ancient Egypt and this accompanying publication tell the story of the Rosetta Stone and of countless other objects that were key to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was the key to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilisations through the understanding of their writing.Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to the most significant code breaking moment in history.

Showcases the British Museum's remarkable collection of graphic art from the post-war period to the present day from Denmark, Sweden, Norway, Finland and Iceland. With many works published for the first time, this lavishly illustrated publication celebrates the recent acquisition programme designed to expand the Museum's holding of contemporary prints and drawings from the Nordic countries. Many of the artists are little-known outside the region and this new title firmly establishes their importance on the world stage. These Nordic artists examine the fundamental themes of nature, the environment, identity and heritage through visually arresting and beautiful prints and drawings. The overwhelmingly spectacular landscape of the region features prominently in many works - dark fjords, vast uninhabited mountain ranges and heavily forested areas provide a counterpoint to depictions of densely crowded, highly developed urban spaces viewed through the Nordic lens. A growing mood of melancholy and existential angst, emerging from the trauma of the Second World War and the uncertain threat of the Cold War, is often illustrated by a lone, brooding figure. Prints from the 1970s convey a deep criticism of US foreign policy and the Vietnam War, but ironically adopt the iconography of American Pop Art by using striking contemporary imagery and bold use of colour. The Indigenous Sami people living in the northern part of Scandinavia and Russia address issues such as their own heritage and identity within the Nordic world. Regional identity is also explored from pride in the artists' own native countries to coded references to their 'Viking' past. The book also features works by contemporary Nordic artists who are constantly challenging the idea of the 'perfect' Scandinavian social world often projected by these countries to outsiders.

Make your own 3D decorations with this brilliant board book of press-out ancient Egyptian decorations from the British Museum!From sarcophaguses to scarab beetles and canopic jars to crocodiles, this book features more than 30 unique, intricately foiled designs that can be slotted together and to create 3D ornaments, hung up or threaded together to make an amazing amulet garland.Each page is covered in gold foil, with foiled pieces which can be pressed out and coloured in to make a fun collection of ancient Egyptian decorations.Over 30 different designs to press out, colour and display.Shiny gold foil on every page.Sturdy board pages allow you to repeatedly press pieces in and out of the book.Updated format with hardback spine.Press out the pieces, get creative with colour, then display your decorations!This book was developed in consultation with experts at the British Museum.Other titles in this fantastic series include: Birds, Easter Eggs, Butterflies, Unicorns, Christmas Decorations, Halloween, Flamingos, Llamas and Other Cool Things, Narwhals and Mermaids, Dinosaurs and Chinese Zodiac.

Winner of the 2025 Bei Shan Tang Catalogue Prize ‘Handsomely illustrated’ – Nineteenth-Century Art Worldwide ‘The book is a resounding success… a valuable guide to laypeople, students and scholars on the late Qing for years to come.’ – SEHEPUNKTE ‘The exhibition catalogue’s seven essays…are a guide to [a] re-reading of the past, threading the relics on display into a rich tapestry of what life entailed under the last century of Manchu reign.’ – Rhoda Kwan, The Mekong Review Cultural creativity in China between 1796 and 1912 demonstrated extraordinary resilience at a time of intense external and internal warfare and socioeconomic turmoil. Innovation can be seen in material culture (including print, painting, calligraphy, textiles, fashion, jewellery, ceramics, lacquer, glass, arms and armour, silver, and photography) during a century in which China’s art, literature, crafts and technology faced unprecedented exposure to global influences. 1796 – the official end of the reign of the Qianlong emperor – is viewed as the close of the ‘high Qing’ and the start of a period of protracted crisis. In 1912, the last emperor, Puyi, abdicated after the revolution of 1911, bringing to an end some 2,000 years of dynastic rule and making way for the republic. Until recently the 19th century in China has been often defined – and dismissed – as an era of cultural decline. Built on new research from a four-year project supported by the Arts and Humanities Research Council and with chapter contributions by international scholars from leading institutions, this beautifully illustrated, 336-page book edited by Jessica Harrison-Hall and Julia Lovell sets out a fresh understanding of this important era. It presents a stunning array of objects and artworks to create a detailed visual account of responses to war, technology, urbanisation, political transformations and external influences.

The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired sculptors, artists, poets and writers since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures. The book showcases a series of specially taken photographs of the different sculptural elements: the pediments, metopes and Ionic frieze. It captures the vitality of the sculptures in a group, an individual sculpture or an exquisite eye-catching detail, such as the mane of a horse, a human foot, the swish of drapery or a youthful head bowed in thought.

