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Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.

The first major English-language study of JarmuschAt a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang. Juan A. SuÁrez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.A volume in the series Contemporary Film Directors, edited by James R. Naremore

To walk on remnants of the storied Appian Way today, from Rome to the heel of Italy, is to walk in the footsteps of ghosts. Our guide to those ghosts-and the layers of history they represent-is Robert A. Kaster. In The Appian Way, he brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem-all come to life once more as Kaster travels what's left of the Appian Way. He invites us to close our eyes and trek with him back in time, to the campaigns of Garibaldi, the revolt of Spartacus, and the glory days of Imperial Rome. No traveler will want to miss this fascinating journey.

The Roman poet Statius called the Via Appia "the Queen of Roads," and for nearly a thousand years that description held true, as countless travelers trod its path from the center of Rome to the heel of Italy. Today, the road is all but gone, destroyed by time, neglect, and the incursions of modernity; to travel the Appian Way today is to be a seeker, to walk in the footsteps of ghosts. Our guide to those ghosts - and the layers of history they represent - is Robert A. Kaster. In "The Appian Way", he brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem, using stage-by-stage directions we can still follow - all come to life once more as Kaster walks (and drives - and suffers car trouble) on what's left of the Appian Way.Other voices help him tell the story: Cicero, Goethe, Hawthorne, Dickens, James, and even Monty Python offer commentary, insight, and curmudgeonly grumbles, their voices blending like the ages of the road to create a telescopic, perhaps kaleidoscopic, view of present and past. To stand on the remnants of the Via Appia today is to stand in the pathway of history. With "The Appian Way", Kaster invites us to close our eyes and walk with him back in time, to the campaigns of Garibaldi, the revolt of Spartacus, and the glory days of Imperial Rome. No traveler will want to miss this fascinating journey.

Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs."It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review"Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books"Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History

As the world hurtles towards environmental oblivion, China is leading the charge. The nation's CO2 emissions are more than twice those of the US with a GDP just two-thirds as large. China leads the world in renewable energy yet it is building new coal-fired power plants faster than renewables. The country's lakes, rivers, and farmlands are severely polluted yet China's police state can't suppress pollution, even from its own industries.This is the first book to explain these contradictions. Richard Smith explains how the country's bureaucratic rulers are driven by nationalist-industrialist tendencies that are even more powerful than the drive for profit under 'normal' capitalism. In their race to overtake the US they must prioritise hyper-growth over the environment, even if this ends in climate collapse and eco-suicide.Smith contends that nothing short of drastic shutdowns and the scaling back of polluting industries, especially in China and the US, will suffice to slash greenhouse gas emissions enough to prevent climate catastrophe.

As the world hurtles towards environmental oblivion, China is leading the charge. The nation's CO2 emissions are more than twice those of the US with a GDP just two-thirds as large. China leads the world in renewable energy yet it is building new coal-fired power plants faster than renewables. The country's lakes, rivers, and farmlands are severely polluted yet China's police state can't suppress pollution, even from its own industries.This is the first book to explain these contradictions. Richard Smith explains how the country's bureaucratic rulers are driven by nationalist-industrialist tendencies that are even more powerful than the drive for profit under 'normal' capitalism. In their race to overtake the US they must prioritise hyper-growth over the environment, even if this ends in climate collapse and eco-suicide.Smith contends that nothing short of drastic shutdowns and the scaling back of polluting industries, especially in China and the US, will suffice to slash greenhouse gas emissions enough to prevent climate catastrophe.

This creepy collection of true-life tales takes the reader on a tour through the streets, cemeteries, alehouses and attics of Middlesbrough and surrounding towns including Redcar, Guisborough, Yarm and Great Ayton. Drawing on historical and contemporary sources, it unearths a chilling range of supernatural phenomena, from poltergeists in Stockton Town Hall and ghostly gardeners at Albert Park to Victorian spirits in Linthorpe Road. Illustrated with more than fifty archive photographs, this book will delight anyone with an interest in the paranormal history of the area.

From eyewitness accounts of unexplained sightings to the search for evidence of ghosts, this book features over fifty chilling tales of ghostly encounters from around Wearside. Featuring the ghostly nuns of Franklin Street, a headless horseman in Newcastle Road, and the phantoms who haunt the Royal Infirmary, Haunted Wearside is guaranteed to make your blood run cold. Richly illustrated and drawing on historical and contemporary sources, this collection will delight everyone interested in the paranormal.

Gene Tierney may be one of the most recognizable faces of studio-era Hollywood: she starred in numerous classics, including Leave Her to Heaven, The Ghost and Mrs. Muir, and Laura, with the latter featuring her most iconic role. While Tierney was considered one of the most beautiful women in Hollywood, she personified "ordinariness" both on- and off-screen. Tierney portrayed roles such as a pinup type, a wartime worker, a wife, a mother, and, finally, a psychiatric patient—the last of which may have hit close to home for her, as she would soon leave Hollywood to pursue treatment for mental illness and later attempted suicide in the 1950s. After her release from psychiatric clinics, Tierney sought a comeback as one of the first stars whose treatment for mental illness became public knowledge. In this book, Will Scheibel not only examines her promotion, publicity, and reception as a star but also offers an alternative history of the United States wartime efforts demonstrated through the arc of Tierney's career as a star working on the home front. Scheibel's analysis aims to showcase that Tierney was more than just "the most beautiful woman in movie history," as stated by the head of production at Twentieth Century Fox in the 1940s and 1950s. He does this through an examination of her making, unmaking, and remaking at Twentieth Century Fox, rediscovering what she means as a movie legend both in past and up to the present. Film studies scholars, film students, and those interested in Hollywood history and the legacy of Gene Tierney will be delighted by this read.

Gene Tierney may be one of the most recognizable faces of studio-era Hollywood: she starred in numerous classics, including Leave Her to Heaven, The Ghost and Mrs. Muir, and Laura, with the latter featuring her most iconic role. While Tierney was considered one of the most beautiful women in Hollywood, she personified "ordinariness" both on- and off-screen. Tierney portrayed roles such as a pinup type, a wartime worker, a wife, a mother, and, finally, a psychiatric patient—the last of which may have hit close to home for her, as she would soon leave Hollywood to pursue treatment for mental illness and later attempted suicide in the 1950s. After her release from psychiatric clinics, Tierney sought a comeback as one of the first stars whose treatment for mental illness became public knowledge. In this book, Will Scheibel not only examines her promotion, publicity, and reception as a star but also offers an alternative history of the United States wartime efforts demonstrated through the arc of Tierney's career as a star working on the home front. Scheibel's analysis aims to showcase that Tierney was more than just "the most beautiful woman in movie history," as stated by the head of production at Twentieth Century Fox in the 1940s and 1950s. He does this through an examination of her making, unmaking, and remaking at Twentieth Century Fox, rediscovering what she means as a movie legend both in past and up to the present. Film studies scholars, film students, and those interested in Hollywood history and the legacy of Gene Tierney will be delighted by this read.

In the summer of 2000 David Haward Bain and his family left their home in Vermont and headed west in search of America’s past. Spiritually, their journey began on a Kansas trail where the author’s grandmother was born in a covered wagon in 1889. Between the Missouri River and the Golden Gate, they retraced the entire route of the first transcontinental railroad and large stretches of the Oregon and California trails, and the equally colorful old Lincoln Highway. Following vanished iron rails and wagon wheel ruts, bumping down backroads and main streets, they discovered the deep, restless, uniquely American spirit of adventure that connects our past to our present.A superb writer and an exacting researcher, Bain conjures up a marvelous sense of coming unstuck in time as he lingers in the ghost towns and battlegrounds, prairies and river ports, trainyards, museums, deserts, and diners that line his cruise west to California. Bain encounters a fascinating cast of characters, both historic and contemporary, as well as memories of his grandparents and the journeys that shaped his own heritage.Writing in the tradition of William Least Heat-Moon and Ian Frazier, and with an engaging warmth and a deep grasp of history all his own, Bain has fashioned a quintessentially American journey.

Essays on the apparitional, the incomprehensible, and the paranormal in conversation with art, travel, and storytellingOut of Nowhere Into Nothing is a collection of sublime meditations on the unbelievable, the coincidental, and the apparitional; the ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the faces of women walking, historical accounts of hallucinations, a city’s public celebration gone wrong) as an intellectual detective ascending a labyrinthine tower of clues in pursuit of a solution to an unreachable problem: always curious, and with a sense of profound wonder.Out of Nowhere Into Nothing is a sprawling, highly associative consideration of the ways in which the observed material world recalls us to larger narrative and aesthetic truths. Interspersed with documentary-style photographs, Pagel’s first collection of prose is a radiant, obsessive investigation into the mysteries at the center of our seemingly mundane lives.