Visar resultat för..."George Braziller Inc"

Bertalanffy’s selected writings on his theory of laws applicable to virtually every scientific field. This conceptual approach has had a profound impact on biology, economics, psychology, and demography, with new relevancies today. The new foreword by University of Vienna system theory professor, Wolfgang Hofkirchner, and Centre for Systems Philosophy director, David Rousseau, discusses the theory’s contemporary applications.

This guide to the arts and crafts of fin-de-siècle Vienna is an excellent introduction to the subject in all media - from architecture, furniture, ceramics, and glass, to silver, fashion, and textiles, bookbinding, toys, painting, and the graphic arts - as well as a survey of the cultural development of this pivotal period. Features the work of Gustav Klimt, Egon Schiele, Josef Hofmann and Dagobert Peche amongst many other.

This eloquent examination of Innes's most important paintings illuminates the artist's philosophical and religious preoccupations. It provides an overview of his life and situates Inness within the contexts of key issues in American history, such as the Hudson River School, Transcendentalism, Swedenborgianism, and the work of William James. It explains for the first time how Inness treated landscape painting as a form of philosophical inquiry that could communicate his holistic belief in the unity of nature and spirit. "Bell's handsomely illustrated, eloquently written, and well-documented text considerably expands previous scholarship. ..[A] first-rate study. Highly recommended." Choice

This new title in the Braziller Series of Australian Poets features a poet whose work has been instrumental to the evolution of Australian poetry. By turns philosophical, comic, elegiac and witty, Wallace-Crabbe has forged an utterly unique voice in contemporary poetry. His delight in language is sheer pleasure for the reader, and his wry wisdom indispensable. The Sunday Times called his work "poetry of fine technical resource, precise observation, and sly wit." Wallace-Crabbe is one of Australia's most celebrated poets.Also available in the series:First Light ISBN 9780807600023The Deep North ISBN 9780806716260

A brilliant, prize-winning collection of stories by Mexico’s most important living writer. From the semiotics of pet iguanas to the disillusionment of mariachi singers, Villoro reveals the deep dissatisfactions and absurdities of life in Mexico and its carnivalesque capital. We encounter a border trucker making a movie about illegal migrants, a cuckolded football superstar, and a gluten-free American journalist seeking the authentic Mexican experience. A master of the post-modern narrative, Villoro gives us contemporary Mexico through a complex interplay of culture and character psychology in the most surprising, fresh and humorous ways.

A Passing Bell is the culmination of a life's work. The poem skillfully takes the form of a series of classic Persian ghazals, a style perfected by poets such as Hafiz and Rumi, into a contemporary setting. The ghazal is a lyric poem often compared to the sonnet for its traditional invocation of love, longing and melancholy. Each line of a ghazal has two parts and resembles a couplet. The final line usually contains the poet's name, but Kane has reworked this tradition, and included his wife's name in the final line of each ghazal, making her absence ever more present. In 2013 the poet's wife fell ill to the devastating motor neuron disease ALS, and in 2015 she returned home to Australia to die. A Passing Bell begins at this tragic ending, and traces the poet's grief, from a time when he is so bewildered by loss he is 'shocked to be alive', to his return home, to the house he built for his wife in Australia, to reflect on his life and loss, arriving at a place where 'there comes a time every day when I travel backwards, as if against the tidal flow of my future'. Kane's poetry offers luminous sorrow and the glimmering possibility of joy restored.

This book focuses upon Rodin and the sculptors between 1890 and 1918 who revolutionised the form and meaning of sculpture.

When This You See... is a series of 31 artworks in the medium of embroidery, made between 1996 and 1999, by the American artist Elaine Reichek. All of these beautiful images are reproduced here in full colour and three appear in spectacular gatefolds. traditional samplers dating from the mid- seventeeth to the early-eighteenth century. Created by girls and women as an educational exercise and as a pastime, samplers generally framed truisms, homilies, amd lessons within decorative patterns and motifs. In When This You See..., Reichek replaces these familiar sayings with quotations from mythology, literature, science, art history, and popular culture, to witty and pointed effect. Most of the quotations relate to the arts of weaving, knitting, or embroidery, but the astonishing results range far more widely, operating as social critique, as commentary on the relations between the sexes, and as a challenge. Extending and clarifying that challenge, Reichek punctuates the sequence of the samplers with a number of embroideries derived from works by well-known contemporary artists. Humourous and sophisticated, her art is also visually gorgeous.