‘Filled with insights, the very latest research and plenty of surprises: a superlative catalogue of one the most ambitious and spectacular exhibitions ever staged at the British Museum.’ – Peter Frankopan, author of The Silk Roads: A New History of the World ‘A sumptuous book…a book of the exotic and the wonderful, a trip to ancient and far-away lands, a book full of artistic and cultural treasures, a book to savour and enjoy.’ – Sacred Hoop magazine A richly illustrated publication that explores the networks of contacts and exchanges spanning Afro-Eurasia from 500 to 1000 ce, highlighting how the movement of people, objects and ideas shaped cultures and histories. The term ‘Silk Road’ conjures a range of romantic images. Camel caravans crossing desert dunes. Merchants trading silk and spices. Far-flung commerce between ‘East’ and ‘West’. The reality was far richer. Focusing on a defining period between 500 and 1000 CE, this beautifully illustrated book reimagines the Silk Roads as a web of interlocking networks linking Asia, Africa and Europe, from Japan to Ireland, from the Arctic to Madagascar. It tells a remarkable story of people, objects and ideas flowing in all directions, through the traces these journeys left behind – including ceramics from Tang China recovered from a shipwreck in the Java Sea, sword-fittings set with Indian garnets buried in England, and a selection of letters and legal texts from a synagogue in Cairo revealing a Jewish community’s links from India to al-Andalus. Woven throughout, encounters with various peoples active on the Silk Roads, from seafarers to Sogdians, Aksumites and Vikings, reveal the human stories, innovations and transfers of knowledge that emerged, shaping cultures and histories across continents centuries before the formation of today’s globalised world.

The word ‘samurai’ stands for ideals of courage, honour, self-sacrifice and loyalty. Yet much of the common understanding is imaginative fiction. This book explores the concept from medieval reality, through early modern changes, to today’s hugely varied popular culture, challenging preconceptions and exploding myths.The figure of the samurai is unique in its global intelligibility, read both as a symbol of Japan and as a universal icon of the virtuous and fearless warrior.Published to accompany a major exhibition at the British Museum, this is the first book to explore the centuries-long trajectory of the samurai through objects from international collections. It discusses the historical origins of the samurai warrior class in the civil wars of the medieval period and examines the stories they told of their own achievements. From the early 1600s, with the establishment of peace, the samurai became an official class fulfilling a bureaucratic role. The ideal of the medieval warrior took on legendary status, leading to endless representations in popular culture of past examples of heroic valour. As the highest social class, samurai were consumers of deluxe products and their tastes set the standard for the rest of society. Political tensions intensified during the 1850s, culminating in civil war in 1868 and the abolition of the samurai social class in 1876. With the full opening of Japan to international visitors, the concept of the samurai was packaged for foreign tourists and repurposed to provide a model for the modern soldier in a period of military conflict and colonial expansion. The image of the samurai has been interpreted and reimagined in Japan and across the world in myriad ways. Discussions of national myth and global samurai bring the story up to the present day through a broad selection of films, television shows, manga, anime, video games and much more.

A new title in the British Museum’s Object in Focus series that tells the remarkable story of an enamelled gold necklace pendant associated with Henry VIII and his first wife Katherine of Aragon. This book tells the remarkable story of a spectacular chance find of a pendant associated with Henry VIII and his first wife Katherine of Aragon, as well as Mary, their only surviving child. Known as the Tudor Heart, the object comprises a heart-shaped pendant with enamelled motifs, suspended from a chain by an enamelled clasp. Over 3 metres of gold wire have been used to make the chain, the oldest known example of its type to survive, and together the pendant, chain and clasp weigh over 0.3 kilograms and are largely 24 carat gold. The pendant and chain have been dated to the last years of the 1510s based on the motifs used and archival evidence. This book argues that the object is an important witness to Henry’s ambitions in the early years of his long reign, marking his first and longest marriage to a princess of higher birth, commemorating his daughter’s betrothal to the infant son of the king of France, and showing the magnificence of Henry’s court before the arrival of Hans Holbein the Younger changed its expression completely. Readers will learn about a masterfully crafted work using the most luxurious of materials, as well as its place as important historical evidence for pivotal years in English history. This publication explores the sensational finding of the artefact, but its central aim is to establish the details of object’s making, its broader historical context and to tell its own extraordinary story.

