Visar resultat för..."Fractal Press"

‘Raised from babydom into doubt, I’m as feminine as Rousseau. I, Hazel Brown, eldest daughter of a disappearing class, penniless neophyte stunned by the glamour of literature, tradeless, clueless, yet with considerable moral stamina and luck, left my family at seventeen to seek a way to live. It was the month of June in 1979. I was looking for Beauty: I didn’t exactly care about art, I simply wanted not to be bored and to experience grace. So I thought I would write.’One morning, Hazel Brown wakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life.Woven into the reminiscences of Hazel’s early life are episodes from Baudelaire’s youth, as well as reflections on the history of tailoring, the passion of reading and 19th century painting. Lisa Robertson’s debut novel is an exploration of life lived in pursuit of beauty, and a celebration of the mind of a girl.

Fractal geometry is a uniquely fascinating area of mathematics, exhibited in a range of shapes that exist in the natural world, from a simple broccoli floret to a majestic mountain range. In this essential primer, mathematician Michael Frame—a close collaborator with Benoit Mandelbrot, the founder of fractal geometry—and poet Amelia Urry explore the amazing world of fractals as they appear in nature, art, medicine, and technology. Frame and Urry offer new insights into such familiar topics as measuring fractal complexity by dimension and the life and work of Mandelbrot. In addition, they delve into less-known areas: fractals with memory, the Mandelbrot set in four dimensions, fractals in literature, and more. An inviting introduction to an enthralling subject, this comprehensive volume is ideal for learning and teaching.

This book considers river basins and drainage networks in the light of their scaling and multi-scaling properties, and the dynamics responsible for their development. The hydrology of river basins, and prediction of their growth, demands knowledge of a range of temporal and spatial scales. The core of Fractal River Basins is the search for the hidden order of these temporal and spatial variabilities in river basins, despite variations in size, climate and geology. The commonality of branching networks to other natural phenomena will make this book applicable to a wide range of disciplines. Hydrologists and geomorphologists will find that this book opens up the important topic of the fractal structure of networks at an accessible level. Mathematicians and physicists will appreciate the application of the theory to this aspect of the earth sciences. Comprehensive, well illustrated and with many real-world examples Fractal River Basins, will be useful to researchers and students alike.

This book contains a rigorous mathematical treatment of the geometrical aspects of sets of both integral and fractional Hausdorff dimension. Questions of local density and the existence of tangents of such sets are studied, as well as the dimensional properties of their projections in various directions. In the case of sets of integral dimension the dramatic differences between regular 'curve-like' sets and irregular 'dust like' sets are exhibited. The theory is related by duality to Kayeka sets (sets of zero area containing lines in every direction). The final chapter includes diverse examples of sets to which the general theory is applicable: discussions of curves of fractional dimension, self-similar sets, strange attractors, and examples from number theory, convexity and so on. There is an emphasis on the basic tools of the subject such as the Vitali covering lemma, net measures and Fourier transform methods.

This book brings together two of the most exciting and widely studied subjects in modern physics: namely fractals and surfaces. To the community interested in the study of surfaces and interfaces, it brings the concept of fractals. To the community interested in the exciting field of fractals and their application, it demonstrates how these concepts may be used in the study of surfaces. The authors cover, in simple terms, the various methods and theories developed over the past ten years to study surface growth. They describe how one can use fractal concepts successfully to describe and predict the morphology resulting from various growth processes. Consequently, this book will appeal to physicists working in condensed matter physics and statistical mechanics, with an interest in fractals and their application. The first chapter of this important new text is available on the Cambridge Worldwide Web server: http://www.cup.cam.ac.uk/onlinepubs/Textbooks/textbookstop.html

Carlo Rovelli, Italian physicist, says that "the world is not a collection of things, it is a collection of events." Poet Diane Louie thinks of prose poems as little events. They are happening and happenings. They draw on experience, image, metaphor, and all the properties of language to create little worlds-in-motion: spinning while orbiting, actively shifting our point of view.More genus than hybrid species, prose poems can straddle the obvious limits and less-obvious liberties of perception. This active characteristic of spanning and connecting is especially relevant in a time of cultural polarization. Marrying, even uneasily, the inquiries of science and spiritual longing can illuminate what they—and we—have in common: a desire to understand our presence in a universe that does not yield ultimate answers.

