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The true story of the Getty family as featured in the TV series Trust and the movie All the Money in the WorldBoardroom battles, sex, money, drugs, power, crime, tragedy, and family intrigue; at the centre stands the figure of John Paul Getty, the grandfather, an eccentric oil billionaire believed to have been the richest man in the world. Married and divorced five times, he had five sons, and yet was cheated of his dearest ambition—to found an oil dynasty. His angelic youngest son died at age twelve after years of illness. Of the remaining four sons, three proved to be hopeless businessmen and, one by one, dropped out of Getty Oil. Only one had the talent to take the helm of the family business, and he was groomed for the part. And then he killed himself.With his cherished hopes of a family dynasty crushed, John Paul built a magnificent museum as a monument for all time to his success. But money tainted even his philanthropy; the Getty Museum has become feared for its wealth and ability to pillage the art market. In the manoeuvering that followed John Paul's death, Getty Oil was sold; Texaco acquired it for $9.9 billion, the biggest corporate takeover in history.Award-winning journalist and writer Russell Miller brings us the extraordinary and often disturbing story of a unique American family. From the pioneering days in the Oklahoma oil fields to the bitter struggles over Getty Oil, we follow the rise and fall of three generations, all cursed with the Midas touch.

‘The most romantic, creative person in garden design I know.’ Piet Oudolf‘Jinny's genius is to marry a beautiful vision to an extraordinary empathy with the landscape into which that vision will fit, resulting in a pastoral harmony second to none’ Victoria, Lady GettyProlific designer Jinny Blom embraces a wide variety of styles, from large garden spaces to formal walled gardensand contemporary installations. What defines her work is her skill with plants and her ability to create a garden that responds to the history of the site and the wider landscape. The gardens Jinny creates are as different as their owners and their locations.In this book, Jinny shares her insight into the creative process she has developed while designing more than 250 gardens around the world. The Thoughtful Gardener contains modern takes on traditional forms, and is split into six sections: seeing, understanding, structuring, harmonising, rooting, and liberating. All of Jinny's gardens share a commitment to beautiful craftsmanship and considered planting. Structure and detail are important, and receive close attention. The styles vary considerably – logical, calm, beautiful, romantic, naturalistic, formal, sometimes spare – but the principles remain firm. Jinny designs for the long term, with consideration for the environment; these gardens are built to last.Reflecting Jinny‘s highly individual character, there is plenty of wit and quirkiness alongside the expert knowledge, and it will appeal to the widest audience of garden lovers. Thoughtful and beautiful, yet practical and informative, this book marries artistry with functionality.

' A future classic...' Gardening Book of the Year, Garden Media Guild Awards 2024'One of the year’s most engrossing, thought-provoking books’ The English GardenA reflective book by Jinny Blom (author of The Thoughtful Garden), one of the world’s leading garden designers.What Makes a Garden builds upon the work of The Thoughtful Garden, giving a broader idea of how Jinny thinks about garden design. In particular it emphasizes her multi-disciplinary approach, which embraces architecture, conservation and art, coupled with a strong holistic thread.This fascinating and insightful book looks at how a garden should please all five senses; how it is an alchemical mix of the inanimate and the living; and also how it has to accommodate both the effects of time and the influences of culture.This is not intended as a book of rules but rather a way of thinking about garden design and making sure it responds to the particularities of place, the culture and the demands of the client. Drawing on her work and experience over the last 20 years or so, the book gets to the heart of what people want and need from a garden and what makes it different from a natural landscape.Reflecting Jinny‘s highly individual approach to garden design, the book is filled with warmth and character alongside her expert knowledge. With a broad appeal, this beautiful book is for all garden lovers: thoughtful yet practical and informative, it marries artistry with functionality.