Discover Japanese art like no other. Originally created by the artists of the ukiyo-e ‘school of the floating world’ to advertise brothels in 17th-century Yoshiwara, these popular ‘spring pictures’ (shunga) transcended class and gender in Japan for almost 300 years. These tender, humorous and brightly coloured pieces celebrate sexual pleasure in all its forms, culminating in the beautiful, yet graphic, work of iconic artists Utamaro, Hokusai and Kunisada. This catalogue of a major international exhibition aims to answer some key questions about what shunga is and why was it produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards as part of a process of cultural ‘modernisation’ that imported many contemporary western moral values. Only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan and this ground-breaking publication presents this fascinating art in its historical and cultural context for the first time. Within Japan, shunga has continued to influence modern forms of art, including manga, anime and Japanese tattoo art. Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this landmark book sheds new light on this unique art form within Japanese social and cultural history. Shunga: sex and pleasure in Japanese art is published to accompany an exhibition at the British Museum from October 2013 to January 2014.

Beatrix Potter's best-loved The Tale of Peter Rabbit told in ancient Egyptian hieroglyphs.Based on the official centenary edition published in 2002, the tale has been faithfully translated into the script of Middle Kingdom Egypt and illustrated with Potter's original artwork.Beatrix Potter (1866-1943) was an English writer, illustrator, natural scientist and conservationist best known for her children’s books featuring animals, most notably The Tale of Peter Rabbit. Peter Rabbit’s namesake was a Belgian buck rabbit called Peter Piper who was “bought at a very tender age, in the Uxbridge Road, Shepherd’s Bush, for an exorbitant sum of 4/6.” He was to prove a sound investment, as Potter’s “affectionate companion” inspired one of the world’s best-loved fictional characters and earned his owner enduring international acclaim. After Beatrix Potter’s death, her folio of The Tale of the Flopsy Bunnies came into the possession of the British Museum.An example of Beatrix Potter’s hand-drawn images featuring the beloved Peter Rabbit can be found in the Prints and Drawings department of the British Museum.A charming gift for fans of Egyptian history.

Tracing the final 30 years of Michelangelo’s career, this book examines how the great master used art and faith to explore the common human experience of ageing in a rapidly changing world. ‘This fascinating and beautifully illustrated catalogue demonstrates the creativity of Michelangelo’s late years in a way that is both accessible and scholarly.’ – Jill Burke, author of How to be a Renaissance Woman and The Italian Renaissance Nude ‘Excellent catalogue’ – Trois Crayons Michelangelo Buonarroti (1475–1564) was one of the greatest artists of the Renaissance. He was not the isolated, tortured genius of artistic myth, but a man who maintained a close circle of friends and associates into old age. He developed collaborative working relationships with younger artists, thereby maintaining his fame and reputation even as he aged, relinquishing the hardest physical work to others. His late drawings offer a powerful insight into his psychology, reflecting his Catholic faith, his commanding intellectual engagement and his hope for eternal life. Michelangelo reimagined the iconography of religious art to create hugely influential compositions of key moments in Christian faith, such as the Crucifixion, the Last Judgment and the Pietà (or Lamentation). He was involved in designing several significant sites in Rome at this time – including his key architectural project, the immense challenge of rebuilding St Peter’s, at the very heart of Christianity. His role as an architect is explored through beautiful drawings, highlighting his range as a designer. Alongside his major commissions he created deeply personal drawings – revisiting earlier compositions to explore intensely moving Crucifixions that served as spiritual meditations on Christ’s death and offered the hope of salvation for an elderly man facing the end of his own long life. Built on the British Museum’s extraordinary collection of drawings, this book explores Michelangelo’s relationships and late creativity to go beyond the towering Renaissance master known today.

The Rosetta Stone contains a decree written three times in Greek, Demotic and hieroglyphic that provided the key to the mysterious hieroglyphic script of ancient Egypt, and opened up 3,000 years of the country's history and culture. This book tells the fascinating story of one of archaeology's icons, from its creation in the second century BC, to its discovery in 1799 during Napoleon's Egyptian campaign, to the subsequent race to decipher its hieroglyphic text. Undertaken by two brilliant scholars - the Frenchman Jean-Francois Champollion, and the English physicist Thomas Young - it was the former who eventually succeeded in making the crucial breakthrough. Today the Rosetta Stone stands in the Museum as an enduring symbol of human understanding and communication through the ages.

