Visar resultat för..."Parasol"

The first retrospective on Parasol Press, a New York–based print publisher that swiftly became a critical force in both American printmaking and the contemporary art world Parasol Press: Breaking New Ground is the first retrospective to survey the breadth of Parasol Press’s remarkable publications between 1970 and 2014. Founded by Robert Feldman in New York, the publisher came to prominence for introducing a generation of Minimalist and Conceptual artists to printmaking. Working in the 1970s with artists such as Mel Bochner, Sol LeWitt, Robert Mangold, Brice Marden, Agnes Martin, Edda Renouf, Dorothea Rockburne, and Robert Ryman, Parasol’s editions were among the decade’s most ambitious prints, showcasing the complex and varied ways Minimalist artists explored the materiality of printed surfaces while challenging the medium’s limits. Collaborating with printers including Kathan Brown at Crown Point Press and Michael Domberger at Edition Domberger, Parasol Press took risks on technically daring feats, including Chuck Close’s creation of the largest mezzotint ever produced, Richard Estes’s intricate photorealistic screenprints consisting of hundreds of layers of color, and a multiartist portfolio made entirely from rubber stamps. Over the next decades, Parasol would go on to publish innovative editions by more than one hundred artists, including Eric Fischl, Susan Rothenberg, David Salle, Julian Schnabel, and Donald Sultan. Parasol’s final project in 2014 continued to break boundaries, inviting ten award-winning physicists and mathematicians to produce a portfolio containing what they considered to be the most beautiful equations, exquisitely rendered in aquatint, like chalk on a chalkboard.This comprehensive account provides a unique and dynamic snapshot of a radically changing art world, demonstrating how a range of artists approached, explored, and experimented with the medium of print. Parasol Press reveals how the groundbreaking publisher helped forge transformative connections between dozens of artists and printers, capturing not only the innovative approaches of renowned artists but also emphasizing the significance of risk-taking, collaboration, and experimentation in pushing the boundaries of artistic expression. Distributed for the Addison Gallery of American Art Exhibition Schedule:Addison Gallery of American Art, Phillips Academy, Andover, MA(January 24–July 31, 2026)Print Center New York(September 17–December 19, 2026)

'A writer of sentences so elegant that they gleam.' ALI SMITH'Entirely original.'STYLIST'Oyeyemi has mastered the art of bold, expansive storytelling.'IRENOSEN OKOJIE'A writer we should be delirious to have as a contemporary.'INDEPENDENTThe new novel from the Goldsmiths Prize-shortlisted author Helen Oyeyemi.Oyeyemi treats you to a kaleidoscopic weekend in Prague, as dazzling as it is effortlessly unique. Get lost in the story like you would an unfamiliar city and let it reward you with moments of philosophical clarity, wheelbarrow rides, raw emotion and raw onions.This novel is a holiday, an adventure, a marvel and a guide. It is a story about the lies behind the lies we tell and a city as a living thing, sustained by the lives of its inhabitants. Suffused with warmth and joy, Parasol Against the Axe is a love letter to Prague, and to the art of storytelling.

'A writer of sentences so elegant that they gleam.' ALI SMITH'A writer we should be delirious to have as a contemporary.'INDEPENDENTThe new novel from the Goldsmiths Prize-shortlisted author Helen Oyeyemi.Oyeyemi treats you to a kaleidoscopic weekend in Prague, as dazzling as it is effortlessly unique. Get lost in the story like you would an unfamiliar city and let it reward you with moments of philosophical clarity, wheelbarrow rides, raw emotion and raw onions.This novel is a holiday, an adventure, a marvel and a guide. It is a story about the lies behind the lies we tell and a city as a living thing, sustained by the lives of its inhabitants. Suffused with warmth and joy, Parasol Against the Axe is a love letter to Prague, and to the art of storytelling.

The book examines the extent to which Chinese cyber and network security laws and policies act as a constraint on the emergence of Chinese entrepreneurialism and innovation. Specifically, how the contradictions and tensions between data localisation laws (as part of Network Sovereignty policies) affect innovation in artificial intelligence (AI). The book surveys the globalised R&D networks, and how the increasing use of open-source platforms by leading Chinese AI firms during 2017-2020, exacerbated the apparent contradiction between Network Sovereignty and Chinese innovation. The drafting of the Cyber Security Law did not anticipate the changing nature of globalised AI innovation. It is argued that the deliberate deployment of what the book refers to as 'fuzzy logic' in drafting the Cyber Security Law allowed regulators to subsequently interpret key terms regarding data in that Law in a fluid and flexible fashion to benefit Chinese innovation.

The book examines the extent to which Chinese cyber and network security laws and policies act as a constraint on the emergence of Chinese entrepreneurialism and innovation. Specifically, how the contradictions and tensions between data localisation laws (as part of Network Sovereignty policies) affect innovation in artificial intelligence (AI). The book surveys the globalised R&D networks, and how the increasing use of open-source platforms by leading Chinese AI firms during 2017-2020, exacerbated the apparent contradiction between Network Sovereignty and Chinese innovation. The drafting of the Cyber Security Law did not anticipate the changing nature of globalised AI innovation. It is argued that the deliberate deployment of what the book refers to as 'fuzzy logic' in drafting the Cyber Security Law allowed regulators to subsequently interpret key terms regarding data in that Law in a fluid and flexible fashion to benefit Chinese innovation.