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The most important writer in Portuguese history and one of the preeminent European poets of the early modern era, Luis de Camoes (1524-80) has been ranked as a sonneteer on par with Petrarch, Dante, and Shakespeare. Championed and admired by such poets as William Blake, Elizabeth Barrett Browning, Edgar Allan Poe, and Henry Wadsworth Longfellow, Camoes was renowned for his intensely personal sonnets and equally intense life of adventure.The first significant English translation of Camoes' sonnets in more than one hundred years, "Selected Sonnets: A Bilingual Edition" collects seventy of Camoes' best - all musically rendered by William Baer into contemporary, yet metrical and rhymed, English-language poetry, with the original Portuguese on facing pages.A comprehensive selection of sonnets that demonstrates the full range of Camoes' interests and invention, "Selected Sonnets" will prove indispensable for both students and teachers in comparative and Renaissance literature, Portuguese and Spanish history, and the art of literary translation.

In Alive in the Sound, Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities - spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians’ status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them - as “natural” musicians - indelible properties of sound. As a contradiction of the rules of ownership, where enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery’s seminal contests of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music’s place in US and global culture.

In Alive in the Sound, Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities - spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians’ status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them - as “natural” musicians - indelible properties of sound. As a contradiction of the rules of ownership, where enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery’s seminal contests of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music’s place in US and global culture.

Celebrate Christmas through music in this interactive book, perfect for introducing little ones to the sounds and songs of the season.  Join Pip and Sammy as they unpack a mysterious box filled with festive treasures, each one unlocking a musical journey around the world. From snowy sleigh rides in New York to fireworks in Argentina, every page introduces a new Christmas tradition and a timeless piece of music. Children press buttons to hear real traditional recordings, including: ‘Sleigh Ride’ by Leroy Anderson (USA) ‘Gloucestershire Wassail’ (England) ‘Dance of the Sugar Plum Fairy’ from The Nutcracker (Russia) ‘Carol of the Bells’ (Ukraine) ‘Sankta Lucia’ (Sweden) With vibrant illustrations and gentle narration, this book brings music to life at the touch of a button. Along the way, children meet composers, learn about instruments and discover how music helps people celebrate Christmas across cultures. Whether read aloud or explored independently, it’s a beautiful gift book that encourages curiosity, creativity and musical play.