Shortlisted for Exhibition Catalogue of the Year in the British Book Design and Production Awards 2022. ----------'Hokusai: The Great Picture Book of Everything... is both an important contribution to the existing scientific knowledge of the work of this outstanding Japanese artist and an important illustrative source for researchers representing such fields as art history, sinology, Japanese studies, Korean studies, cultural anthropology and cognitive anthropology. For a reader who is not professionally connected with any of the scientific disciplines, Hokusai's mastery of drawing may prove to be an inspiration to broaden their knowledge in the field of history of art and history of culture.' – Ethos, quarterly magazine---------- A landmark publication of a major new discovery of over 100 drawings by foremost Japanese artist Katsushika Hokusai. Acquired by the British Museum in 2020, these previously unpublished drawings had been forgotten for over 70 years.Katsushika Hokusai (1760–1849) is considered by many to be Japan’s greatest artist. During his seventy-year career, he produced a considerable oeuvre of some 3,000 colour prints, illustrations for over 200 books, hundreds of drawings and over 1,000 paintings. These 103 exciting and exquisite small drawings were made for an unpublished book called Great Picture Book of Everything – featuring wide-ranging subjects from depictions of religious, mythological, historical and literary figures to animals, birds, flowers and other natural phenomena, as well as landscapes. They are dominated by subjects that relate to ancient China and India, and also Southeast and Central Asia. Many subjects found in the collection are not found in previous Hokusai works, including fascinating imaginings of the origin of human culture in ancient China.This beautifully produced book draws on the latest research, illustrating the complete set of drawings, published for the first time.

The British Museum has the largest and finest collection of antiquities from Egypt and the Sudan outside of those countries. Packed with information and insights, this classic book, now in paperback, contains over 200 of the most important objects, including the most famous (such as the Rosetta Stone) and also a selection of lesser-known but equally significant or beautiful pieces. An introduction offers a brief history of the vast Egyptian collections of the British Museum and the Egyptian sites and periods from which they come. Each of the 200 objects has a short accompanying text and full page colour illustration. Arranged in chronological order, these intriguing objects range from the earliest predynastic period through the 3,000 year rule of the pharaohs up to Roman Egypt, offering an overview of the art of ancient Egypt in a single volume.

Cuneiform script on tablets of clay is, as far as we know, the oldest form of writing in the world. The choice of clay as writing medium in ancient Mesopotamia meant that records of all kinds could survive down to modern times, preserving fascinating documents from ancient civilization, written by a variety of people and societies. From reading these tablets we can understand not only the history and economics of the time but also the beliefs, ideas and superstitions. This fascinating book will bring the world in which the cuneiform was written to life for the non-expert reader, revealing how ancient inscriptions can lead to a new way of thinking about the past. It will explain how this pre-alphabetic writing really worked and how it was possible to use cuneiform signs to record so many different languages so long ago. Richly illustrated with a wealth of fresh examples ranging from elementary school exercises to revealing private letters or beautifully calligraphic literature for the royal library, we will meet people that aren’t so very different from ourselves. We will read the work of many scribes – from mundane record keepers to state fortune tellers, using tricks from puns to cryptography. For the first time cuneiform tablets and their messages are not remote and inaccessible, but wonderfully human documents that resonate today.

Drawing on the cuisine of the Middle Ages, from the fall of the Roman Empire to Henry VIII's break with Rome, this new treatment of a classic book explores the relationship between food, religion and the ever-widening gap between the tables of the rich and the poor. Featured is an appetizing collection of recipes inspired by medieval manuscripts, richly illustrated throughout with stunning scenes of food, feasting and cooking from paintings, tapestries and drawings. The Medieval Cookbook has been thoughtfully adapted for the modern kitchen, whilst retaining the true essence of dining in medieval Britain.

The updated edition of this best-selling cookbook features a delicious collection of recipes from every strata of classical civilization, all accessible to the contemporary cook. Using a subtle mix of sweet and sour flavours, fragrant herbs, creamy cheesecakes and hearty red wines, ancient Mediterranean cuisine is brought to life. Pioneering the exploration of menus and manners of ancient Greece and Rome, The Classical Cookbook features adaptations of 49 sumptuous dishes. Sitting alongside sun-soaked recipes are rich illustrations of murals, marbles and mosaics, plus lively commentary painting a vibrant picture of everyday wining and dining in the ancient world. The Classical Cookbook will prove that we can still enjoy Terrine of Asparagus, Sweet Wine Cakes, Olive Relish or even Toronaean Shark. Featuring step-by-step instructions, the modern cook will be able to tackle everything from simple meals and street food through to lavish banquets and wedding feasts with an authentic Ancient Greek and Roman flair.

