Visar resultat för..."D Giles Ltd"

Grace Hartigan:The Gift of Attentionexplores the significant impact mid-century American poets and poetry had onpainter Grace Hartigan's early career during the 1950s and 1960s. Through acompelling introduction and three illuminating essays, the authors explore howkey literary figures-supporters that included Daisy Aldan, Barbara Guest, JamesMerrill, Frank O'Hara, and James Schuyler-sparked Hartigan's creativity,providing a fuller examination of the art she created during this time. Thisbook not only spotlights Hartigan within the renowned circle of New York Schoolpainters and poets but also highlights the influence of several queer writerswhose daring work and lifestyles profoundly shaped Hartigan's outlook on artand life.

37 eternal reflections that have flowed through the tides of time to soothe the spirit, presented within a unique framework of rare sixteenth century art and striking contemporary images, a glorious sequel to Love & Wisdom. The eternal reflections in this new volume have flowed through the tides of time to soothe the spirit. This special gift book with gilded edges takes the reader on an uplifting journey with inspirational quotes that are as relevant today as they were centuries ago. Stunning photographs of water, and its beauty in nature, are framed by rare 16th century Illumination manuscript borders to showcase poignant messages of love, joy, grief, resilience, gratitude, enlightenment, and peace. Author Alexandra Villard de Borchgrave's moving introduction, in which she writes of her personal loss, inspires the reader to re-embark on the spiritual journey started in Love & Wisdom. AUTHOR: Alexandra Villard de Borchgrave has built a reputation as a photojournalist, author, poet, and philanthropist. Her photographs have appeared on the covers of internationally renowned publications, such as Newsweek and Paris Match. She is the co-author of Villard: The Life and Times of an American Titan (2001), and the author of Healing Light: Thirty Messages of Love, Hope, and Courage (2005); Heavenly Order: Twenty Five Meditations of Wisdom and Harmony (2008); Beloved Spirit: Pathways to Love, Grace, and Mercy (2011), To Catch A Thought: 50 Reflections for the Heart (2014); and Love and Wisdom: 37 Timeless Reflections. Mrs. de Borchgrave founded the nonprofit organization, the Light of Healing Hope Foundation, in 2010 with the mission of giving books as gifts to hospitals and hospices to bring comfort and healing to those in need. SELLING POINT: . A stunning sequel to Love & Wisdom. Images from sixteenth century art from the Smithsonian's Freer/Sackler Gallery and contemporary photographs from the National Geographic Image Collection. 50 colour illustrations

This wide-ranging volume brings together over 75 significant woodblock prints spanning 300 years, from the 17th century to the late 20th centuries. Organised chronologically, it begins with rare, and in some cases unique, examples of Edo-period (1603-1868) woodblock ukiyo-e prints, encompassing a diverse range of sizes, materials, and subjects. Among the renowned artists represented are Katsushika Hokusai, Utagawa Kunisada and Utagawa Hiroshige.This volume then surveys later periods and artists associated with Japanese print output during the late 19th- and early 20th-century Meiji (1868-1912) and Taisho (1912-1926) periods including many produced by artists working as part of the Shin-hanga "new prints" and Sosaku-hanga "creative print" movements. The works from this time period include designs by such influential artists as Tsukioka Yoshitoshi, Kamisaka Sekka, Hashiguchi Goyo, Yoshida Hiroshi, Koshiro Onchi and Ito Shinsui.Finally, later post-war prints featured in the catalogue, dated to the 1950's onwards, manifest the influence of international art movements including Cubism, Surrealism and Popart.