Our universe, science reveals, began in utter simplicity, then evolved into burgeoning complexity. Starting with subatomic particles, dissimilar entities formed associations—binding, bonding, growing, branching, catalyzing, cooperating—as “self” joined “other” following universal laws with names such as gravity, chemical attraction, and natural selection. Ultimately life arose in a world of dynamic organic chemistry, and complexity exploded with wondrous new potential.Fast forward to human evolution, and a tension that had existed for billions of years now played out in an unprecedented arena of conscious calculation and cultural diversity. Cooperation interleaving with competition; intimacy oscillating with integrity—we dwell in a world where yin meets yang in human affairs on many levels. In The Fractal Self, John Culliney and David Jones uncover surprising intersections between science and philosophy. Connecting evidence from evolutionary science with early insights of Daoist and Buddhist thinkers, among others, they maintain that sagely behavior, envisioned in these ancient traditions, represents a pinnacle of human achievement emerging out of our evolutionary heritage. They identify an archetype, “the fractal self,” a person in any walk of life who cultivates a cooperative spirit. A fractal self is a sage in training, who joins others in common cause, leads from within, and achieves personal satisfaction in coordinating smooth performance of the group, team, or institution in which he or she is embedded. Fractal selves commonly operate with dedication and compassionate practice in the service of human society or in conserving our planet.But the competitive side of human nature is susceptible to greed and aggression. Self-aggrandizement, dictatorial power, and ego-driven enforcement of will are the goals of those following a self-serving path—individuals the authors identify as antisages. Terrorist leaders are an especially murderous breed, but aggrandizers can be found throughout business, religion, educational institutions, and governments. Humanity has reached an existential tipping point: will the horizon already in view expand with cooperative progress toward godlike emergent opportunities or contract in the thrall of corrupt oligarchs and tribal animosities? We have brought ourselves to a chaotic edge between immense promise and existential danger and are even now making our greatest choice.

Throughout history, nature has served as an inspiration for architecture and designers have tried to incorporate the harmonies and patterns of nature into architectural form. Alberti, Charles Renee Macintosh, Frank Lloyd Wright, and Le Courbusier are just a few of the well- known figures who have taken this approach and written on this theme. With the development of fractal geometry -the study of intricate and interesting self- similar mathematical patterns -in the last part of the twentieth century, the quest to replicate nature's creative code took a stunning new turn. Using computers, it is now possible to model and create the organic, self-similar forms of nature in a way never previously realised. In Fractal Architecture, architect James Harris presents a definitive, lavishly illustrated guide that explains both the ""how"" and ""why"" of incorporating fractal geometry into architectural design.

The Assouad dimension is a notion of dimension in fractal geometry that has been the subject of much interest in recent years. This book, written by a world expert on the topic, is the first thorough account of the Assouad dimension and its many variants and applications in fractal geometry and beyond. It places the theory of the Assouad dimension in context among up-to-date treatments of many key advances in fractal geometry, while also emphasising its diverse connections with areas of mathematics including number theory, dynamical systems, harmonic analysis, and probability theory. A final chapter detailing open problems and future directions for research brings readers to the cutting edge of this exciting field. This book will be an indispensable part of the modern fractal geometer's library and a valuable resource for pure mathematicians interested in the beauty and many applications of the Assouad dimension.

In Fractal Repair, Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals-a kind of geometry in which patterns repeat but never exactly in the same way-make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity. Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence.

In Fractal Repair, Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals-a kind of geometry in which patterns repeat but never exactly in the same way-make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity. Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence.