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Tales of the dark, fantastical and delightfully strange from the best voices in Nordic fiction. Storytelling has been a major force in the Nordic countries for thousands of years, from the epic Icelandic Sagas to best-selling crime with a noir flair. This anthology collects stories by the best names in Nordic speculative fiction, many of which are appearing in English for the first time. Across dark dystopian sci-fi, mythical fantasy, and terrifying horror, from the rational to the eccentric, these stories combine a deep sense of place with social criticism, themes of loneliness and identity, and the concern for humanity’s impact on the wilderness. Stories by John Ajvide Lindqvist, Maria Haskins, Karin Tidbeck, Kaspar Colling Nielsen, Jakob Drud, Lene Kaaberbøl, Rakel Helmsdal, Johann Thorsson, Tone Almhjell, Alexander Dan Vilhjálmsson, Tor Åge Bringsværd, Thore Hansen, Margrét Helgadóttir, Johanna Sinisalo, Hannu Rajaniemi and Emmi Itäranta.

'The new Stephen King. Don't miss it' The TimesHe found her as a baby, abandoned in the forest. He saved her life. With her first breath - a perfect, musical note - he realised she was no ordinary child. It was for her own protection that he hid her from the authorities. Was it his fault, what she turned into? Or was that why she was left for dead in the first place? The girl who became a little star. Who became, with her extraordinary powers, the most terrifying thing imaginable.In John Ajvide Lindqvist's fourth masterpiece, he ratchets up the tension until the story reaches its blood-chilling conclusion. In doing so, he confirms his place as the undisputed new king of horror.'A magician of genre fiction' Independent

A shipping container is mysteriously dumped in the Swedish port town of Norrtalje. Due to their ignorance of its ownership it isn't until a week has passed that the authorities can have it forced open. There the remains of twenty eight refugees are found, a situation of unrelenting horror. Not only that; a black sludge pours out which contaminates the river and is the cause of a new, sickening dread that affects Norrtalje's inhabitants, causing a lack of trust, aggression, violence. It seems like an end to Kindness.Six characters are at the centre of this extraordinary novel, six people in search of love and connection, whose extraordinary qualities will confront the metaphysical illness consuming their town.'As Lindqvist has increasingly devoted himself to the subtle plumbing of the human soul he has become a distinctive and urgent voice in contemporary literature' - Svenska Dagbladet

Nightmarish tales of mystery and horror, from the best voices in contemporary Nordic fiction. You know them from the stories whispered around the campfire. Sometimes, they’re dark creatures from tall forests or murky bogs, luring their victims to their death, or the apocalyptic roar of a volcanic eruption. Other times, they’re closer to home: an unsettling new neighbour, or the overly friendly people you meet on the train, or the bureaucrat who thinks he's saving the world. Nordic Nightmares opens a window into the horror landscape of the Nordic countries, from Finland to Greenland. The anthology is expertly curated to showcase the work of twenty modern masters of horror – the majority appearing in English for the first time – to keep you company during long, cold nights. Featuring stories by John Ajvide Lindqvist, Marko Hautala, Steinar Bragi, Hildur Knútsdóttir, Pasi Ilmari Jääskeläinen, Martin Schjönning, Rakel Helmsdal, Johanna Sinisalo, Markus Sköld, Boel Bermann, Jon Ewo, Aleksander Brun, Madeleine Bäck, Nanna Árnadottir, Pivinnguaq Mørch, Mikkel Harris Carlsen, AR Frederiksen, Sólrún Michelsen, Gertrud-Marie Kreutzmann, and Tor Åge Bringsværd.