A beautifully illustrated book that demonstrates how artistic creativity existed thousands of years before traditional art histories suggest, as an essential part of human life.Ice Age art now presents extraordinary drawn and sculpted images from the final 20,000 years of the last Ice Age in the British Museum’s collection. These astounding works, some dating back to around 23,000 years ago, reveal the deep roots of drawing, sculpture and modelling in the era of the great painted caves of Lascaux in France and Altamira in Spain. This period may be described as a renaissance in the applied and fine arts of people who had narrowly avoided extinction in the harsh cold of the Last Glacial Maximum, who then asserted their ways of life through art. Seven thematic sections explore specific artworks, highlighting the skill and vision of artists through objects such as an ingeniously sculpted spear thrower made around 13,500 years ago in the form of a mammoth (illustrated above). The final section delves into the alternative world of a painted cave. The imagery in this book conjures up a lost time when people were part of and dependent on nature and showed their respect for it through beautiful, closely observed images of animals. Although the materials supporting the works may be different, techniques of composing, drawing and shading, as well as abstracting and animating, are achieved in the same ways. As a reminder of this, historical and contemporary works by Francisco de Goya, Rembrandt van Rijn, Henri Matisse and Maggi Hambling are included to encourage new ways of seeing.

The links between archaeology and the Bible have fascinated generations of archaeologists and biblical scholars who seek documentation of events narrated in the Bible. The British Museum's collections include numerous inscribed objects, scripts and pictorial reliefs which provide such evidence. There is, for example, a Babylonian clay tablet which records Nebuchadnezzar's siege of Jerusalem in 597 BC, as narrated in the book of Jeremiah. For this book the author has selected over seventy such 'documents', mainly from Western Asia, with some examples included from Greece, Egypt and Asia Minor, dating from the period of the Patriarchs to the New Testament times, c. 2000 BC to c. AD 100. He transliterates and translates the ancient texts, which include Cuneiform, Aramaic and Hebrew, and discusses the contribution they make to our knowledge of the culture and history of biblical times. Each object is illustrated in black and white.

Between the ninth and seventh centuries BC the small kingdom of Assyria in northern Iraq expanded through conquest to dominate the region from Egypt to Iran. The power of the Assyrian kings was reflected in the creation of a series of magnificent palaces in which the walls of principal rooms and courtyards were lined with huge panels of alabaster carved with images of the monarch as priest, victorious warrior and hunter. Together, the sculptures constitute some of the most impressive and eloquent witnesses of the ancient Middle East. This book serves as a superb visual introduction to what are undoubtedly some of the greatest works of art from the ancient world, showcasing a series of specially taken photographs of the British Museum's unrivalled collection of Assyrian sculptures. These stunning images capture the majesty of the Assyrian king, his magnificent court and its protecting divinities, through individual panels or extraordinary, often overlooked details, such as incised embroidery on robes, the contours of flesh and musculature, the turn of a horse's head or the order within the apparent chaos of battle. An introduction sets the sculptures in their cultural and art-historical context. A brief history of Assyria and the royal palaces is followed by an overview of their discovery, reception and understanding. These are the earliest examples of complex narrative art, and their multilayered meanings occupied entire rooms in which the raw emotion and energy of animals and humans was captured with remarkable vitality. Many of these exceptional carvings rank among the greatest achievements in the history of art.

This stunning book offers an introduction to and an exceptional view of an imposing collection of arts from across the Islamic world, highlighting outstanding examples of design, workmanship and craft in paintings and manuscripts, calligraphy, metalwork, ceramics, jade, glass, wood and ivory. The book opens with an explanation of the characteristics common to artistic creativity stretching back to the seventh century, from Spain to Indonesia. Works of superlative quality are then organised into chapters relating to central themes such as religion and belief, the supernatural and natural worlds, feasting, the hunt, war, music and power. The author explores each magnificent artwork in turn, providing cultural context and pointing out special features. By showing the complete artwork as well as enlarged details – sometimes virtually invisible to the naked eye – intriguing comparisons can be drawn and juxtapositions made between seemingly unrelated media. The selection of illustrations evokes the hand and eye of the most accomplished artists of the Islamic world.

This highly illustrated publication details the concepts, construction and design of the new Albukhary Foundation Gallery of the Islamic World at the British Museum. The book outlines not only the history of the extremely rich and varied collection of Islamic material culture at the British Museum, but also the challenges of building and designing a new gallery for the 21st century within a historic building. The building of a new gallery requires collaboration from a number of different individuals. Therefore, this book highlights not only the work done by British Museum staff, but also details the partnerships with the architects Stanton Williams, the Prince’s School of Traditional Arts and the Islamic Arts Museum Malaysia. The result is a fascinating and beautifully illustrated insight into a remarkable new gallery and the British Museum’s unparalleled collection of Islamic material culture.