The first major study of Nancy Rexroth (b. 1946), Secrets of My Power furnishes a missing account of her life, work and career as she established her artistic voice in the experimental 1970s and challenged prevailing approaches to photographic image-making. This book locates Rexroth’s practice in a period often associated with those of Diane Arbus, Francesca Woodman and the early work of Sally Mann. Tracing Rexroth’s career from her first photographs to her discovery of the Diana camera and through her exploration of digital tools in the early 2000s, Secrets of My Power presents numerous works which have never previously been made public. These include experimental stills on film, a 53-image carousel slide show and a corpus of self-portraiture. Together with rigorous analysis of her previously known work, these new discoveries help to distinguish and connect Rexroth to key artistic formations of the American photography world in the 1960s, 70s and 80s, including contested social and creative terrain around feminism and gender, technical experimentation, engagement with language, artistic networks and photography’s emergence in universities, museums and the art market.

Presenting over 55 works by a broad cross-section of major and lesser-known names in French and expatriate American art, the volume looks at the changing role of cafés as gathering places for a new type of urban bourgeois clienteleParis in the late 19th century witnessed an explosion in cafés, brasseries, and restaurants, as well as a host of musical and performance spaces, that became social gathering spots for a wide range of artists, writers, intellectuals, political activists, performers and hangers-on. These cafés included Café Guerbois in Avenue de Clichy, frequented by Manet and Degas; Café-concert des Ambassadeurs in the Jardins des Champs Elysees, a favourite haunt of Jean Beraud; and Le Lapin Agile the informal cabaret in Montmartre, closely associated with the struggling modernist artist Picasso.

Lines of Discovery: Four Centuries of American Drawing presents a major new thematic and chronological catalogue survey of the Columbus Museum's most significant holdings of drawings and works on paper, including examples in graphite, charcoal, monotype and pastel. At the heart of the Columbus Museum's collection, and of this volume, is the work of a remarkable individual, Dr. Phillip L. Brewer, who has amassed a truly significant collection of American works on paper – both in terms of its depth and breadth. For the first time this volume presents nearly 200 of these master drawings, 120 of the most important of which are grouped into six chapters, illustrated in full colour, and accompanied by extended catalogue entries written by leading experts. A further 79 works are presented as colour and mono thumbnails interspersed amongst the images of the key works. Included are images by Copley, West and Cole that date from the earliest years of American nationhood; works by Oscar Bluemner, Arthur Dove and Morton Schamberg which herald the advent of modernism; while others by Hans Hoffmann, Yasuo Kuniyoshi, Blanche Lazzell and Rico Lebrun confirm its continued presence through such varied expressions as social realism, surrealism and abstraction. While artists like Milton Avery, Jack Beal, Paul Cadmus, Philip Evergood, Nancy Grossman, and Louise Nevelson explore the strength and beauty of the human form, James Valerio and Andrew Wyeth document the changing faces of the natural world. Together these works, and Lines of Discovery, offer a comprehensive survey of the history of American art. AUTHOR: Stephen C.Wicks is curator of Collections and Exhibitions at the Columbus Museum. Charles T. Butler is director of the Columbus Museum. Theodore E. Stebbins, Jr. is John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston. 155 colour & 80 b/w illustrations

'Jews in America' documents the remarkable story of the Jewish presence in the New World, from the time of Columbus to the 1920s, when the Jewish community in the United States was four million strong and an essential part of American society and culture. Drawing on a mix of contemporary books, manuscripts, globes, maps and engravings from the world-renowned collections of the New York Public Library, Jews in America is a vivid document of everyday Jewish-American life, worship, law, and commerce. It tells the fascinating story of the first Jewish immigrants' arrival in the Dutch colony of New Amsterdam in 1654 (later New York City), Jewish interaction with the four colonial powers in the Western Hemisphere (Spain, Portugal, The Netherlands and England), and on the ideas and beliefs that they influenced. The final chapter looks at the evolving cultural role of Jews in late 19th and early 20th century New York, especially the rise of the Yiddish theatre.