The Imagery of Chess Revisited recovers a celebrated and extraordinary moment in art history: the 1944-45 exhibition The Imagery of Chess, held at the Julien Levy Gallery in New York City. The exhibit was a legend in its own time and has been considered a singular event in the history of art exhibitions ever since. The show's organisers - the influential art dealer Julien Levy, the Surrealist painter Max Ernst, and Dada leader Marcel Duchamp, himself a serious chess player - invited a virtual 'who's who' of artists and members of the cultural avant-garde to redesign the standard chess set or otherwise explore chess imagery and its symbolism in bold new ways.Participants included famous European expatriates and soon-to-be famous American modernists: André Breton, Duchamp, Alexander Calder, Ernst, Man Ray, Isamu Noguchi, and Yves Tanguy are among those who contributed chess sets; John Cage and Vittorio Rieti created original musical scores; and Dorothea Tanning, Arshile Gorky, David Hare, Man Ray, Matta, Robert Motherwell, and others produced pivotal chess-related paintings, sculptures and photographic works.

Encompassing two thousand years of building history, The Architecture Reader includes 40 key texts from Alberti, Lloyd Wright, Le Corbusier, Gropius, Venturi, Gehry, and many more. The writings address persistent concerns in architecture and design, including the role of the architect and the relationship of architecture to nature, art, and science.    The carefully chosen texts provide a taste of the multiplicity that characterizes historical and contemporary views of architecture. Krista Sykes organizes the selections chronologically and introduces each with a helpful commentary, contextualizing the author and the salient issues covered in the piece. The excerpts appear in a variety of formats, including interviews, manifestos, lectures and treatises, and are representative of the varied—sometimes conflicting—approaches to building and design. In combination, they provide a fascinating overview of significant concepts within the field of architecture.

Richard Minsky, founder of the Center for Book Arts in New York City, is known for his conceptual approach to hand bookbinding and his commitment to changing the perception of the book arts from craft to fine art. He combines a background in economics with an innovative use of traditional methods and new materials to create sculptural, often political, bookworks. Minsky's blending of an eclectic mix of interests, from musical and theatre performance to social issues and virtual worlds, remains a hallmark of his career. This collection showcases his editioned (non-commissioned) bookworks alongside selections from the Richard Minsky Archive, which documents the history of his career and his working process.Also available:The Art of American Book Covers 1875-1930 ISBN: 9780807616024

First published in 1995 and out of print for several years, this is a comprehensive anthology comprised of the most important American poets who produced work during the half century between 1820-1870. Paul Kane has included not only the well-known masters, like Thoreau, Dickinson, Poe, and Whitman, but also African-American, Native American and female poets, making his book one of the most thorough and well-researched anthologies available today. Kane's critical introduction offers historical context, along with informative head notes and helpful resources in a convenient and accessible format. There is an extensive reference section located in the back of the book, providing information for students and academics interested in further reading.

At the turn of the nineteenth century, book covers were revered as works of art. Publishers commissioned distinguished artists such as Maxfield Parrish and Rockwell Kent to create exquisite covers appreciated by authors and readers alike. The Art of American Book Covers is an entertaining and educational retrospective, lavishly illustrated with more than one hundred full-color plates.

The Braziller Series of Australia Poets continues with the acclaimed poet Bronwyn Lea, deemed "the brightest light to emerge in Australian poetry" in many years (Geoffrey Lehmann, Weekend Australian). Lea's work is a brilliant mapping of the overlapping regions of our sensual, psychic and emotional worlds, presented with a linguistic and intellectual bravura that makes this a captivating collection.