An eye-opening publication that contrasts perceptions of luxury – together with its positive and negative connotations – in imperial Persia, democratic Athens and the Hellenistic world between 600 and 200 BCE. ‘Luxuriously illustrated’ – Asian Review of Books Luxurious objects are celebrated for their exoticism, rarity and style, but also disparaged as indulgent, extravagant and corrupt. The ancient origins of these attitudes emerged at the boundary between the imperial Persian and democratic Athenian Greek worlds. Luxury was at the centre of the royal Persian court and behaviours of ostentatious display rippled through the imperial provinces, whose elite classes emulated luxury objects in lesser materials. But luxury is contrastingly depicted through Athenian eyes – within the philosophical context of early democratic codes and the historical context of the Greco-Persian Wars, which suddenly and spectacularly brought eastern luxuries into the imagination of the Athenian populace for the first time. While Greek writers rejected luxury as eastern, despotic and corrupt, the Athenian elite adopted Persian luxuries in imaginative ways to signal status, distinction and prestige. Under the Macedonian empire of Alexander the Great and its subsequent kingdoms, royal Achaemenid luxury culture would later be adopted and displayed by the Macedonian and local elite across the Greek and Middle Eastern worlds: behaviours of ostentatious display were a means to seek advantage in the new Hellenistic world order. Ultimately, this publication demonstrates how competing political spins woven around 2,500 years ago still continue to shape modern perceptions of luxury today.

A collection of outstanding and fascinating artists’ books revealing the inspirations and concerns of a group of remarkable contemporary artists. ‘More than a simple reflection of the British Museum’s artist-book holdings, this is an important index of artists’ responses to the issues and circumstances that have shaped the Arab world in recent times.’ – ArtReview ‘A rare treat…a passionate and extremely well organized analysis of over 60 artists’ books from the [British] Museum’s collection.’ – The Markaz Review In the hands of artists and poets, books have been taking a radically different form since the advent of the artist’s book in Paris in the early 20th century. Appearing in a variety of shapes and sizes, as one-offs or small print editions, books offer artists and poets a novel form of expression. In the words of Indian artist Nalini Malani (b. 1946), the book is ‘a carrier of experience’, in which whole worlds are encapsulated. In this beautifully produced book, works made by artists from Beirut to Tunis and beyond highlight the relationship between artists and writers and the influences that inform their work, from family to politics and everything in between. Lebanese artist Abed Al Kadiri (b. 1984) conceived his book during the first month of the pandemic to explore his family history, while through the eyes of Iraqi artist Kareem Risan (b. 1960) we see the shocking aftermath of a deadly explosion on the streets of Baghdad in 2005. These artists also find inspiration in classical poetry and literature. Some of their works respond to and are informed by the medieval Persian poetry of Rumi and Hafez, as well as the tales of The Thousand and One Nights.

The first stroke-by-stroke guide ever produced for learning to write Naskh, one of the six major cursive Arabic scripts. Its origins can be traced back to the late eighth century AD and it is still in use today, over 1300 years later. The Ottoman Turks considered Naskh the script most suited for copying the Qur'an and today more Qur'ans are copied in Naskh throughout the Islamic world than in all other Arabic scripts combined. This introductory workbook makes it possible for everyone to learn and enjoy the beauty of Arabic calligraphy. Based on his experience of running workshops and demonstrations at The British Museum and other cultural institutions around the UK, Mustafa Ja'far has created an easy-to-follow, teach-yourself guide.

A fascinating insight into the living history of Africa. African textiles are patterned with stories that range far beyond the time of the creation or the lifetime of their creator. In Africa, cloth is used to commemorate important events, people or political struggles that in other parts of the world might be recorded in writing, or marked by a plaque or monument. This beautifully illustrated book deciphers these hidden stories, whilst also revealing the relevance of African textiles today, exploring how the dynamic traditions in African cloth-making have provided inspiration for the continent's foremost contemporary artists and photographers. Africa's long engagement with the peoples of the Mediterranean and the islands of the Atlantic and Indian Oceans provides a story of change and continuity, showing how ideas, techniques, materials and markets have adapted and flourished. Accompanied by 200 stunning illustrations revealing the rich variety of textile traditions throughout Africa, this new work showcases some of the world's finest examples of textile arts.