The study of Byzantine coins is essentially the study of communications and movement of people and ideas, within and outside Byzantium. This highly illustrated and accessible volume focuses on over 50 coins to explore the empire's political and socio-economic development and cultural relations with its neighbours. It looks variously at city markets and the exchange of goods between different parts of the Byzantine Empire; at Byzantines travelling to the West; including trade between the Svear and the Romans and trade with Britain; Byzantines travelling to the East, including Armenia, Anatolia and China; the Byzantine legacy in the Islamic world, including the cult of Alexander the Great; and Western merchants in the East, particularly Venetians. The study concludes with the story of the late Byzantine emperors travelling to the West, and the impact their journeys had on western European art. AUTHOR: Eurydice S. Georganteli is curator of the Barber Institute Coin Collection and Lecturer in Numismatics at the University of Birmingham. Eurydice Georganteli studied archaeology and history of art at the Aristotle University of Thessaloniki and the University of Oxford. Between 1992 and 1998 she worked for the Hellenic Ministry of Culture, as well as special research assistant in the Department of Coins and Medals, British Museum. She has been a Byzantine Fellow at Dumbarton Oaks Centre,Washington D.C. and a Robinson Scholar at the Fitzwilliam Museum, Cambridge, before her current appointment at the University of Birmingham as curator of the Barber Institute coin collection and university lecturer in numismatics. Her publications focus on studies of coin finds, monetary circulation and medieval art. Barrie Cook is curator of Medieval and early modern coinage in the Department of Coins and Medals at The British Museum. He has published extensively on medieval coinage. 80 colour illustrations

Generals Robert E. Lee and Ulysses S. Grant are without a doubt two of the most important, and heavily published about, figures in nineteenth-century American history. Their often controversial characters, lives and careers are intrinsically linked with the AMerican Civil War, and subsequent written histories on both individuals have frequently been shaped by the positions and roles both took up during that confilct. However, curiously, despite the enormous amount of published material on the Civil War, including individual biographies of Lee and Grant, there is almost nothing that has been published which looks at these two figures together and which compares them over an extended period of time. This new, fully illustrated book is the first to combine fascinating images and an extensive well-researched and written narrative text. Together with the accompanying toruing exhibition it provides a major re-assessment of the lives, careers, and historical impact of Lee anf Grant. It also charts the development of historical thought and popular attitudes towards both figures in the years since the outbreak of the Civil War. This heavily illustrated volume contains over 270 images - 175 of which are in colour - and brings together a huge number of pictorial representations of both Lee and Grant by a wide range of artists - many never published before - as well as photographs and engravings, and images from popular culture. The lenghty narrative text, written by leading authors William M. S. Rasmussen and Robert S. Tilton, covers the entirety of both these major figures' lives, from their eary education and military training at West Point, through the Civil War and its immediate aftermath, to their retirement, and how they interconnected and how they diverged. It also features a wealth of new information about the Lee and Grant families, including parents, granparents, wives, children, and other family relations. AUTHORS: William M.S. Rasmussen and Robrt S. Tilton are both leading American historiaans and hve collaborated successfully together on previous publications. 175 colour & 100 mono illustrations

Discovering American History in England presents twelve chapters which look variously at Colonial Settlers in the New World, the birth of American Independence, military connections, politicians, American ladies in England, artists, musicians, poets and writers. Each section contains illustrated entries for key people, how they relate to American history and why they are important, together with a list of places connected to the person that can be visited. These places are listed in the Gazetteer which follows. Colour maps and special highlighted spreads also feature information on major biuildings and cities with notable conections to America, such as St Paul's Cathedral in London, Bristol, Cambridge and Plymouth. AUTHOR: Catherine Leitch has led an itinerant life. Born in the US, she has lived for five ears in Germany and fourteen in England. Always interested in studying the past and its connections with the present, she earned a Masters degree in history and taught in the US. An interest in exploring the communities in which she lived and a sense of adventure led to trips around England where surprising connections with American history appeared in many unexpected places. 250 colour illusterations

