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This was the freedom she wanted, an animal freedom exposed to the emptiness of sky and land and water. As she stepped forward, Ann flipped into the water and was gone.Evelyn Hall, running from her disastrous marriage of sixteen years, arrives in the neon-lit desert heat of 1950s Reno - the only place in America where she can apply for a quick divorce. Arriving at her guesthouse she meets free-spirited Ann Childs, a casino 'change girl' fifteen years her junior. Overwhelmed by both the vast, lonely beauty of the Nevada desert and her magnetic attraction to Ann, Evelyn must gamble all her own certainties and conventions to win a new kind of freedom.Bold, witty and shimmering with desire, this groundbreaking 60s novel is an unforgettable queer classic.INTRODUCED BY JACKIE KAY'An undisputed lesbian classic' SARAH WATERS'Intelligent and utterly believable' JOYCE CAROL OATES 'Brave, bold and brilliant' JACKIE KAY

Set in the late 1950s, this is the story of Evelyn Hall, an English Professor, who goes to Reno to obtain a divorce and put an end to her disastrous 16-year marriage. While staying at a boarding house to establish her six-week residency requirement she meets Ann Childs, a casino worker and fifteen years her junior. Physically, they are remarkably alike and eventually have an affair and begin the struggle to figure out just how a relationship between two women can last.Desert of the Heart examines the conflict between convention and freedom and the ways in which the characters try to resolve the conflict

In Unlikely Couples, Thomas E. Wartenberg directly challenges the view that narrative cinema inherently supports the dominant social interests by examining the way popular films about ?unlikely couples? (a mismatched romantic union viewed as inappropriate due to its class, racial, or gender composition) explore, expose, and criticize societal attit

Immortal, Invisible: Lesbians and the Moving Image is the first collection to bring together leading film-makers, academics and activists to discuss films by, for and about lesbians and queer women. The contributors debate the practice of lesbian and queer film-making, from the queer cinema of Monika Treut to the work of lesbian film-makers Andrea Weiss and Greta Schiller. They explore the pleasures and problems of lesbian spectatorship, both in mainstream Hollywood films including Aliens and Red Sonja, and in independent cinema from She Must be Seeing Things to Salmonberries and Desert Hearts. The authors tackle tricky questions: can a film such as Strictly Ballroom be both pleasurably camp and heterosexist? Is it ok to drool over dyke icons like Sigourney Weaver and kd lang? What makes a film lesbian, or queer, or even post-queer? What about showing sex on screen? And why do lesbian screen romances hardly ever have happy endings? Immortal, Invisible is splendidly illustrated with a selection of images from film and television texts.

Immortal, Invisible: Lesbians and the Moving Image is the first collection to bring together leading film-makers, academics and activists to discuss films by, for and about lesbians and queer women. The contributors debate the practice of lesbian and queer film-making, from the queer cinema of Monika Treut to the work of lesbian film-makers Andrea Weiss and Greta Schiller. They explore the pleasures and problems of lesbian spectatorship, both in mainstream Hollywood films including Aliens and Red Sonja, and in independent cinema from She Must be Seeing Things to Salmonberries and Desert Hearts. The authors tackle tricky questions: can a film such as Strictly Ballroom be both pleasurably camp and heterosexist? Is it ok to drool over dyke icons like Sigourney Weaver and kd lang? What makes a film lesbian, or queer, or even post-queer? What about showing sex on screen? And why do lesbian screen romances hardly ever have happy endings? Immortal, Invisible is splendidly illustrated with a selection of images from film and television texts.

Impossible Bodies investigates issues of ethnicity, gender, and sexuality in contemporary Hollywood. Examining stars from Arnold Schwarzenegger and Clint Eastwood, to Whoopi Goldberg and Jennifer Lopez, Holmlund focuses on actors whose physique or appearance marks them as unusual or exceptional, and yet who occupy key and revealing positions in today's mainstream cinema. Exploring a range of genres and considering both stars and their sidekicks, Holmlund examines ways in which Hollywood accommodates - or doesn't - a variety of 'impossible' bodies, from the 'outrageous' physiques of Dolph Lundgren and Dolly Parton, to the almost-invisible bodies of Asian-Americans, Latinas and older actors.

Impossible Bodies investigates issues of ethnicity, gender, and sexuality in contemporary Hollywood. Examining stars from Arnold Schwarzenegger and Clint Eastwood, to Whoopi Goldberg and Jennifer Lopez, Holmlund focuses on actors whose physique or appearance marks them as unusual or exceptional, and yet who occupy key and revealing positions in today's mainstream cinema. Exploring a range of genres and considering both stars and their sidekicks, Holmlund examines ways in which Hollywood accommodates - or doesn't - a variety of 'impossible' bodies, from the 'outrageous' physiques of Dolph Lundgren and Dolly Parton, to the almost-invisible bodies of Asian-Americans, Latinas and older actors.

Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema.Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period.This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.

Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema.Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period.This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.