A NEW YORKER BEST BOOK OF 2025'A fascinating alternative history covering 2,500 years and a geographical span from Japan to California' NEW STATESMAN'A revelation . . . The tale of each carpet as Armstrong tells it is untidy and tragic and comical all at once' TESSA HADLEYOn the saddles of warlords, draping the walls of palaces, under the feet of presidents, dictators and religious leaders: where there is power, there have been carpets.Threads of Empire is a vivid new history of global power told through the stories of the world's most fascinating rugs. From colonial bureaucrats to Lutheran priests, oil barons to Islamic rules, Scythian chieftains to Churchill and Stalin, textile scholar Dorothy Armstrong explores how these objects have always travelled in the slipstream of power - and how the unwritten histories of those who made them are woven into the fabric beneath our feet.

Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, com- bining technical and formal mastery with unexpected, often provocative content that secured his place in history. Mapplethorpe's artistic vision helped shape the social and cultural fabric of the 1970s and 80s and, following his death in 1989 from AIDS, informed the political landscape of the 1990s. His photographic works continue to resonate with audiences all over the world. Throughout his career, Mapplethorpe preserved studio files and art from every period and vein of his production, including student work, jewelry, sculptures, and commercial assignments. The resulting archive is fascinating and astonishing. With over four hundred illustrations, this volume surveys a virtually unknown resource that sheds new light on the artist's motivations, connections, business acumen, and tal- ent as a curator and collector.

Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn's Coracle Press or Harry and Sandra Reese's Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists' books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books / Books and Their Artists includes eighty important examples selected from the Getty Research Institute's Special Collections of more than six thousand editions and unique artists' books. This elegant catalogue also presents precursors to the artist's book, such as Joris Hoefnagel's sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht DuIA rer's Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists' books on Pop art, Fluxus, Conceptual, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.

Seventy-five years ago, on the brink of America's entry into World War II, the National Gallery of Art opened in Washington, DC. Founded by Andrew W. Mellon and accepted on behalf of the nation by President Franklin D. Roosevelt, Mellon's gift included his magnificent art collection and the neoclassical structure that is today's West Building. Since its opening in 1941, the Gallery's singular status as the nation's art museum has continued to attract public-spirited donors. Their generosity has added tens of thousands of superb works of art and has made possible the construction of I. M. Pei's East Building in 1978, the Sculpture Garden in 1999, and most recently a rooftop terrace and new tower galleries in the East Building. In celebration of the 75th anniversary of a beloved cultural institution, America's National Gallery of Art takes readers on a definitive inside tour through the museum's remarkable history. With lively prose and abundant illustrations, this richly detailed volume recounts the development of the Gallery under its four directors--David Finley, John Walker, J. Carter Brown, and currently Earl A.Powell III--and highlights the museum's collections, exhibitions, architecture, and ambience. Later chapters explore the Gallery's new emphasis on contemporary art and its historic 2014 agreement to accept custody of the Corcoran Collection, giving readers and visitors a window onto the future of this national treasure.

A new interpretation of the development of artistic modernity in eighteenth-century FranceWhat can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment.Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions.By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.

The Elements of Art deconstructs great works of art into manageable components so that you can better understand and appreciate them.Knowing how to interpret art is one of the biggest issues facing casual gallery-goers. They may ask themselves questions like: Why is the Mona Lisa so small? Why are some frames gilded in gold while others are non-existent? What can the use of material say about a work, whether it’s an oil painting, collage or made of found objects? And does the life of the artist matter?This book answers all of these questions and more and introduces the key elements with which you can analyse and better understand artwork. From colour, medium and size to where the piece is situated, and the artist who made it, you’ll learn what’s important and what’s not so important.The book includes two parts:Part One introduces the elements using examples from throughout art history, introducing key terms and techniques while giving you the tools to apply lessons learned outside of the book.Part Two puts the elements into practice by breaking down 30 great artworks element by element—from Michelangelo to Frida Kahlo.With the Elements of Art, you’ll learn important information about technique, style, material, location and colour that will shape you to read and interpret art. Whether you're a student, teacher, culture vulture or art enthusiast, this book will help you de-mystify great works of art, making for a more meaningful, fulfilling and enjoyable visit to any gallery.