The American Art Forum, a small group of collectors from across the United States, was begun twenty years ago by Charles C Eldredge while he was director of the Smithsonian American Art Museum. By founding this group, he put the museum in touch with many of the finest collectors of American art. The Forum plays a vital role in introducing far-flung collectors to each other and to the rich variety of public museums across the United States. It is an informal conference for the exchange of news and ideas, held in the far-ranging and ever-fascinating regions of a vast country. The Forum has visited all the biggest cities in the United States and explored public and private collections from all points of the compass. Now, as part of the Forum's twentieth anniversary celebrations, the Smithsonian American Art Museum is proud to offer Variations on America, an exhibition and accompanying volume of seventy-two treasured artworks collected by members of the Forum and selected for the exhibition by the Museum's curators. Chief curator Eleanor Jones Harvey, deputy chief curator George Gurney, senior curators Virginia M Mecklenburg and Joann Moser, former Luce Foundation Centre curator George Speer, and curatorial assistant Elaine Yau present significant and lively contributions about these works. 91 4 colour illustrations. AUTHOR: Eleanor Jones Harvey, chief curator, Smithsonian American Art Museum; George Gurney, deputy chief curator, Smithsonian American Art Museum; Virginia Mecklenburg, senior curator, painting and sculpture, Smithsonian American Art Museum; , senior curator, graphic arts, Smithsonian American Art Museum;George Speer, former Luce Foundation Center curator, Smithsonian American Art Museum; Elaine Yau, curatorial assistant Smithsonian American Art Museum. Published in association with the Smithsonian American Art Museum, Washington, D.C. SELLING POINTS: Presents colour plates and details of over 70 paintings by the leading names in 19th-century and 20th-century American art, collected by members of the American Art Forum Includes works by Sanford Robinson Gifford, Mary Cassatt, Louis Comfort Tiffany, George Bellows, Willem de Kooning, Georgia O'Keefe, James Earl Fraser, John Marin, Andrew Wyeth and David Hockney Publication accompanies an exhibition opening at the Smithsonian American Art Museum in Spring 2007, as part of the Forum's twentieth anniversary celebrations Features major canvasses reflecting the growing interest in the art of the American West, including Georgia O'Keefe, Black Cross with Red Sky (1929), John Marin's Taos Canyon, New Mexico (1929), and James Earl Fraser's moving bronze sculpture, End of the Trail (1918) 91 colour illustrations

130 colour and 12 mono illustrations 32,000 words, including Foreword, Chronology, To Live Forever: Egyptian Funerary Beliefs and Practices by Edward Bleiberg, How Much did a Coffin Cost? The Social and Economic Aspects of Egyptian Funerary Arts by Kathlyn M. Cooney, Further Reading, Index Students of ancient and classical history, all those with an interest in Egyptology and archaeology, Egyptian social and art history Publication accompanies a major national touring exhibition beginning July 2008 through 2011. Venues include Indianapolis Museum of Art (July- September 2008), the John and Mable Ringling Museum, Sarasota,Florida, the Columbus Museum of Art, Columbus, Ohio, the Chrysler Museum of Art, Norfolk, Virginia, the Phoenix Art Museum, Phoenix, Arizona, the Joslyn Art Museum, Omaha, Nebraska, the Norton Museum of Art, Palm Beach, Florida, and the Frist Center for Visual Arts, Nashville, Tennessee, with dates and additional venues to be announced. Presents over 120 colour photographs of beautiful objects from the Brooklyn Museum's world-renowned Egyptian collection, including the famous Bird Lady-one of the oldest preserved statues from all Egyptian history. Offers a new look at a perennially fascinating topic by considering all economic and social ranks of Egyptian society Life after death was a primary cultural belief through thousands of years of Egyptian history. The ancient Egyptians regarded death as an enemy that could be defeated through proper preparation. This brand new book, and its accompanying travelling exhibition, To Live Forever, draws on important ancientEgyptian monuments from the superb collection of the Brooklyn Museum to illustrate Egyptian strategies for defeating death and living forever. The book answers the questions at the core of the public's fascination with ancient Egypt, and explains the Egyptians' beliefs about death and the afterlife, the process of mummification, the conduct of a funeral, and the different types of tombs. At the same time, curator Edward Bleiberg offers a fresh take on the subject by addressing the practical, economic considerations an ancient Egyptian faced when preparing for the next life. Dr. Bleiberg deals with the afterlife preparations not only of kings and nobles, but also of the middle class and the poor. Not all ranks of society had access to the elaborate funeral preparations made for a king. Poorer people could use painted wood or clay coffins as substitutes for the hard stone and gold sarcophagi of kings. Expensive granite vessels, the property of the rich, could be cheaply reproduced in clay and painted to imitate stone for someone of more modest means. In keeping with the book's special focus on the practicalities of afterlife preparation, Kathlyn M. Cooney breaks new ground in her essay, entitled How Much Did a Coffin Cost?, by addressing such pragmatic questions as the price of a coffin in relation to average salaries, and how the costs of different colours of paint affected decisions about coffin decoration. Drawing on original research using documents from the artist settlement at Deir el-Medina, Dr. Cooney discusses how Egyptians chose the objects for their tombs, how much the items cost, how they were paid for, and how the high-priced burial-goods market affected Egyptian society. She shows the ancient Egyptians as ordinary people with problems and desires often similar to those of people today. To Live Forever presents over 120 colour photographs of beautiful objects from the Brooklyn Museum's world-renowned Egyptian collection. Among the works are acknowledged masterpieces of the stone sculptor's art, along with the renowned Bird Lady-one of the oldest preserved statues from all Egyptian history. With its illuminating visual comparisons across different economic levels, this book adds a new dimension to our experience of ancient Egypt. Edward Bleiberg has been a curator of Egyptian art at the Brooklyn Museum since 1998. He was formerly the Director of the Institute of Egyptian Art and Archaeology at the University of Memphis from 1989 to 1998. He has curated the exhibitions Jewish Life in Ancient Egypt: A Family Archive from the Nile Valley; Tree of Paradise: Jewish Mosaics from the Roman Empire; and Pharaohs, Queens, and Goddesses. He is the author of The Official Gift in Ancient Egypt (1996), Ancient Egypt, 2615-332 B.C.E. (2001), Arts and Humanities through the Eras: Ancient Egypt (2004), and the catalogues accompanying Jewish Life in Ancient Egypt, and Tree of Paradise. Kathlyn Cooney is Research Associate at the Getty Research Institute in Los Angeles. She has taught at Stanford, UCLA, and Howard University. She was co-curator at the Los Angeles County Museum of Art for Tutankhamun and the Golden Age of the Pharaohs in 2005. In 2002, she was Kress fellow at the National Gallery of Art, where she was involved with the installation of the Cairo Museum exhibition Quest for Immortality: Treasures of Ancient Egypt. Her first book, The Cost of Death: The Social and Economic Value of Ancient Egyptian Funerary Art in the Ramesside Period, was published in 2007.

The volume and accompanying exhibition discuss the creation of sacred space in the 21st century, examining 28 works by Tobi Kahn including his recent commission for Congregation Emau-El B'ne Jeshrun in Milwaukee. Each work is accompanied by a Meditation by novelist and poet Nessa Rapoport. From large canvasses with biomorphic forms to three-dimensional pieces such as the art nouveau-influenced thrones, Kahn's work has a presence that is immediately striking, and his reputation has grown steadily since his inclusion in the Guggenheim's New Horizons in American Art show in 1985. Much of Kahn's art, especially his landscapes, is ambiguously abstract, inviting the viewer to project onto it their own ideas, feelings and desires. Acting as aids to contemplation, they can be seen as building on the work of Romantic artists who sought to capture the majesty of nature and imbue it with divine resonance.

"Perspectives on Medieval Art: Learning through Looking" examines medieval culture from a number of different viewpoints to reveal how the art of the Middle Ages can provide a unique insight into the wider issues of medieval politics and culture. The essays also address the teaching of medieval art and architecture as well as examining society's longing for ecclesiastical drama. Contributions from leading theologians and historians variously study life and art in the Middle Ages, why the medieval period matters today and how medieval art speaks to a 21st-century audience. Scholars from different disciplines, including Thomas Cahill and Kathryn Kueny, consider individual works of art simultaneously and examine how medieval art is taught in divinity schools, university and college classrooms and museums.

Making American Taste: Narrative Art for a New Democracy is a landmark publication focusing on American narrative art from 1825 to 1870. A significant contribution to our understanding of taste and collecting during this period, it reasseses themes including the rural and the domestic, as well as a broad range of historical, literary and religious subject matter. American art at this time was dominated by powerful arguments about what constituted true art: should it be for the many, or the educated few, and should specifically American art forms and styles be favoured over more traditional, academic, European traditions. Making American Taste looks at these issues through the work of both well-known artists, like Benjamin West, Asher B. Durand and Eastman Johnson, and less familiar names such as Daniel Huntington, Henry Peters Gray and Louis Lang.

'Passion in Venice: Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art' features works by some of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for the artistic scene in Venice, examining the rich visual tradition of Christ as the Man of Sorrows which flourished over three centuries across all artistic media, outstripping other western European schools in terms of output and the number of artists committed to the subject. Authors Catherine Puglisi and William Barcham explore the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. Xavier Seubert focuses on the appeal of the Man of Sorrows as an image expressing pity and anguish, but also offering hope for deliverance and redemption.

Herbert Katzman's lyrical representations of contemporary New York are a stunning tribute to the artist's fascination with the skyline of his adopted city. 'Glorious Sky: Herbert Katzman's New York' highlights a selection of his paintings and drawings produced over half a century, during which he worked largely outside the abstract art movement that dominated the mid-20th century. Included in the 1952 'Fifteen Americans' exhibition at the Museum of Modern Art, Katzman went on to become an influential teacher at New York's School of Visual Arts and continued to work and exhibit until his death in 2004. This vibrant new volume traces his career from his arrival in New York in 1950 through the more abstract "New York School" paintings of the early sixties, to his later work which, with its emphasis on mood and muted colour, shows the influence of Turner, Whistler and the Hudson River School.

'Alexis Rockman: A Fable for Tomorrow' traces the artist's career from 'Pond's Edge' (1986) to 'The Reef' (2009), with its timely reminder of the perils of off-shore oil drilling. Superficially easy viewing, Rockman's paintings subvert the optimism of the American dream with their mix of scientific precision and environmental degradation. This vividly illustrated volume highlights the attention to detail and striking use of colour which give Rockman's work an almost cinematic impact that is seldom seen in contemporary art. His compelling mix of intensely coloured realism, scientific detail and strong polemic, result in art that is both a demand for action and an elegy over what has been lost. Author Joanna Marsh worked closely with Rockman on the painting selection and convincingly links the various themes of the artist's work over three decades with the history of America's environmental movement. Highlights include 'Evolution' (1992), his first mural-sized painting, and 'Manifest Destiny' (2003-04), an ambitious large-scale work commissioned by the Brooklyn Museum of Art. Rockman's ability to cross the boundary between fact and fiction appeals to both scientists and art critics.

'Discovering the Civil War' peels back 150 years of accumulated analysis, interpretation, and opinion to reveal a Civil War that is little-known. Featuring over 250 letters, diaries, photos, maps, petitions, receipts, patents, amendments and proclamations from the incomparable holdings of the National Archives, it takes a fresh look at the Civil War through little-known stories, seldom-seen documents, and unusual perspectives. Grouped into themes such as "Spies and Conspiracies," "Prisoners and Casualties," "Global War," and "Raising Armies," this new book looks beyond the battlefield to the experiences of ordinary people - be they the names of men listed in the "substitute book" who were paid to replace draftees, or firsthand accounts of the Battle of Gettysburg at the Gettysburg veterans 75th anniversary reunion in 1938. Famous documents, such as the 13th Amendment to the Constitution, are juxtaposed with innovative wartime patents, including a multipurpose device that could serve as a tent, knapsack, or blanket, and a message in Chinese script asking for Confederate ships to be barred from Chinese ports - proving that the Civil War became a truly international struggle.