Foods are cultural insignia. Few indicators define a people so well as its foodlore. Food taboos and food celebrations are important to a culture s notions of sacrament and sin, praise and punishment, deprivation and indulgence, vigilant discipline and sustained extravagance. Medieval England s courtly appetites for splendour are evident in cookery books, courtesy manuals, household and court documents, legal records, medieval texts, and in surprising profusion, in works of art ranging from marginalia of prayer books through literary romances. This culinary excursion will introduce the English banquet hall, its furnishings, its table adornments, and its noble servitors. The 'art' of the kitchen is explored and the all important ingredients are scrutinised. The book concludes with over 100 recipes from medieval manuscripts.

Forty colour plates illustrate some of the finest achievements of medieval painting, including the 'Lindesey Psalter', the 'Oscott Psalter', the 'Liber Regalis', the 'Beaufont/Beauchamp Hours' and the rarely reproduced 'Sherborne Missal'. A detailed commentary accompanies each of the plates.

The exciting, novel fashions of Sonia Delauney, a member of the avant-garde movement in Paris in the early twentieth century, heralded the advent of a radically new concept in clothing design. Like many champions of Modernism, Sonia Delauney believed that art should be used to redecorate modern life, and that design should be truly artistic. By applying the bright colours of the peasant costumes from her native Russia to the elegant silhouettes that were currently in vogue in Paris, she translated theory into practice and produced a stunning series of clothes for the Jazz Age. Like the contemporary Orphist paintings created by her husband Robert, Sonia Delauney's designs are characterised by their vibrant colours and sharply patterned geometric collages. They were worn by starlets Gloria Swanson and Gaby; her imaginative theatre costumes were commissioned by another great advocate of Modernism, Diaghilev, for the Bullet Russes. Indeed, Sonia Delauney's clothing, as exalted in the poetry of Tristan Tzara and Guillaume Apollinaire, epitomised the spirit of the new age.

This volume presents three of Meyer Schapiro's finest essays on Pablo Picasso (1881-1973). Given that we esteem artists whose work epitomises particular styles, how can we likewise value Picasso, an artist who demonstrates a wide range of artistic styles? In his first essay, 'The Unity' he finds unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences. This book offers comprehensive analyses of the 20th-century's most prolific artist - Pablo Picasso. It will appeal to all those who have followed Picasso's career and to those intrigued by the multi-faceted connections between art and social changes.

Illustrating one of the great art treasures of the world, The Hours of Catherine of Cleves is a fifteenth century illuminated manuscript containing a series of some of the most beautiful illustrations of the Bible ever made. Many of the great scenes from the Old Testament and many more from the New Testament are included, besides the Stations of the Cross and portraits of the Saints.The work of an unidentified Dutch master painter, the manuscript was made for Catherine of Cleves on the occasion of her marriage to the Duke of Guelders. All the 157 surviving miniatures are reproduced to actual size and in exquisite colour with gold, together with three samples of pages containing the Latin prayers. Each page is accompanied by a descriptive and explanatory commentary by John Plummer. His introduction discusses the development of the Book of Hours as a liturgical form in general, and the history of the Cleves Hours specifically, and describes the place it holds in the history of Northern Painting.

In the Buddhist parable of the ox herder, a herdsman's search for his missing ox is likened to an individual's journey toward enlightenment. Buddhist masters composed this parable, whose origins reach as far back as the literature of ancient India, to guide students of Buddhism in their spiritual journeys. The Ox Herder: A Zen Parable Illustrated presents the earliest known Japanese handscroll illustrating the parable - the only one with paintings in colour. Unlike many early Japanese handscrolls and books, it is intact, from its preface explaining the basic tenets of Buddhism to its signed inscription dated 1278. Extremely popular among Zen Buddhists in medieval Japan, "The Ten Ox Herder Songs", as the parable is best known, divides the herder's journey into ten stages, each illustrated by circularly framed images accompanied by a four-line poem. The paintings, rendered in the graceful traditional manner of Japanese narrative illustration, show the progress of the ox herder (a seeker of truth) toward enlightenment (the ox).Appearing with the ten pictures are the preface and the ten songs that accompany the images, both in the original and in translation, and the final inscription. Stephanie Wada's introduction traces the history of this particular work within Japanese Zen Buddhist painting. For students of Zen Buddhism, Japanese art and seekers of truth from all walks of life, The Ox Herder: A Zen Parable Illustrated offers ancient lessions of spiritual growth and beauty.