In Unlikely Couples, Thomas E. Wartenberg directly challenges the view that narrative cinema inherently supports the dominant social interests by examining the way popular films about unlikely couples" (a mismatched romantic union viewed as inappropriate due to its class, racial, or gender composition) explore, expose, and criticize societal attitudes, boundaries, and prejudices. The films under consideration,including King Kong , Pygmalion, It Happened One Night, Pretty Woman, White Palace, Some Like it Hot, Guess Who's Coming to Dinner, Mississippi Masala, Jungle Fever, Ali: Fear Eats the Soul, Desert Hearts, and The Crying Game, are examined both individually and as a whole to illustrate how the genre uses the figure of a transgressive couple to explore tensions in genre's use of the figure of a transgressive couple to condemn social hierarchy as well as to raise a range of significant philosophical topics.

She found love on Death Row with her prison pen pal. She’s been missing ever since. Can Jessica Shaw track her down?A missing persons case should be pretty straightforward for private investigator Jessica Shaw. After all, it’s what she does best. But this latest case proves to be anything but straightforward.Christine Ryan is desperate to find her childhood friend Veronica Lowe. Veronica disappeared more than fifteen years ago, not long after having a child with a Death Row inmate, notorious serial killer Travis Dean Ford. When Ford’s widow, Jordana, is murdered in the same way as his victims, Christine fears Veronica and her daughter will be next. If they’re even still alive…Discovering that both Veronica and Jordana were members of the Lonely Hearts Club, a pen pal service for women who want to write to men in prison, Jessica realizes she needs to find Veronica before the killer does. But as Jessica follows the leads it begins to feel like someone is following her. Travis has been dead for years, so who is hunting the Lonely Hearts?

First conceived in 1966 but only completed in 2004, Brian Wilson Presents Smile has been called "the best-known unreleased album in pop music history" and "an American Sergeant Pepper." Reading Smile offers a close analysis of the recording in its social, cultural and historical contexts.It focuses in particular on the finished work’s subject matter as embodied in Van Dyke Parks’ contentious yet little understood lyrics, with their low-resolution, highly allusive portrayals of western expansion’s archetypes, from Plymouth Rock, Massachusetts to Diamond Head, Hawaii. Documenting their multiple references and connotations, it argues that their invocations of national self-definition are part of a carefully crafted vision of American identity, society and culture both in tune and at odds with the times. Critical of the republic’s past practices but convinced that its ideals, values and myths still provided resources to redeem it, the recording is interpreted as a creative musical milestone, an enduring product of its volatile, radical, countercultural times, and an American pop art classic.Of particular relevance to American Studies and popular culture scholars, Reading Smile will also appeal to those interested in 1960s popular music, not least to fans of Brian Wilson, Van Dyke Parks and the Beach Boys.

First conceived in 1966 but only completed in 2004, Brian Wilson Presents Smile has been called "the best-known unreleased album in pop music history" and "an American Sergeant Pepper." Reading Smile offers a close analysis of the recording in its social, cultural and historical contexts.It focuses in particular on the finished work’s subject matter as embodied in Van Dyke Parks’ contentious yet little understood lyrics, with their low-resolution, highly allusive portrayals of western expansion’s archetypes, from Plymouth Rock, Massachusetts to Diamond Head, Hawaii. Documenting their multiple references and connotations, it argues that their invocations of national self-definition are part of a carefully crafted vision of American identity, society and culture both in tune and at odds with the times. Critical of the republic’s past practices but convinced that its ideals, values and myths still provided resources to redeem it, the recording is interpreted as a creative musical milestone, an enduring product of its volatile, radical, countercultural times, and an American pop art classic.Of particular relevance to American Studies and popular culture scholars, Reading Smile will also appeal to those interested in 1960s popular music, not least to fans of Brian Wilson, Van Dyke Parks and the Beach Boys.

The desert, a landscape both severe and beautiful, embodies spiritual struggle and divine support. Jesus experienced forty days of testing and transformation in the rugged Judean desert. Whether disease, social injustice, personal loss, or other challenges have led you to the spiritual desert, it may seem doubtful that any good can come from hardship. Yet it was the arid wilderness of physical deprivation and soul-deep testing that prepared Jesus to live a life of devotion, courage, and merciful service to others. Deserts have much to teach about vulnerability, tenacity, and the interdependence of living beings.The season of Lent, based on Jesus’ forty days in the desert, calls you to navigate your own trials with trust in God and compassion for yourself. By doing so, you can learn to treat your dear ones, your neighbors, and all creatures with care contoured by wisdom.In these daily devotions for the Lenten journey, author Rachel M. Srubas draws on her life and learnings as a contemplative pastor, spiritual director, and desert dweller. Written in language both relatable and reverent, The Desert of Compassion provides daily Lenten sustenance inspired by sacred Scripture, present-day teachings, and personal experience. It is equally suitable for individual readers and spiritual formation groups.

When you're out and about, keep this tabbed booklet by Nora and Rick Bowers close at hand. Featuring only Southwest cacti of Arizona, California, Nevada, New Mexico, Utah, Colorado and Texas, the booklet is organized by group for quick and easy identification. Narrow your choices by group, and view just a few cacti at a time. The pocket-sized format is much easier to use than laminated foldouts, and the tear-resistant pages help to make the book durable in the field.