In a tense return to the Bloodstorm series, past choices come back to haunt those who were wronged—and the ever-blurring lines between good and evil make them question what is right.Kim Ribbing is a peculiar man—a skilled hacker, but otherwise reticent and fiercely private. Crime writer Julia Malmros never expected more than a working relationship with him, but all that changed the moment they locked eyes. Now there’s something between them just as thrilling as the mysteries they investigate together.And just as dangerous too.Because Kim has secrets. Enemies. A murky past. And it’s all coming to a head in the confines of his basement.When Julia and fourteen-year-old Astrid—orphaned in a childhood friend’s murder that Julia and Kim investigated—venture downstairs, they’re pulled into the darkest corners of Kim’s life. And they resolve to help him finally get out.As deep as they go, they still can’t escape Jonny, Julia’s detective ex-husband who’s got an axe to grind with Kim. When a new case lands on his desk, confirming his suspicions, he knows just where to look.But some people always know just how to hide.

The follow-up collection to the international vampire bestseller Let the Right One In**Includes the short story Border, now a major film**Whatever happened to Oskar and Eli? And what became of the beleaguered families in Handling the Undead? Find out in Let the Old Dreams Die. In other tales from this collection, a woman finds a dead body and decides to keep it for herself, a customs officer has a mysterious gift that enables her to see what others hide, and a man believes he knows how to deceive death. These are the stories of John Ajvide Lindqvist's rich imagination. They are about love and death, and what we do when the two collide and the monsters emerge.

'Lindqvist is Sweden's answer to Stephen King' Daily MirrorThey only stopped watching her for a couple of minutes. That was all it took. It was a beautiful winter's day. Anders, his wife and their feisty six-year-old, Maja, set out across the ice of the Swedish archipelago to visit the lighthouse. There was no one around, so they let her run on ahead. And she disappeared, seemingly into thin air, and was never found. Two years later, Anders is a broken alcoholic, his life ruined. He returns to the archipelago, the home of his childhood and his family. But all he finds are Maja's toys and through the haze of memory, loss and alcohol, he realizes that someone - or something - is trying to communicate with him. His return sets in motion a series of horrifying events which exposes a mysterious and troubling relationship between the inhabitants of the remote island and the sea.

This open access book uses Swedish literature and the Swedish publishing field as recurring examples todescribe and analyse the role of the literary semi-peripheral position in world literature from various perspectives and on meso, micro and macro levels, using both quantitative and qualitative methods. This includes the role of translation in the semi-periphery and the conditions under which literature travels to and from that position. The focus is not on Sweden, as such, but rather on the semi-peripheral transitional space as exemplified by the Swedish case.Consisting of three co-written chapters, this study sheds light on what might be called the semi-peripheral condition or the semi-periphery as an area of transition. As part of the Cosmopolitan and Vernacular Dynamics in World Literatures series, it makes continuous use of the concepts of 'cosmopolitan' and 'vernacular' – or rather, the processual terms, cosmopolitanization and vernacularization – which provide an overall structure to the analysis of literature and literary phenomena. In this way, the authors show that the semi-periphery is an ideal point of departure to further the understanding of world literature, because it is a place where the cosmopolitan (the literary universal) and the vernacular (the rootedness in a particular culture or place) interact in ways that have not yet been thoroughly explored.The eBook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.

This open access book uses Swedish literature and the Swedish publishing field as recurring examples todescribe and analyse the role of the literary semi-peripheral position in world literature from various perspectives and on meso, micro and macro levels, using both quantitative and qualitative methods. This includes the role of translation in the semi-periphery and the conditions under which literature travels to and from that position. The focus is not on Sweden, as such, but rather on the semi-peripheral transitional space as exemplified by the Swedish case.Consisting of three co-written chapters, this study sheds light on what might be called the semi-peripheral condition or the semi-periphery as an area of transition. As part of the Cosmopolitan and Vernacular Dynamics in World Literatures series, it makes continuous use of the concepts of 'cosmopolitan' and 'vernacular' – or rather, the processual terms, cosmopolitanization and vernacularization – which provide an overall structure to the analysis of literature and literary phenomena. In this way, the authors show that the semi-periphery is an ideal point of departure to further the understanding of world literature, because it is a place where the cosmopolitan (the literary universal) and the vernacular (the rootedness in a particular culture or place) interact in ways that have not yet been thoroughly explored.The eBook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.