The combination of the woodcut - a print method devised early in the fifteenth century - with Johannes Gutenberg's revolutionary invention of printing with moveable type resulted in a powerful explosion of information and ideas. For the first time, it was possible to use a mechanised system to print identical copies of books containing both text and images. Featured in A Heavenly Craft are the earliest surviving examples of these books from throughout Western Europe, all printed within the first century after Gutenberg's invention.The contributors bring these rare books to life, exploring the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications.Many of the woodcut designs grew out of the tradition of manuscript illumination, in which book illustrations were painstakingly executed by hand. The authors also present the distinguishing features of national style and taste, treating the reader to examples from Germany, Italy, France, Spain and the Netherlands.In addition, A Heavenly Craft describes the provenance of these volumes, providing an account of how Lessing J. Rosenwald purchased them from the heir to the Lea and Perrins fortune and later donated them to the Library of Congress in Washington D.C.These early printed volumes are the predecessors of today's illustrated books. A Heavenly Craft celebrates these origins, making these early publications available to bibliophiles and print lovers.

Renowned throughout the world as purveyors of beauty, mystery and allure, geisha have come to represent the epitome of Japanese elegance and chic. The rich 250-year history of these performance artists is vividly presented in this volume, taking the reader behind the mask-like makeup and into both the studios where they train and rehearse and the teahouses where they entertain.Geisha have altered definitions of feminine beauty and identity and are the prevailing icons of Japanese womanhood.Their influence on Japan's decorative arts is documented by their beautiful kimono and hair ornaments and by the musical instruments and fans they use in their performances.The contributors to this book, all prominent specialists on Japanese culture, each consider a particular aspect of geisha tradition and aesthetics, from their music and dance to misperceptions of the profession by foreigners, from the portrayal of geisha as recurring characters in the theatre and film to profiles of talented women who choose this life and work today. Illustrated with woodblock prints and paintings as well as historical and contemporary photographs, this groundbreaking study also explores the dynamic tension between image and reality in the art of these exquisite entertainers.Geisha: Beyond the Painted Smile is a comprehensive presentation of geisha culture from its origins nearly three centuries ago to contemporary Japan. Disciplined performance artists of supreme grace and beauty, geisha are unique ambassadors of Japan's traditional culture.

Reproduced from the finest surviving edition of a rare manuscript, The Sixty-Nine Stations of the Kisokaido brings Hiroshige and Eisen's portrait of daily life in nineteenth century Japan to Western audiences for the first time. Each of the seventy-one images teems with unique characters, from beggars and brawling men to boaters and finely clothed women. Behind these travellers loom castles, cities, powerful waterfalls and many other sites familiar to lovers of Japanese history. Comments by Sebastian Izzard, Ph.D., accompany each image, not only providing insight into their subject matter, but also discussing their survival during the dramatic social shifts and economic hardship of Hiroshige and Eisen's time. This book tells the story of a landmark, two immortal artists, and an enduring masterpiece.

The Très Riches Heures is the most luxurious and most famous examples of manuscript illumination in late medieval Europe. Commissioned by the influential patron, Jean de Berry, in the early years of the fifteenth century, this masterpiece was executed by the three Limbourg brothers, the greatest miniaturists of the time. Their beautifully presented texts are accompanied by lush illustrations, in which the artists' imaginative and decorative genius are fully revealed. Their elegant images influenced the course of painting in France and all of Northern Europe; but, as Millard Meiss comments, 'no painter could match the smooth perfection of their surface, their limpid colour and complex simplicity. Their art could capture the delicate transitory beauty of a newly opened flower.' This edition reproduces each of the miniatures in The Très Riches Heures to scale and in full colour, capturing both the subtle colour and minute detail of these historic images.