'Masters of French Painting, 1290-1920' presents 138 of the most significant and representative works of art in the Wadsworth Atheneum's internationally recognised collection of French paintings and pastels, ranging from religious subjects, such as Nicolas Poussin's magnificent 'The Crucifixion' (1644-6) and Noel Halle's tender and human 'Holy Family' (1753) to Toulouse- Lautrec's 'Jane Avril Leaving the Moulin Rouge' (1892). As the first public art museum in the US, the Wadsworth Atheneum paved the way for encyclopaedic museums across the country. Founded by Daniel Wadsworth, the Atheneum opened in 1844 with 79 paintings and three sculptures, and today holds more than 50,000 works of art. 'Masters of French Painting, 1290-1920' provides scholars and researchers with an up-to-date resource on French art, and art-lovers with a beautifully illustrated guide to this remarkable collection.

'Revolution! The Atlantic World Reborn' is an original illustrated volume which accompanies the landmark international travelling exhibition opening at the New York Historical Society in November 2011. This fascinating book brings together three globally influential revolutions - in America, France, and Haiti - to explore the enormous transformations in the world's politics and culture between Britain's victory in the Seven Years War in 1763 and the end of the Napoleonic Wars fifty-two years later. While most histories of these revolutions have been told exclusively as chapters within national histories, 'Revolution! The Atlantic World Reborn' presents, for the first time, the story of the 18th-century Atlantic revolutions as a part of wider, intertwined, global narrative. Vivid text and images provide a context for our understanding of these major social upheavals and their lasting influence on contemporary society.

Richard Bell has established a significant reputation as a political commentator and 'enfant terrible' in Indigenous art over the past two decades. This stunningly illustrated catalogue features more than 26 colour plates of his provocative and often humorous works. With their bold use of images and text, they force viewers to face the troubling issue of racism in Australia. Bell's inspiration is complex and multi-layered. He is an avid appropriator, borrowing from other artists, periods and cultures, including Roy Lichtenstein, Jasper Johns, Jackson Pollock, and Aboriginal painter Emily Kam Kngwarreye, among others. He works across a wide range of media, including painting, performance, and video, producing powerful messages that confront and unsettle: about Aboriginal and non-Aboriginal Australians' relationship to each other, about their country's history and about art itself. Accompanies the first travelling exhibition dedicated to Richard Bell's work in the United States. Organized by the American Federation of Arts, it opens at the Tufts University Art Gallery, Medford, Massachusetts in September 2011

President John F. Kennedy's favourite fish chowder and First Lady Laura Bush's guacamole are among nearly 200 dishes chosen from the National Archives of the United States in this book of historical and modern-day recipes. This unique collection of recipes from the records of the U.S. Federal Government also includes dishes from U.S. school lunch programs, government-sponsored radio shows, and war-time recipes meant to conserve wheat, sugar, and meat. This book, inspired by the exhibition What's Cooking, Uncle Sam? The Government's Effect on the American Diet at the National Archives Experience in Washington, DC, also provides historical tidbits from the presidential files, including the transcript of President George H.W. Bush's speech in which he expressed his hatred of broccoli, and a description of the hotdog parties hosted by President Franklin D. Roosevelt and First Lady Eleanor Roosevelt.

Americans proudly proclaim the United States "a nation of immigrants." Millions who came to the US found freedom and opportunity, but America's immigrant story has always been made up of individuals whose histories differed according to who they were, where they came from, and where, when and why they arrived. 'Attachments: Faces and Stories from America's Gates', based on a National Archives Experience exhibition of the same title, draws from the millions of immigration files in the U.S. National Archives to tell some of these unique tales. The catalogue combines prospective immigrants' photographs that were "attached" to a variety of immigration forms, as well as other fascinating documents, to explore the attachments of immigrants to family and community.