In the autumn of 2016 a wave of suicides swept through Stockholm's underworld...Investigative journalist Tommy T's star has faded since he was a fixture on Sweden's talk-show circuit. His deep dive into the mysterious suicides-and the role of the elusive 'X' who seems to be behind everything-will be his ticket back to the top. And the trail is hot: it leads him first to a murdered friend and then to a huge batch of cocaine.Meanwhile, Tommy's seventeen-year-old nephew Linus is getting in deep himself. He's been selling his ADHD medication since he was thirteen, hoping for bigger opportunities. Now there's one staring him in the face-in the form of a huge batch of cocaine. But there's a larger plan behind what is happening, and the business turns out to be both stranger and more dangerous than either of them could have imagined.I Am the Tiger is the culmination of the series that began with I Am Behind You and I Always Find You. John Ajvide Lindqvist spins the crime novel into the realm of the supernatural, as forces beyond human control infiltrate the suburbs of Stockholm.

In this sweeping and suspenseful start to the Bloodstorm series, an ex-cop turned crime writer teams up with a mysterious hacker to solve a murder—and uncovers corruption along the way.Julia Malmros is thriving. A former police officer making her way in the world of crime fiction, she’s turning popularity into fame by writing the next book in a world-renowned suspense series.To help her research, Julia connects with Kim Ribbing. More hacker than man, Kim bears a dark past that’s the very antithesis of the promising future she has planned for herself. They share an undeniable spark—yet it’s likely to implode.That’s the least of Julia’s worries.Hounded by publicity, Julia retreats to her cottage in the Stockholm archipelago. It’s there that she begins to reevaluate her life, reunite with Kim…and return to her investigative roots after tragedy unfolds on a nearby pier. The victim: a billionaire, her childhood friend.Julia’s ex, Jonny, leads the official investigation, but Julia knows there’s no such thing as coincidence. And as she and Kim follow the trail of cash, corruption follows dangerously close behind.

A supernatural superthriller from the author of Let the Right One InMolly wakes her mother to go to the toilet. The campsite is strangely blank. The toilet block has gone. Everything else has gone too. This is a place with no sun. No god.Just four families remain. Each has done something to bring them here - each denies they deserve it. Until they see what's coming over the horizon, moving irrevocably towards them. Their worst mistake. Their darkest fear.And for just one of them, their homecoming.This gripping conceptual horror takes you deep into one of the most macabre and unique imaginations writing in the genre. On family, on children, Lindqvist writes in a way that tears the heart and twists the soul. I Am Behind You turns the world upside down and, disturbing, terrifying and shattering by turns, it will suck you in.

A supernatural superthriller from the author of Let the Right One InMolly wakes her mother to go to the toilet. The campsite is strangely blank. The toilet block has gone. Everything else has gone too. This is a place with no sun. No god.Just four families remain. Each has done something to bring them here - each denies they deserve it. Until they see what's coming over the horizon, moving irrevocably towards them. Their worst mistake. Their darkest fear.And for just one of them, their homecoming.This gripping conceptual horror takes you deep into one of the most macabre and unique imaginations writing in the genre. On family, on children, Lindqvist writes in a way that tears the heart and twists the soul. I Am Behind You turns the world upside down and, disturbing, terrifying and shattering by turns, it will suck you in.

'The new Stephen King. Don't miss it' The TimesIn September 1985, nineteen-year-old John Lindqvist moves into a dilapidated old building in Stockholm, planning to make his living as a magician. Something strange is going on in the building's basement - and the price of entry is just a little blood.I Always Find You is a horror story - as bizarre and macabre as any of Lindqvist's bestselling novels. It's also a book about being young and lonely, about making friends and growing up. It's about magic, and the intensity of human connection - and a society's communal responsibility for a devastating act of political violence.