'In front of Nature' is the first monograph to feature the work of Thomas Fearnley (1802-1842), a major artist in the tradition of the great romantics like Caspar David Friedrich, J.C. Dahl and J.M.W.Turner. This volume reveals the full range of Fearnley's landscape paintings, from large oils to spontaneous sketches, which he produced 'en plein air' during his summer travels. Fearnley's entire career is considered: Frode Ernst Haverkamp studies his Norwegian upbringing and influence, David Jackson looks at his extensive travels to artistic centres in Italy and Germany, including Dresden where he studied under J. C. Dahl, and his return to Norway via the Swiss Alps and Britain. Ann Sumner studies the artist's little-known British paintings, including his tour of the Lake District and involvement with the Etching Society. Greg Smith focuses on how Fearnley appears in his own landscape studies and in a new type of contemporary painting: gatherings of artists in social settings.

The Cincinnati Art Museum holds over 400 pieces of silver designed, crafted, and sold in its city. With its founding in 1788, Cincinnati established itself as a leading centre for the luxury silver trade in the United States. Cincinnati Silver: 1788 -1940 traces the silver industry in the Queen City from the early years of production before the Civil War, through the growth of mechanisation and mass production, and into the Arts and Crafts and Art Deco periods. As the first comprehensive volume to be published on this subject in nearly forty years, Cincinnati Silver: 1788-1940 is a vital resource for scholars, collectors, and enthusiasts of American silver, as well as those interested in American material culture and the development of eighteenth - and nineteenth - century commerce. With stunning colour photography and in-depth research, this volume recounts the complex and fascinating story of the development of one of America's most important cities.

'Fine Lines: American Drawings' from the Brooklyn Museum is the first survey of the Brooklyn Museum's world-class collection of drawings. It highlights more than 100 masterworks in graphite, charcoal, pen and ink, crayon, and pastel, by some of the most important names in American art from the last three centuries; among the more than 70 artists included are John Singleton Copley, Benjamin West, Winslow Homer, William Merritt Chase, Edward Hopper, Georgia O Keeffe, and Marsden Hartley. Author Karen A. Sherry begins by putting the collection in context within the broader history of the graphic arts in America. A brief historical overview opens each of the following six thematic sections, with an interpretive entry and colour plate for each drawing. A further essay, by Caitlin Jenkins, focuses on how conservation enhances our understanding of works on paper, with the addition of a glossary of terms defining drawing materials and techniques.

This volume is the first in a series of outstanding works from the permanent collection of works on paper at the Cleveland Museum of Art. It presents 50 highlights from the exceptional holding of British drawings, along with a small group of loans from private collections, ranging from the 18th century through the Edwardian period. Featuring works by artists such as Thomas Gainsborough, William Blake, J. M. W. Turner, and Edward Burne-Jones, this new volume represents the extraordinary range of possibility in working on paper. Important recent acquisitions include a highly finished wash drawing exemplary of John Flaxman's neoclassical style, an 18th-century double-portrait in pastel by Daniel Gardner, and a watercolour in pristine condition describing the Surrey countryside at sunset by Samuel Palmer. Fragile and light sensitive, opportunities to see such treasures are rare and for that reason are all the more to be celebrated. Many are published here for the first time.

This beautifully illustrated volume showcases over 70 exquisite pieces from the Cleveland Museum of Art's internationally important collection of British portrait miniatures which range in date from the 17th to the 19th century. It features the work of leading miniaturists, including Nicholas Hilliard, Isaac Oliver, Samuel Cooper, as well as an extensive collection of miniatures by Richard Cosway, much of it shown here for the first time. Author Cory Korkow includes new research about the artists, sitters and owners of these precious miniatures. Each is accompanied by a detailed catalogue entry including notes on both the work and biographical information on the artist, as well as a dramatic full-page colour plate. Supplementary illustrations show the front and back of the miniatures to scale, which, along with numerous conservation photographs, index of artists allows this stunning collection to be studied in detail for the first time. The volume also includes an index of artists.