A spine-tingling, boundary-crossing, mind-blowing conceptual horror novel from the bestselling author of Let the Right One In

**The international bestseller and the book behind the film and play Let Me In**Let the Right One In Season 1 premieres Saturday, 8th October 2022 on Paramount+ UK.'The new Stephen King' The TimesOskar and Eli. In very different ways, they were both victims. Which is why, against the odds, they became friends. And how they came to depend on one another, for life itself. Oskar is a 12-year-old boy living with his mother on a dreary housing estate at the city's edge. He dreams about his absentee father, gets bullied at school, and wets himself when he's frightened. Eli is the young girl who moves in next door. She doesn't go to school and never leaves the flat by day. She is a 200-year-old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood. John Ajvide Lindqvist's novel is a unique and brilliant fusion of social novel and vampire legend, a deeply moving fable about rejection, friendship and loyalty.

'Reminiscent of Stephen King at his best. Best read by sunlight' Independent on SundaySomething very peculiar is happening in Stockholm. There's a heatwave on and people cannot turn their lights out or switch their appliances off. Then the terrible news breaks. In the city morgue, the dead are waking up.What do they want? What everybody wants: to come home.

This book provides cutting-edge research on networked learning, focusing on issues of sustainability in design for learning, data use, and networked learning connections.

This book provides cutting-edge research on networked learning, focusing on issues of sustainability in design for learning, data use, and networked learning connections.

This book traces the emergence and development of cultural and creative industries (CCI) policy in Europe in the last 25 years. Why and how CCI policy has been designed and implemented in Europe is a central question of the book, in particular with regards to negotiations and relations between policy actors across established policy domains.

This book traces the emergence and development of cultural and creative industries (CCI) policy in Europe in the last 25 years. Why and how CCI policy has been designed and implemented in Europe is a central question of the book, in particular with regards to negotiations and relations between policy actors across established policy domains.

This book addresses the central issue of children’s social situation of development in relation to sustainability, care and imagination.

This BCAM SpringerBriefs is a treaty of the Infinity-Laplace Equation, which has inherited many features from the ordinary Laplace Equation, and is based on lectures by the author.  The Infinity-Laplace Equation has delightful counterparts to the Dirichlet integral, the mean value property, the Brownian motion, Harnack's inequality, and so on. This "fully non-linear" equation has applications to image processing and to mass transfer problems, and it provides optimal Lipschitz extensions of boundary values.

Låt de gamla drömmarna dö (novellerna) innehåller de noveller som finns med i pappersboken med samma titel. Berättelserna är skrivna under lång tid i vitt skilda sammanhang och bär alla Johns oefterhärmliga och älskade berättarröst, liksom hans svarta humor. Titelnovellen är en epilog till debuten Låt den rätte komma in. Där avslöjas vad som egentligen hände med Oskar och Eli sedan de klivit av tåget. Här finns även den klaustrofobiska långnovellen Ansiktsburk, som skrevs för Göteborgs filmfestival 2009 och handlar om en författare som ställs till svars för sina skapelser, både av skapelserna själva och av regissören Roy Andersson. Samt DN-följetången Tindalos, om småbarnsmamman i Roslagen som förföljs av det tragiska minnet av hennes fars död. Detta är boken för alla som vill veta hur det går och som vill tillbringa några timmar i John Ajvide Lindqvists fascinerande och skrämmande värld.

Ett barn står natt efter natt i Finlandsfärjans för och spejar ut mot havet. En långtradarchaufför med en blodig hemlighet plockar upp en liftare med misstänkt lite bagage. Ett ungt par får köpa en villa billigt eftersom där råder »speciella omständigheter«. Våran hud, vårat blod, våra ben innehåller en samling skräckberättelser med omisskännlig John Ajvide Lindqviststämning, som utspelar sig i ett samtida Sverige, men precis utanför vårt synfält. Vi får möta en samling vardagliga gestalter och ett antal mindre vardagliga, såsom spöken, vampyrer, varulvar, mylingar, tomtar, zombies och så ett havsmonster. Titelberättelsen Våran hud, vårat blod, våra ben, som nominerades till British Fantasy Award för bästa novell, är enligt John Ajvide Lindqvist själv det otäckaste han skrivit i det korta formatet.